 So let's get on the music a little bit. I want to get on the wave of how you end up managing artists from Go Yeyo to K-Breezy. Just that whole situation. How did the Go Yeyo and you, how did y'all meet? My home girl, they knew each other. You know what I'm saying? Yeyo was younger than us. She brought Yeyo to me. I was in Atlanta. We were sitting on the porch just talking to me, her and my ex-wife. And we were just talking at this time, this was when the empire was out. Yeah, yeah, yeah, yeah, yeah. Cookie Lions was popular and she act like cookie. So I was like, hey, you need to go on the manager's little, I called him a little pistol starter. That's what the name I gave him. Okay. You know what I'm saying? This is before anything that everybody ever seen, that was the name. He didn't know that. You know what I'm saying? That was a little joke that I had. Yeah, yeah. She was like, nah, I'll be you, you're the manager. And I said, manager? I was like, I don't know, I'll do that. She was like, look, I'm going to go get him. I'm going to bring him back out here. And she went and got him and brought him back. And we sat in my, in my, in my, my sunroom and he let me hear a boom and dammit, man. And like I told him, I looked at him and I said, hey, I don't know what I'm doing, but we're going to learn this together. Okay. And it's like, I went to sleep and woke up and my phone was going off the hook. Wow. That's what happened. So basically you just got pushed into it with him. Yeah. Grab me. Yeah, yeah, yeah, yeah. I wasn't looking for it. I didn't know, I didn't know what was going on in forward. I ain't know nothing about none of that. So as I find out about, yeah, yo, me being who I am up here, I start pilling back the layers. You feel me? So I found a, a, a spud, boom, a stop six low key, a jail, you feel me? And they just, so I was like, there's some whole shit going on down there. Yeah, yeah. You know what I'm saying? And that's how I got into it. Yeah. And me and Breezy, um, got together, uh, Sean on a beat. Yeah, yeah, yeah, yeah. Shout out to Sean on a beat. I talked to him the other day. My boy, uh, he, you need, yeah, yeah, Sean, will you be here? Yeah, yeah, yeah. I actually called him. I was trying to figure out if I could get him on here, because what I'm doing, like I tell my wife, I'm trying to get producers to come on and do a listening session. Did she tell y'all she do beats? Yeah, she did. She told y'all. She the only female. So I'm, I'm going to have to bring her back to why Jeff, we do the listening session. That's what I'm trying to do. Sean, man, Sean was, um, I think he might've sent me Breezy or I think that's what happened. Like, he was like, Hey, check this out, B. And I was like, All right. So I'm checking it out. And as I'm checking it out, she dims me. She was like, Hey, we're going to work. And that's what happened. So it was like the universe did that, like, like. So did you, have you ever managed anybody outside of Yeyo and Breezy? Yeah. Yeah. Kenny B. I got Kenny B. Yeah, Kenny B. That's me. Yeah. I was working with the kid named J.O. I was working with Ms. Depp. I think Kenny B. on this show too. His brother gonna come on here. Okay. Stop six little kids. His brother. Okay. You know what I'm saying? And we'll get to that. But that's all good. Ms. Depp. I was working with a kid named J.O. with Ms. Depp and Rock Nation wanted him. Okay. You know what I'm saying? He's our Depp. Yeah. Yeah. His mom. Yeah. Yeah. Yeah. Yeah. For sure. That's what I call her. Me. How you can get people to come on probably not your platform, but to go do interviews and bring my name up with any kind of discretion or like any negativity is because I ain't ever failed. That's it. Because I jumped in the game. I'm, you know what I'm saying? I've been on a, you know, and I ain't been doing this long. So you gotta understand you got a lot of older cats that seem supreme and they fuck with me. But they're like, how did you do this? My hands ain't dirty or messed up from this E. Yeah. Yeah. Yeah. I like it. I like it. For sure. So are you, so you and J.O., do y'all still have a relationship? Do you talk to him or anything? Nah. He's incarcerated. Yeah. I know that. No, I don't talk to him. Okay. I'm hoping to. So. Do you guys, you guys are okay though. