 I've seen Blessing Lungahu actually. We didn't talk about him. I've seen him as part of the cast. Yeah, Blessing is part of the cast. What is he doing? Well, that's the reason to come see it as well. Come on, just tell us, because there are people who have fans of Blessing. And you know, they'll be like, oh, Blessing is in it. I want to go and watch. What is he doing? What is his role? So Blessing in this, he plays a man called Master Jay, a retired music producer. He doesn't know that. That's just something me and the writer have in our mind. Yes. Yeah, so that's why he has the name Master Jay. He's a drug lord in this film, trying to take over Pablo's empire. Oh, okay. So that's why he's looking as well for Pablo. Yes. So we have the hashtag, where is Pablo? What's up, guys? Welcome to SPM Buzz. My good name is Miss Kethingi and welcome to SPM Buzz, guys. This is Buzz with stars and I am hanging out with movie stars. But before I introduce them, guys, make sure you subscribe. We are heading to 100k, 150,000 subscribers. And if you bless us with that subscription, we are going to be moving forward. Sindio, make sure you subscribe. Subscribe. Thank you for doing that. Now, guys, today I'm hanging out with these movie stars. We are going to be talking about these upcoming movie that is called an adulterated film. And of course, guys, it's going to be, you know, a combination of some thriller, some action. And I'm so glad that Kenyans are doing something good when it comes to cinematography. Welcome, guys. Karibuni Sana. Thank you. Thank you. So, please, let us know. Let's start off with getting to know you guys. Yeah. Probably just introduce yourselves and let us know what you guys do. Ladies first. Yeah. Sure. Hello there. My name is Papinchel Wangari. I am 21 years old. I'm an actor, commercial model and also an actress. Amazing. Hi, my name is Charles Jurkuch. I'm a filmmaker and an occasional actor. Oh, occasional actor. Okay. Now, guys, these two people are a part of this movie that has been called an adulterated, an adulterated film. Is that true? Yeah. Am I pronouncing it right? That name is so fancy. It's so fancy. I don't know what you guys feel about it. And when you actually heard of the name, what came into your mind? Before you even checked the script. Well, I did ask him to explain what it means because I'll be very honest. That was the first time I'm hearing the word. Yes. So I did ask him to like explain what it meant, but I think after going through the script, it actually makes a lot of sense that particular name. Okay. Now, the reason why she asked him to explain to her is because he's part of directing and co-producer for this film. Is that true? Yeah. So maybe you could tell us what was the idea behind the name and adulterated? Well, when I came up with it, I thought it was a common name, a common word. Oh, really? Yeah. What are you trying to say? Something is an adulterated. It means it's pure. It's untouched. So yeah, pure untouched. It's an adulterated, like an adulterated rage. Maybe I watch so many movies, so I usually hear that word in movies mostly. Yes. So an adulterated means to be pure and untouched, like it's just the way it is. It's like a baby. Okay. Born yesterday, that's a pure and adulterated baby. So what is pure and untouched in this film? So in this film, we have a character called Madel, played by you. Yes. Well, in this film, he's trying to become an adulterated by his past, which is impossible since you're already an adulterated. If you already live this kind of life, you can only change from it. You cannot become purely clear from what was in the past. So that character has already been touched before it tries to become untouched? Yeah. But the way we start with him in the film is the way we end with him. So he's the same throughout, which is why we have the name unadulterated. Oh, is that a way to just show that people don't change? This is change, you know the mask. Well, you'll have to watch the film to understand it now. No, just normally into your life. Do you believe that people actually change or they just cover up and put up another face? No, I think actually people change. They do? If you're putting a face, it will come off in a few weeks or months, or you can go a few years, but still it'll change. So you go back to what you were, it's just a mask. So it means that now people really don't change? No, people change. I'm saying if you're putting on a mask, it will come off as a certain point in life. So same case applies to Matteo. He tried to be something else, but in the end he still became who we knew was known before. So in this film, he's good, starts off trying to become something else, which is bad. Doesn't work for him. So it advanced to what he was before, which was good. Okay, now let's talk about your character. I've seen that you're a young mom who's just about to get married. And you two are a couple in the film actually. We didn't tell people. Not the usual couple, but yes. Oh, really? Okay, so tell us about your character. Well, Jenny is mother was girlfriend from when they were teenagers. It doesn't just start when they're adults. And well, fortunately or unfortunately, their relationship is not something that's accepted by Jenny's mother. Oh, okay. And it becomes some sort of a