 Get off you phony little nipple. I've never even thought about touching your nipple. Why do you do it to mine all the time? I didn't. I touched it with a remote. I would never. Drag to Deviants. I'm Corbin. I'm Rick and you could follow us on Instagram and Twitter. Juicy content. It's so juicy. I just know it's gonna be dripping. Is it women? I know. Now listen, before you start making assumptions about what I meant, the last fight scene that we did, I was like, where are the women warriors, man? Every fight scene we've seen are dudes. And just like in the UFC, I know there's women who can kick some butt. And I want to see some women in a freaking fight scene. I want to see some stunt women. I know a stunt woman who does great stunt work. And I just want to see an all-out warrior fight with two warrior women. But we're not getting it here, are we? No, not here. But this is a... Aravinda Summit film. And it's called the first fight scene, the intro fight scene. The intro fight scene of the film, I suppose. Something like that. So what is this? What region are we talking about here? I believe it's somewhere south. I don't know in particular where it's from. But I could be wrong. I'll look it up after. If it's not, blame Rick. That's true. Here we go. Well, yeah, it's just his first fight scene. And the audio behind it. Yeah, which I think is kind of the commonality of stuff that would be in an action film. Because in case you have to do Kansas anymore, that rock through the windshield would be fantastic. And then that next, the first real sequence with multiple people when he's getting out of the car, captured there was at least 15 or 16 in that frame. They had or how long they took to... Right. The fight scene itself was really entertaining. And fight scenes really are. We said at the beginning, why do we do fight scenes? A fight scene in and of itself is a standalone piece of art. The work that has to happen for the staging of it, the work of the stunt people, the camera crew, it's a completely different element than any other segment of the film. And it requires, at every level, the editing, the score, this was great. This was so entertaining. It's crazy how, along with a lot of other stuff we didn't know about India, the amount of great fight scenes that they come up with. And interesting fight scenes. It's comfortable, because also China, when they put out films, they have some really good, but it's like martial arts. Yeah. And in America, we expect from that part of Asia, from either China or Japan, because they've had so many martial arts focused films, we expect them to give action films with fight sequences because in America, obviously the biggest name that ever was Bruce Lee. And he brought that whole genre into the consciousness of America. For the other part of Asia, this little place called India, we had no idea you guys were so good at everything. Yeah. At everything. Yeah. But especially in this regard, because we've seen some fight scenes and some action sequences that were, like, on par with anything we've seen coming from some of the big juggernaut things from Hollywood, like the Marvel action sequences. Yeah, we don't get stuff like this because our films are more usually not all the time based to more in reality unless you're talking, like, the Fast and Furious franchise, of course, that aren't based in reality. Right. Or it's hyper-stylized. And yes, I'm gonna say the name of this film, Three Frickin' Hundred. Don't say it, Rick. Really, I don't understand why so many people get bent out of shape if we make a comparison to 300 because any time a film uses slow motion in the killing of someone in a shot that's sideways, that became popular with Zack Snyder's shooting of Leonidas fighting in 300, you can't not make the comparison to that in a fight scene. Oh, they hate it. And it's groundbreaking. And I don't know, it's a compliment. It's a compliment. We're not saying the film is that. No. We're saying it reminds us of it. In the best of lights. We're not saying it's even trying to be it. No. It's reminiscent of, because I remember when seeing it, I said to people when they saw to see 300, I said, it's gonna be the most beautiful decapitations you've ever seen in your life. It was like ballet. And I'd never seen a fight sequence or an action sequence done that looked like a work of art. And that's what I mean by that. When any time a fight sequence looks more than a fight sequence, it looks like a work of art. It reminds me of the first work of art fight scene I ever saw, which was the stuff coming out in 300. Granted, we are Westernized and Americanized. You guys have probably been doing it before. We're not saying that it didn't happen prior to that. Just saying it's a high compliment, because the stylization of a fight scene that turns it into artistry that looks poetic. It's amazing. And we really don't, we don't get a lot of that. That's why 300 was so groundbreaking, because it's really rooted in realism of stunt work here. Being real. Yeah. And a lot of fight scenes we get are more realistic. Right. They're not believable, but they try to be, like, you could believe it. You could believe it. Every fight scene we ever do, there's always some comments in there about Indian filmmakers and the laws of physics. They don't like to go together. Especially in South India, the main person is more of a God type character. Right. Exactly. A lot of times, not all the time. No. But that's why they can do a lot of the stuff they can do. Right. It's just something you need to understand. But I thought this was a great one. It was one of my favorites. Me too. Especially stylistic-wise, the film looked good, acting looked good, and they had a bunch of epic chopping off your arms and rock smashing. Right off the bat. Bullets on the face. Yeah, great, great. So that was great. If there were more fight scenes, if there were women in it, let us know. Yeah, come on. Where's the ladies?