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. Yeah. See, I kind of, I have a, I have a gift of kind of norm. Discern, man. Yeah. Spirit of discernment. She doesn't have it. Yeah. Yeah. Yeah. Yeah. Yeah. So I'm telling you, when the last day we, I'm talking to him with my eyes, like, I'm gone, bro, and I pat him on his back. You feel me? Because he know I love them, you know. Yeah. And I know how he felt about me. And I had tried to leave pride to that, but he, you know, he was like, nah, big bro, we almost there. You can't go in. But I couldn't take it no more than the last time. And that's when I, that's when I departed. You feel me? Yeah. Yeah. So you departed, once you departed, did you have any other artists at that time that you were managing? I had, I had J.O. Okay. You had J.O. Yeah. J.O. I had J.O. And J.O. At the same time, for sure. And then when J.O. stopped working, I already had J.O. Going. So, and he was in Atlanta. He was on TV and everything. Okay. Growing up, hip hop, ATL. He was on a little women ATL, like, but he's a dope musician. He sings, he raps, he dances. Where's he at now? He's in forward. And you're not doing, are you? No, I don't work with him. Okay. Okay. But you did have a good run with him. Oh, yeah, yeah, yeah. Well, you know when, let me see how I can put this, E, when they, when they get away from me or whatever the situation may be, it doesn't always end well for them. Yeah. That's what I was thinking a while ago. I was about to ask you as like, so when you part your ways, is it that you left them to do better, that they move on to somebody bigger or? I mean, when, like, so bigger, I am, that's me, you feel me? You got that right? Or to sign to like a major label, I mean. But see, see, if I was an artist and he was working, I would still take him with me. If they sign or not, he coming with me. You the label, he's coming with me. I ain't trying to hear that. Y'all want me to sign this paper, we'll get, you know what I'm saying, get this money. He coming with me. And if he ain't coming, then I'm finna go. But a lot of people are not loyal. No, they don't do that. They don't understand that. You feel me? Yeah. And that's when I get on. Like I told, I think I told Sean Cotton and I'll tell you, and I told numerous people that said in that seat, I have trust issues when it comes to artists. I don't trust. You should. I feel like it's like I'm just a bag. Let me tell you something. Did you hear what I just said? Heck yeah. Like I'm just somebody they would want to use for resources and then they ain't gonna do what they do and move on. 83% of them gonna do that. Okay. Kay Breezy is, man, like I love that girl. Wow. You remember? She ain't never... Flaked. Nah, man. And if it don't matter who it is or what they talking about, you need to talk to Supreme. Wow. You need to talk to them together. Yeah. You know what I'm saying? Yeah. That's loyalty. Yeah, for sure. You know what I'm saying? And that's from a woman. Yeah. You did. Yeah. But that was a dope moment in the shows. They don't talk. They go to the internet. Right. Yeah. And it escalates from there. For sure. All it takes is picking up the phone and talking to somebody or texting somebody because yes, you don't talk to me and I pick up the phone and call you. You might not answer me. But texts... People go and read that text regardless whether they want to reply to you or not. They go and read that text. People didn't die because they didn't want to go to the internet. You right. You right. They didn't lost their lives because of the internet. Yeah. You right. But how can we fix Dallas in a way where... Because I've heard entertainers who live here in Dallas. No, no. Listen to this. It's not just a certain way I'm talking in every way because you have entertainers who live here who perform everywhere else, go everywhere else to perform but they don't get loved to perform here and get paid here. You know what I mean? You talking about the ones that's from here, right? From here. Yeah. I'm talking about when I mean fixed Dallas, fixed Dallas entertainment. People will fly from out of town to come here and perform and get paid really good. Good money. And, you know, get all of the excitement, everything from Dallas and then leave with all of that. Why? How can we fix Dallas entertainment system? I mean people working together. You talking to a man to pose a no. I'm talking people working together because it starts with, to me, it starts with the managers. It starts with the people above the managers because if the managers can all come together, they can bring the artists together as well. And, you know, because y'all are the ones in their ears talking to them, the artists, to, you know, get them on a certain level to work together with each other. So the managers, the radio station, the DJs, the club owners, it's going to take a collective. It's everybody. I'm going to tell you something, but your girl said earlier that she's getting money. You know, it's a lot of them come on this platform that ain't even getting money. They just look the part. You know that, don't you? They're still in the streets. They ain't making that money off of a lot of them fake views and all kind of stuff going