hiccup. Also, the kind of job or the kind of indulgence that mother is getting into, brings some sort of repercussions in the relationship. So she does get pregnant with a baby along the way. And now it comes down to... Baby already born. Oh, okay. Yeah, she does get pregnant, gets the baby. And now they have a baby, but he still hasn't gotten his life right. So there's little to no chance of them having like a starting up a family. And also Jenny's mother is against it. So we go through that back and forth. Jenny is mostly going through that back and forth with Mateo of, please get your life right. I want a family with you. I want a wedding. And she's asking for all these things. And even despite her mother being against this relationship, she still very much is in love with Mateo. But Mateo is not in a position to start a family and maintain it. Okay. So we see Jenny as sort of like the light in the film. She's trying to make things right. She's trying to bring everything into order as it's supposed to be. Have a father, have a father for her kid and a husband and a working marriage. But well, that doesn't seem to be as easy as she'd have it in her head. So there's a lot that happens there. It's not just as simple as can be described. Yeah. Yes. And how long did it take you guys to shoot this film? Uh-huh. We started when? When was this? 0 October? Yes. Last year. Yeah. Last year, October. Yeah. I remember it was. Yeah, it was October because we had the script reading. Yeah. During September. Right. Ah, yeah, yeah. No, we started shooting in October. Yes, we had the script reading during September. We started shooting in October. All the way to December. Yes. Not like every day of the week, but some days of the week until the last day of shoot was December before the week of 12th. Ah, okay. And how long is this film? It's an hour and 50, 48, 50 minutes long. Oh, probably just like two hours? Almost two hours. Two hours. We are inviting you to our home. Yeah, okay. Like a movie date. Ah, all right. So, I mean, I'm really interested to know because, you know, film in Kenya is not the easiest to do, especially when it comes to finances and all that. Yeah. How do you guys go about it, you know, just as actors and actresses when it comes to finances? Do you take finances in front? Do you decide, you know, no, this is my passion? Let me just go about and do this. How would you guys go about it? Well, in this particular film, our productions as South subject pictures, we usually fund them ourselves from our own pockets. Meaning you go broke for the next few months after you make one film. But for this particular one, we asked for help outside. I say outside. I mean, outside the country. Yes. There's a studio called Epic Verse Studios in somewhere in the US. Yeah. Yeah. They started their own startup, startup like film studio. I thought, you know, let me try my luck since they say they're open to it. So I just tried to like just send an email. Yes. The next morning I got a reply. Oh, wow. That was fast. Yeah. That was fast. Yeah. So, you know, back and forth until October began and that's when we got a little funding from him from Epic Verse. Yeah. All right. So that's it. But usually you just pick it from your own pocket. Yes. And get a few friends to help you out. Uh-huh. Yeah. That's in your small production. But this is the first feature film we're making. All right. Yeah. So is this your first film to be in or are you being in a couple of others? No, this is not my first. I have been in a couple of others, but mostly featured roles and extra roles. This is the first film that I'm doing as the main character. Yeah, at least the first one that's coming out because there's another one I did just before and adulterated, but it's yet to come out. So this will be the first one that's coming out where I'm at least having a role. Yeah. A major role. Yeah, a major role. A major role. Let's talk about you guys shooting together as a couple. Had you guys met before? Did you guys know each other or it was you guys met on set? Yeah. Well, I did not mention and I think he didn't also mention. We are also voice actors. I'm a voice actor. He's a voice actor. So there's a certain organization we were working for. He still works with them. I am no longer with them, but that's where we met during in that organization. And then I think meeting the way you'd meet on let me not call it a set because for voice acting, it's not really a set. So we met, got to know each other. And then later on, he spotted me in Giza. I had like a feature role in Giza. So he spotted me in Giza and later on when we met during work for the voice acting, he approached me and was like, oh, I saw you. And he didn't know that I also do like screen acting. So he was like, oh, you do that. Then I have this project that's coming up. And well, after talking about it, he sent me the details and well, yeah, that will, but I think our chemistry was just natural. Yeah. Yeah. We were able to just get along from the point where we met all through and it became a bit easier. I think, well, you did not know. I don't know if you know this, but the first day we had the meeting for the voice acting. That's when, well, that's the first time we met. Yes. And then later on when there was a break time where we just