 Alrighty, new shot here. Actually, let me zoom in. There is no sound. And... Bam, bam, bam, bam, bam. Okay, cool. You are mentioning, you are thinking about the ending here. Look at the camera fly off or in a way, any suggestions and trying to avoid your comment traps. I think it's a cool idea. I like it. I like that, especially how it goes into this. A couple of thoughts on that transition. In terms of your comment traps, I think it happens around here where you're very pose to pose, where that's a pose, and then we go whaaat pose. And you can see here, I'm scrubbing. You can't see it, but there you go. Woop, and then there's not much going on. You have a bit of a, I mean, you can, if you do this, you can see what is going on, but it's very much pose to pose. And then that's not too bad, because you're turning your head, but even then you have this, this. That's a wrong tool here. That and that. You can see how it's moving all at the same time. So again, it's very pose to pose. This feels a bit more overlapping, which is good. But then you have another moment where, it's too bad, like the hand continues a little bit. It's all very subtle, but this is the one where you go whoosh and stop. It's also the end of the shot. So I would still look at more overlapping actions. So if you go just from a technical point of view, I don't mind this, I think I like that he goes back, brings up the foot first, but then here we're off balance. You can see there's a slight lean back here, where he would be much more over this leg here, if that was English. To then take that step, you mean like this is like he would be on a bar stool or something leaning against it. So this to me feels more balanced. So watch out for that. And then definitely the pose to pose aspect of it. I mean, if he is, if he looks here, also watch out, you don't quite see the pupils, but it has a slight feel that I can kind of buy it, but it feels more like this. But when you do this, he looks here, here. I mean, I know the pupils are a bit lower, but still like why is he looking over there? Even this feels like he's looking over there. Now we're actually looking. So it also kind of look at eye line and kind of the point of interest too for him. The thing is, if he is, if he sees this, like imagine the shot starts where you don't have to do this, but where it's like a different pose, he must tense there. Maybe it's kind of a normal stance, kind of like, oh, what's going on today? And then poof, this suddenly appears. And then it turns around and goes, oh, what is that? And if he does this, and then with a slight pause, looks around again, that would be like, oh, I don't know, am I supposed to grab this? I don't know, maybe. Then he could lean down and then still look. Then I buy the fact that he would still look. He might even look around over the shoulder before grabbing this. But right now, it's just there and he goes towards it. So then to me, like you got to bring that head down and have him look at it. There's no reason for him to look this way, if that makes sense. Also watch out on that move down. It's very stiff here where you got your head, neck and chest go as one. This is like one, put this here, I can see. It's just a stiff plank in his back. So there's no break up between these. And to me, this would be, if he goes and looks at this or not, or looks around, just in case someone sees him or not, that to me then breaks this up because then your acting is different, right? If he goes towards this, that I will bring the head down first because he wants to look at this. And to me, that would be the driving, the leading part of that action. And then he brings his arms down versus, oh, I got to look around versus anybody's stealing this, but I also don't want to let it go. So then to me, the leading action would be with the arm because the arm wants to grab this, but the head stays up looking around just to check if anybody sees him. That makes sense, right? You got to think about those type of actions there. And even this here, so when he comes down, this could be outstretched more where he's already grabbing this. So this is already there while this is maybe a bit higher and then he finishes that squat a bit more as that squat is finishing, settling with the little bounce. This arm will then bring this up and then the body goes up and so on. So you got to really think about, is this moving first? Is this moving first? Is this moving first? Is his butt moving first? And why? So you got to think about his motivations. Is he just grabbing? Is he just nervous? Is he grabbing? Is he just nervous about other people around him? And so on. Is he nervous because maybe something else might show up. Whatever your story is, that's going to drive his actions and the leading body parts. Now for this, it could be kind of interesting if you do this, that pose he has here, right? So he has his arm pose with the hand out. He would still have that and then you can have a little bit of a little dust. It finishes off. You don't have to, to me it doesn't break the