 A transcription behind the scenes of the police headquarters in a great American city. We're under the cold, glaring lights. We'll pass before us the innocent, the vagrant, the thief, the murderer. This is the line-up. Do as tried, Captain. I also will suggest remembering to do the scene again, Captain. Yeah, sure. Sergeant Pete Cogger, I'll explain the line-up to you. Each of the suspects you will see will be numbered. I'll call off a number, their name and charge. If you have any questions or identification, please remember the number assigned to the prisoner as I call his name. At the end of each line, when I ask for questions or identification, call off the number. If you're sure they're not too sure of the suspect, have a name. For the questions I ask these suspects, a minute to get a natural tone of voice, so do not pay too much attention to their answers as they often lie. All right, bring Troy Street. Play on Troy Street. Send four up on a smaller number. House, wake it up before that. Please, that's in Arizona. I know where it is. I'll also test the homicide. Sounds like they want you real bad. Suck me with an assistant for the new sewers. And that kind of put me in the hole with the coupesons, ain't I? Can't you tell you what my wife calls me, though? It's good. Do you worry as to when one gets home after you lose it? The plan in the middle of the bar is mental disaster. Throw me outside the city limits. You've got no jurisdiction. Don't open the handbooks and move your policy wheels in the end. You run around town once. That's right. You better change your mind before you get downtown. Why's that? A suspicion of homicide. That's right. Looks like his old rope and pants were all done in a bookie, and numbers racketed down the stove. He ran a super-couple of bugs in the furniture in his rooms. I don't know what luck he ran. I sat up that machine by Sheridan's Macallion. The line-up was transcribed in Hollywood by Jaime Del Valle.