sit and people talk. There was like a whole group of us. Everyone saying that whatever they have a disgruntled on in the industry. Yeah. I'm not getting roles. How do I do this? Oh, just talking. I'm just listening seated there. Yes. And I had a complainer complain about not getting roles, not getting opportunities and all this. And it reminded me of me. I just wanted opportunities, which I can make my own films now. Yeah. So I thought, okay, maybe give her a chance. For sure. Yeah. So the next time I saw her was I was doing credits. I was doing visual effects for the Giza series on Showmax. Yes. So when I do the, I did the final credits where the names displayed this person. Uh-huh. So I was looking through the list I was given. I didn't see her name, but I saw her in the episode. Yes. So the next time we met for the voice acting, I went and asked her what's your names. I can put it in the credits. Yes. Yeah. And then the rest is what she just said. Yeah. Oh, that's good. Now, because also I've seen on the trailer, I've seen some of some, some scenes with action, you know, some thriller-ish. How was it shooting or rather do you have a part that you actually, you know, being a part of this action? Is there a part? Well, for me, no, um, no, I don't fight. I don't fight in any part of the film, but I do slap him. I think that's seen in the show. Yes. I don't give him a pretty good slap, but I don't fight, but there's actually a scene where I'm in the midst of an action of a fight scene and everything. Yes. But now Jenny is not, she's the one character. No, among the few characters that are not part of the, of the action. Yeah. Actually, matter of fact, she is trying to avoid that by all cause you see she has a baby, but there's a pretty intense scene where I'm in the middle of an action, but I'm not. And how, how are you able to prepare for this intense scene? Because you have to look like you're part of it. How are you able to prepare for that? Well, I'll be honest. I, this was one role that really called for emotions and also it, it just incites emotions, the role itself. You don't even have to prepare just being in the shooting and everything. Although I had related with the other characters, especially the ones taking, taking the action, we're doing the action part. I had really interacted with them. I was there for most of the time when they were rehearsing before the shooting. So I was able to see it. I think that's where most of the preparation was taking place. So I'd be able to ask questions and everything. But for me, my role didn't call for much of the preparation on the action because I only, I'm only called to do so many reactions when they are fighting. So you show your emotions. Yes. Mostly my, my character is calling for emotions than action. Oh, okay. Yeah. Every day on set shows, like this is a sad story. How about yours? Is it something that you had to train for and just learn the stunts? Because I've seen some of the people that overcast that are in this film are really fairly professional stunters. Oh, what do you call them? Stuntmen, yeah? I've seen that professional stuntmen. How did you go about it? Well, the stunt people in the film, there's a guy called Jack and Babu. They're the ones who started with making us short films, like teleport, see the science fiction action films. So that's where we started off just making small films, seeing what they do. At least me as a director gets to see what I can use and what they have. Okay. And the film. So, and they choreographed the entire fight scene in this film. I didn't do anything in that regard. Uh-huh. Yeah, so the question. Your part? My part? Do you have a part that you do? Because you're a drag lord, so I believe you have to do this. I am not a drag lord. No, in the film. Pablo is a drag lord. Oh, yeah? Played by Ian Tico. Uh-huh. What's your role? I am the drag lord's right-hand man. Oh, but you do the most when you're the right-hand man, actually. Yeah, exactly. But yeah. So do you have like these stunts in there and how are you able to achieve them yourself? So in this particular film, I did not take on any stunts. Okay. Except in the last, somewhere in the last scene. I don't want to say when, but just that. But I didn't take much of the stunts. I could focus on more on the directing and acting on my part. Left the stunts to the stunt people. Okay. Which is what you should do anyways. And yeah, so I didn't, I didn't prepare. Okay. Yeah, the stunt people, the stuntmen Jack and Babu, they gave us, they gave me a particular, I didn't want it to be the usual that I make. Usually have this flashy science fiction kind of action. Yes. So for this one, I wanted to be grounded and real, which they're good at that because they can do it better. So I gave it to them. They gave me the moves and prepared me for, it didn't take long because I know how to edit it. I didn't make it look like I know action, but yeah, it didn't take that long. It was mostly it was on that day of the shoot where I was doing my stunts. Yeah. She was actually there watching. Oh, okay. Now, looking at this role that you've played on this one, and it's a major role. Yes. What do you think is going to change when we watch this film? Change in what? In career, in your personal life. What do you think is going