shot but it would be an interesting kind of a, what's the word? Something that binds those two together. Like this could be also a totally different character. Like whatever it is. I mean, like if you have anything that resembles this pose and this action when you get to this, it kind of connects them a bit more. Because now we have a point. Why is he pointing? Is he pointing there? Like again, like what is, what does this pose mean? Why? This is more like, watch out. But then why is that point there? So that's why I feel like what if we keep this hand pose here as a connective pose in a way, if that makes sense, if that's again English. And then he could almost, I mean, he could just look down. What if that end pose? Not that you have to match this. I mean, the most obvious thing is to just match this completely. But I don't mind that it's different, but if you would have just one little thing where he might still look down. But then as an audience, we're also, we're following his eye line, right? We go, and all I'm seeing is, oh, why is he looking up? What happened? Why is he pointing? I missed something. So now suddenly it gets a tiny bit confusing. It's not crazy confusing, but you know, you can still connect this a bit more. Here he's just kind of trying to listen and shaking. And then here imagine that hand would still be here. He would still be looking. I mean, of course, you could also totally match that pose. And then when he gets to this, he goes, oh, what is that? Really? And again, the pose to pose thing would be, to avoid this would be the head goes first. Because again, we have head movement and this moving at the same time. And he might look down and not do this right now. He might look, oh, okay, what else? What else is different? Oh, I guess my shoes are, my boots now. And once he looks down, this is still down here, right? Then he does a waychief to lift up his leg. So it's more like this is first, then this, then this. This because he wants to look down, what else has changed? Two, because then he has to kind of move his body forward. So in terms of silhouette and line of action, it wouldn't be towards cameras that's kind of flat. It would be more leaning over to look down at his foot. So again, one, two, and then three, because okay, now I'm gonna bring up my foot because I wanna know what happens. Now pose-wise this would have to be something like that just because of balance, right? Whatever the pose is there. So think again in terms of what is leading the action while? The reason is in terms of does he wanna look at something? Now he's observing and stuff like that. And then you can go into it, ending where he seems confused. Does it, how does it get resolved? Is he happy about it? Is it his appointment? Is that not something that he wanted? Maybe you would have other set pieces. Maybe he is, where is it? Maybe this is in a store. You know, get some other stuff around here. And you find this on the ground and then he gets mad. So then he just stumps the table. He's like, oh, maybe it's with his arm. Like, oh, but then he's so strong that everything breaks. I know you would have to animate all this breaking and just adding stuff. Could also be here is empty, he looks around. And then he kind of looks around again and maybe goes, huh? And that's kind of like a squeeze body feel so that he starts hovering. Like he might think, can I fly? But I don't want to fly away. Because I don't know if I can. So it would be just him going, huh? Maybe, maybe I can fly it. So he gets kind of, don't do this. But you know, arms back and like, okay, okay. Maybe I can fly and goes, imagine, you know, he's maybe going number two with that kind of face. And then he starts hovering and then floats around left, right, a little bit. Oh, oh, and he's like, hey, I can actually float. Maybe I can fly. And then he flies off and then off screen and then comes back here as an exit. Whatever you want to do. There's the bunch of things you can do. I think, and again, I don't want to dictate things as you're shocked, but I would look at, you've got common tropes. Superheroes, they're strong. He looks fairly strong. Can he fly? Maybe he can be invisible. Maybe, I don't know. Maybe there could be something where this box here, when he's transformed, that box is on the ground again, kind of wiggling a little bit. That'd be so I kind of fell, but it's there. And then once he's done going, what else is there? And suddenly it starts having, maybe some light is emitting something. And then he goes, you get sucked into this because he's a genie now. Like, I don't know. There's so many things you can do. So yeah, I don't know. Think about something that's fun to do, to animate as well. And then go from there. You'll obviously discuss this via email. This will be part of submission. So let me know what you want to do. If you need more ideas or anything, but I'm gonna leave it at that. All right, thank you. All right, there's an email. You can sign up. You can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right, thank you.