on. You know that. Yeah. You know, Instagram, like the army, you can be all you can be. You can be whatever you want to be in the army. You know what I'm saying? Yeah. You can be anything you want to be on Instagram. So a lot of times used to you had to pull up in the Bentley. Yeah. Now you could stand beside it. Pull up in the Bentley. You ain't got to pull up in it. Pull up in the Bentley that you didn't even know. Yeah. So, you know, we don't know. But we do know they're getting on here and they like, and I'm asking some of them. They like, I'm like, how do you get your money? You know, I'm still in the streets. I'm just being real. I'm popping any questions because I want to know. I'm a hustler. Yeah. How you getting that ROI? Yeah. You got to have some money. Like, like why you ain't doing no show. You can't get no show with fake views and you can't get no show of you beefing with everybody. You can't get no shows when you beefing everybody. So, so, so how are you getting paid? You look good in your little video with you and your homeboy by four of y'all and y'all getting close with the camera. So everybody think it's more than what it is. Yeah. No, you ain't hearing me. Like these niggas is really trying to pull it off. And then at the end of the day, they they get they fluff them views or whatever. Yeah. And next thing you know, everybody tell me, oh, he hot. You know, he them trick the masses. Yeah. It's it's man say it's definitely going on. But what I will say is that we have enough dope, dope male and female artists. We have enough dope male and female producers. We have enough dope male and female DJs in the street clubs and the strip club and on the radio stations to remedy all of that in one night. Wow. It's really like that. We got everything here. All the all the flavors here. That's what they think. Everybody come here. I think it takes for everybody because a lot of people can talk about it and nobody don't do anything about it. So I think it takes a group of people coming together, sit down and say, hey, this is what we need to do. Let's start it from here and go out and do this plan of action, so to say. Supreme. How does how does how does Atlanta versus Dallas? You live in Atlanta. You looking at it from a whole different way, from two different angles. When you look at Dallas and then you look at Atlanta, what is it that you feel like Dallas is missing? Man, so it's like this. I'm going to say this. This is what I believe. The talent is in Dallas, Fort Worth and Arlington and in these little suburban things, these little cities, whatever Atlanta got talent. It's telling it down the right. But what they have, they have some of the engineers and the producers is what push those artists out. But the game is like this. We don't have a Gucci man, a ludicrous, a T.I. walk a flock, a goodie mob. You know what I'm saying? We don't have a rich homie Kwan. We've never had none of that. So you had some dope artists here lately that could have formulated and appreciated. You said it could have. Yeah. We're talking about what the people I'm saying is on your wall. Yeah. Yeah. For sure. You feel me and they on there for a reason. Yeah. Yeah. Yeah. They stomped down. They entrepreneur. But that's how they ran into me. They did what I'm saying. So until the program at the top gets reset and people get out of certain positions, have it's going to happen, then you will see things that you ain't never thought would happen around. You can literally have, literally, I'm going to be for real. This includes male and female, 20, 20, I'm going to say 20 strong. You know, they Grammy winners in this area. Wow. I'm telling you, it's really like that. This shit is going on. Because I know because how do you get a K breezy? How do you get a yo-yo, a trap boy, yellow, mode three, Erica Banks, an Asian doll, a tape money, a splurge, a Kenny B, a stop six low key, a third SA. You feel me? I could a Bobby Sessions. Yeah. You feel me? I can keep going. And they right here, Jason Leary, all these people are here. They all right here. So how do you, a little Ronnie Mother F, how do you, how do you have all of this shit, I just named about 15 people right there. You didn't name them right here at the top. So what's going on, it's bigger than them, it's the people like what your wife said is, like we have to come and do something, but that's where the game is really fucked up at. There. At the, where I'm at. Yeah. My peers or whatever you want to call them, they're more fucked up than artists. Wow. I'm telling you some real. I'm listening. We will talk real soon. This is for real. And I know everybody personally, I know these cats. So what I'm saying ain't no, ain't no rebuttal or no, he lying. It ain't none of that. This is for real.