to change? Well, not about that before, but well, first of all, I was playing a mom. Yeah. I'm not a mom. Yes. Personally, in my life, I'm not a mom. So that called for me to put myself in the role of motherhood. And I've never played such a role. The rules that I've played before, even as extra featured was mostly, let's say, sort of grown teenager. So now I think that changes everything because I was called on also to play a role. I think Jenny is a bit older than me. She's not exactly my age. Yes. And as much as she's a young mom, she's a bit older than me. So I think majority of the things that will change is that even the kind of roles I might play after this might be affected. Because now I can play a mom. For sure. I can say I can play a mom, a young mom. Yes. And also I can play an emotional character. Because I remember there's a particular scene we were shooting that called for me to cry. Crying is very easy until you ask now cry. Yes. The cameras are there now. The action. Yeah. That called me to cry. And they had to give me a second. And that time everyone on set was tired. It was the last shot we were having. They wanted to leave. I don't have tears and I have to engage tears here. So it's really called for me to tap into the emotional side of me as an actress. Not just as a puppy. So I can say it called me out of my comfort zone as an actress. Because I was very comfortable with playing roles that will probably need facial expressions and all that but not emotions. Not heavy emotions. So I think that will change going forward. Even how I'm looked at as an actress. Yeah. I think everything changes especially in the emotional area. Is there an actress in Kenya that you just see and you're like I really want to achieve the kind of diversity of characters that she has played. And who is that diverse characters rather. Okay. To be very honest I've never really thought about that. But because now I'm very interested in emotional characters. And not just emotions in the sense of crying. But also emotions in anger and how to display. Anger, how to display. Happiness, extreme, extreme emotions in all spectrums. I think I like the way Sarah has done it. It goes without a mention. I really had a feeling the way to mention her. It was quite obvious. But I like the way she delivers all her emotional scenes. I really, really like it. So I actually pay attention so much when she's delivering an emotional scene than when she's playing any other role. So if I'm able to tap on that level that would be amazing. But I admire what she does with her emotional senses. I mean, you are a director in this one. And I believe you are part of picking her. Like you just mentioned, picking her character. How did she do? Well, she did great. Because the character was, well it was written before. But then I asked the writer. Dylan, Kevin Dylan. Akairu, Kevin Dylan, Yakaru. He says that's his name. Yes. I call him Kevin if you call him Dylan. Yes. So when the story was already written and I came up with it, I think almost five years ago now, four. Gave it to him as a story, write that. And then as soon as it was done, came across Papier. I was like, okay, maybe change a few things here so he can fit what I saw in Papier's lectures. So we tweaked it a bit for the actors we have. The other actors we have, like Davila, since we've worked with her before, and Babu the stuntman, we were writing especially for them. We didn't have all these other actors and actresses before. So as soon as we met them, we just tweaked a few things to fit their characters. To fit their characters. Yes, so they can, most some of the cast in this film either have never done acting before or have done it in a different field like modeling and all that. Yeah. So whenever we met them, they're interested in acting. Okay, let's do a little something for them to fit their characters. Great. I love it when we give just new faces, you know, a chance to show what they can do. Yeah. Okay, Papier, please tell people why they should watch this film. I don't say because your image. I mean, but I think one thing that I love about this film, and I think I told, I wanted to say Mateo, but I told you all this, is the fact that it stands out in that it's not just action. I don't think we have a lot of action films in Kenya. I don't think we're producing enough, at least. But I like that it's engaging action, drama and comedy. And let me tell you one thing about this film is that you can't predict what will happen next. And I love that about it. And personally for me, I never watch a film if I can be able to tell what will happen. Like it's stealing the, you know, the fun in it. Because the fun of a film is when you can watch it and you can't really tell who will kill, who will die, who will. So I like, that's one reason. That's just one. There are so many reasons why you should watch Unadulterated, but I think that's just one reason that stands out. Also, it's very, very exciting to watch Kenyans actually produce their own film from script all through and come out with something very spectacular as the way Unadulterated is. So this will be very exciting to even see the steps that our film industry is taking in progress and development. There are so many reasons to watch this film and I hope everyone will be able