 Welcome, welcome to each and everyone who's joining. Okay, okay, okay, okay. What's your name? Welcome to each and everyone who's joining. Our hashtag is the place where we give you the very best of roads, reggae and dance. And Venetianza Shugli, I told you we have one of the baddest dance artists in 254 and to the globe. Frankie Dee, Frankie Dee is in the studio, I'm DJ. My name is Ken Gelle. It's been a long time. And thank you so much Frankie Dee for making time for us. Maybe you can introduce yourself for people who are watching you right now. Yes sir, yes sir. I'm the first born dancer. The rest of them are the last born dancers. What's your name, Frankie Dee? I'm the first born dancer. Love and respect. I represent Mtaan. I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I'm Frankie Dee, I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I play music. I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I'm from Mtaan. I'm a professional dancer, like 80 years right now, but I started 20 years ago. That's it Yes, that's it That's the drum, the church That's the piano From then on, I had to pursue studies Of course, I studied at Soma and Maliza Of course, when I was a Zeway Especially when I was in Puanipuan I made sense that I would have come and teach I let you shine But otherwise, it would have been a struggle And then I team up with Vincent Crass We form Dan Sole Nese And that's the making of Frankie D Yes I have a new tutorial I will be making a new album I will be making a new album Al-Bambili Yes Right now, also I have a new tune I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it I will be making it So what I did was, I did something different from what the people in Costa doing, so that already can be focused on out, outside that box. So from that point, I was convinced that I wanted to do it myself. I don't want to lock myself in a region. So reggae is the only music, it plays every day, all day, every day, so that made me burst out. Internationally, I used to work in U-Hoff, within Africa, in East Africa, I used to work there. But then, something happened at the Sababa Valley, at the Sababa Valley. At the Sababa Valley, I used to work in U-Hoff, but the point was that I wanted to give up. Because cracking the Kenyan market is very hard. But I was able to do it. So I went to Ethiopia, at the Sababa Valley, the song was so big, massive in a way that I was able to do it myself. So far, with the musical craft, we decided we were doing Dancel. So far to the country, because there are a lot of Dancel artists who want to be imitated. So far, what exactly? Basically, Dancel is in Kuba Lika. My strategy is to push the music. If the music is challenging, we cannot say that I am better than that. But reggae and Dancel are international. So in fact, Kenya is the hub of reggae and Dancel. As the hub of reggae and Dancel, I want to be an artist like whatofanyanziki and pushmo. Because do not look at only Kenya. It's not only Kenya that is listening to you. It's worldwide. I want to find a big one. And then I will select my home, present my home. Let's support the Italians. If you are in Kiba, trust me, my artist, even if you are not an artist, you can do it. You can say that I am evil, Franky. I am like you, Franky. I am the longest artist. Because I am a Zaraanian. I feel like you, because if you come to the CCP, you will not be able to do music. Do you feel that there is a gap? Yes, there is a gap. I say there is a gap because there is a gap in electronic investment. But this is the business, music is investment. If you are an artist, you can start pushing music. But if you are a business, you have to invest in music. If you invest in music, you have to look good. You have to push the music. You can do it, bro. And if you do it, you can do it. Here and there. You have to set up meetings with people. Sit down, have coffee, have lunch. You have to push your brand. Basically, it is an investment. You are a Zambia artist. You have to set up a side like you do. And then look for people who can help you push this brand. That's the only thing a Zambia artist is. It's not something you can just walk into. I will see you. So, let's talk about Mezea. I am going to be on a weekly channel. And I will find a fresh sound on YouTube. So, if I keep it, I will know that I am Mezea. So, Mezea is a beautiful girl. She has a cute fly. Mezea is... By the way, I met her three years ago. It's like three years ago, when we came up with Mezea. Underdance, let me say. Mezea is more of a rendition. You have to get tuned. And then you have to go back. But then now we wanted to make it like an Afro-dance thing. And that's it. So, what happened was, I was not sure if I was going to sell it or not. Thank you. When the idea was good, I would pick it up and ask him if he was going to sell it. He will remember that I am the one who is going to sell it. Hahaha. You are making fun of me. So, even when I came up, I had no idea if I was going to sell it. I would ask him if he is going to sell it. But then, I would say yes. I'm a little bit of a teacher. I'm a teacher. I'm a teacher. I'm a teacher. My name is Shia Beat. I'm from Kedougoth. I'm a teacher. I'm a teacher. I'm a teacher. now, not exactly sure, it's not the album you're going to be able to do, it's the work that's going to be there. Yeah, true, true. There's a lot of work going on, so one thing I realized, dropping tracks by tracks, is that you interact with your fans. So actually, it's easy to find a project like this, like in the pipeline, one from an American producer, Gidi, perfect Gidi man, Greg Rose. So to kind of project it like this, and then we already have something from Egypt with an Egyptian DJ, and it's DJ Meadows, it's a drop in Etoche Qabam. Yeah, yeah, yeah. So, there's a lot of work going on, the pipeline personally. There's a lot of energy going on, and it's easy to find a project. Yeah, yeah, it's easy to find a project, it's easy to find a project, it's exclusive, exclusive. It's easy to find a project, it's easy to find a project, but yeah, there's a lot of tracks, basically it's easy to find a project like this. Yeah, it's easy to find a project like this. Some of the fans are very good. And in mad settings bro, you can buy and buy. Yeah, man. So first of all, I would like to thank you for your support, for your friend Gidi, and for your follow, for your support. Yes. I would like to thank you for your support, for your support, for your support, for your support. Okay, I would like to thank you for your platform, for all digital platforms, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, for your support, I also want to thank the lab members who have come to perform with us. Your greetings Mombasa Mambo VP, Frankie D. Hope you're doing good. Big up to J.N. Rowley and Lendie Starboard, Willie Stax. Big up to Vincent Cross, love and respect. Boom!