to find that chance. Because the chances are there. When are they watching it? On 25th, on 25th of March, we'll be at Anger IMAX. Then one pleasure from 6pm. Please pull up. We're gonna have an amazing time. It's like a movie date. Offering you a movie date on that day. So we're hoping to see as much people as can be. For sure. We really had no way to see what you did there. We are definitely looking forward. Now of course also we have someone else who's joining us today because I believe shooting a thriller action sort of, you know, with some drama also involves some, you know, knowledge behind the camera. And of course Brighton Wright is going to be joining us on set right now and we're going to talk about, you know, the production side of an adulterated film. Gosh, that's me. The same five times. An adulterated. An adulterated. Yeah. Perfect. I got it right. So guys, this is Brighton. Welcome on set. Hi Brighton. Hi. How are you doing? I'm fine. So he is a cinematographer and you are one of the videographers of this film. How was it just working on this particular film? Because is it different? Is it the one of a kind that you've shot before or how was it? Okay. So for this film it was something different because I've never been in such a set. The set was a bit intense at first but I got to know how to maneuver my way through it. And I really liked the way the director was with the crew because it will come like, often times in the field that we are in, the directors tend to be harsh when it comes to their crew members. Like for this film particularly the director could come, sorry about that, the director could come and ask, how do we go about this? Like do you feel like this shot and something in that? Like the connection, it created something like a family for me and it was interesting. Okay. But now I'm also interested, when it comes to shooting this dance, how do you go about it with this camera tricks? Does it happen during the editing or is there some things that you're supposed to do on ground as you shoot as well? Okay. For shooting, as much as editing is involved, there are some angles that you're required to take because you can't just give the person editing a shot that doesn't bring the feeling that you need or the intended feeling and for tracking motions you also have to be active to bring the cinematic look for the film so that the person editing will be able to now do something with it. Yeah. And just achieve what is supposed to be achieved. Exactly. All right. Now when you guys were selecting you know part of this, the crew members, you thought he would fit to do this as a cinematographer? Yeah. Why is that? So actually we have a cinematographer called Tony Laliz, his owner been working on over the years. He brought him in. Okay. He was actually a student when we started shooting. Oh yeah. He graduated while we were still shooting. Yeah. So brought him along for mentorship, something like that for him. Yes. And then he became part of us as we kept shooting. Yeah. So anyone he recommended, I took on because he knows my shooting style. Yes. So he knows who would fit in that kind of environment. So he brought right on along. Yeah. Yeah. What was needed to achieve this? Is there some extra effort? Was there some extra knowledge that you had to look into or you just went on and just did what you do normally with the camera? It's not what you do normally because first the gadgets that you are using, whee. What gadgets are those? Sure. That's one of the cinematographers, Isti, Robin Isti Pro. He called them bombs. Oh, okay. This message. Yes. Speak like old radios. Yeah. You could not just like carry them for more than two minutes without getting them. Oh, wow. Aha. So it was a bit intense because now there are some, you know, as much as tripod or dolly might be used, there are some shots that as a cinematographer or as a camera person, you just have to hand held the camera. And now they seem it's taking long and the camera is a bit heavy. So it needs a lot of perseverance and also you just have to take it. Yeah. You're there like you consult yourself like, I need this, like we must achieve this. And you have to remain steady. You cannot be shaky. Yeah, shaky. Yeah, yeah, yeah. You have to be still so that your frame, you fit the character into the required frame. Yes. And also you achieve the cinematic look that the director needs. Yeah. Okay. Now please guys, tell us why, for you, because you've had papaya tell us why we should watch this film. Why should I come to Damond Plaza on 25th of March? Why should I watch an adulterated? Yes. An adulterated. Oh my God. An adulterated. Yes. An adulterated. Maybe they say an adulterated, you might get it. An adulterated. An adulterated. You can say it quickly. Okay. All right guys, by the time we are done with this interview, at any name talk, I'm sorry. So I think you should come see it. At the end of the film, by the end you leave the theatre, you'll come out having, is this feeling you used to get when your kids, after you have such a good day? Okay. You suddenly go to sleep. You feel this satisfaction, like I've seen something new. Yes. Not new in the sense, I've never seen it before, but something good at least gives me hope for more in the future. Aha. So if you're coming to watch this film, come with the expectation that you will not have your time wasted at all, which is what we directors are like, we don't want to waste your time. Yes. If you're taking two hours of your day, it'll have to be worth it. I've seen Blessing Lungahu actually, we didn't talk about him, I've seen him as part of the cast. Yeah, Blessing is part of the cast. What is he doing? Well, that's the reason to come see it as well. Come on, just tell us, because there are people who have fans of Blessing. Yeah. And you know they'll be like, oh Blessing is in it, I want to go and watch. Yeah. What is he doing? What is his role? So Blessing in this, he plays a man called Master Jay. Yes. A retired music producer. Aha. He doesn't know that, that's just something me and the writer have in our mind. Yes. Yeah, so that's why he has the name Master Jay. Mm-hmm. He's a drug lord in this film, trying to take over Pablo's empire. Oh, okay. So that's why he is looking as well for Pablo. Yes. So here we have the hashtag, where is Pablo? Aha. So he wants to take over his drug empire and become the head. Yes. Just finish him off and then take over. Yeah. I don't want to say so much. For sure, yeah, yeah, yeah, yeah, yeah. Guys, if you see Blessing do these films and just, you know, do his characters, you know his, I believe he is. Yeah, he's very good. Yes. Came in on first day. Okay, I called him. We actually planned for his shoot on a Sunday. Mm-hmm. Like two Sundays after. Yeah. But I got confused with all this planning, so I thought it was the first Sunday. Okay. So I called him. Hey, Blessing, are you coming? Coming where? To shoot. You said it was next week. I said, everyone is here already. Just come over. Yeah. He comes in, takes his script. Yes, he already knew his lines. Yes. Just memorizing. Yes. Just trying to get it preparation. A few minutes on, he gets on set, puts his makeup on, his clothes on then. As soon as you call action, he just takes over the scene. Yeah. Yeah. Oh, wow. It's called just being, it's getting used to be on set, I guess. Well, yeah. Yeah. What did I ask him? I didn't have the time, but we were with him on the set of Igiza. Okay. So I got to see his acting. Yeah. He's a very good professional actor. Yeah. Yeah. Call action, he gets into character street. All right. Yeah. Brighton, why should people, you know, just watch this film? Wow. So for this film, you know, oftentimes when you get to watch an action film, you go there with mentality of fighting through. Like basically the storyline is something different. Like it's something you can't imagine. Yeah. The film is unpredictable. The moment you feel like you're going to tell like what's going to happen the next second, then when it comes to that point, it's something else and it's mind blowing, the emotions there. And some of the scenes, a lot of people can relate with because the film taps in like a lot of places. It taps both the house and the have notes and the relationships and you know, all that stuff. So when watching it, I know like most of the people who are going to watch this film are going to relate with even if not the whole film, the whole film will be interesting but there's that part that you'll relate with either has happened to you or there's a friend that it happened to. So you will get to, you know, whenever someone's giving you a story of something that has happened to you, you tend to relate to them and you just need to be there and you feel like this person understands me. They're tapping into your emotions and feelings and all that. All right. Is there anything else you'd like to add? Actually what he just said last is what my co-producer said, Benjamin O'Toole. Why are you telling a story of me? Yeah, like no, it's just something you would like. All right, all right. So I mean we can't really wait to experience this because it looks like we have all experienced something in this film. Yeah, another reason, you should come watch this film, Ronnie Karioki. Okay. We have him on set. Yes. We don't know who that is. You should, you know, I don't know what you're doing. Yes. Come see it. It's the cause of most things in this film. So come and see it because it's there. For sure. Yeah. All right, guys. Thank you so much for coming to talk to us and just telling us more about your film. Guys, make sure to catch this film. It's called An Adult Rated and it's premiering on the 25th at Diamond Anger Plaza. Is that okay? Yeah. Very true. So guys, we're going to see you there. Cindy, oh, come through. Let us enjoy that scene. It's a date night. Yeah. So you have a plan. Quite early. Prepare yourself. Get your tickets while they're getting the tickets. They're dating them at getarticket.com. Mm-hmm. Oh, there's a link in our, most of our bios somewhere. Yes. Get a link. Get a link. Get a link. Get a link. Get a link. Get a link. Get a link. Get a link for our BK or star 705. Sorry, star 702, star 75 hash. Okay. Yeah. All right. Get a link.co.ke. Yes. Get your tickets there. And get a ticket. Get a ticket, sorry, get a ticket. Get a ticket.co.ke. Make sure to get that ticket and see you on the 25th of March at the Diamond Anger Plaza. Guys, this was the cast and crew of An Adult Rated film. watching Buzz, it's Taz, my good name is Ms. Kippinchi. Until next time, keep it SBM Buzz.