 Alrighty, let's play this the full first. It's on the short side. Let me play this again That's cute. All right, and you're saying here first pass Only first pass and look for any comments particularly just whatever you think needs to be improved I would say Watch out. I will probably avoid covering Faces even though it's just a couple of frames There's so much room here that you could tweak it and it goes into the second note of I know this is visually in 2d space different If you just look at that if you'd fill out the silhouette, I totally get it At the same time it just feels a bit simple With Somewhat again for her twin. I know it's visually different But there's just something about this feeling a bit too simple to be honest this like this could be a really Cute moment like this could be anything Where it's ah, it's today's a nice day or welcome Giant or look at the Sun nice day today. It could be kind of anything It's I feel like again, this is very it's a very silly note We're like make it you know at more personality. I know this is not easy But ideally I wish this would be something a bit more specific to her or she gets a bit more excited about it with like a little Something at least with the hands and fingers so she might have a little jumping around a little bit There's something where I feel like this could be more complex in terms of a character Getting ready to catch someone. She really likes like that is really cute like this It's really nice. I like the the catching and then you have the little squeeze It's almost like I would hold this for a couple frames longer. She does a and then immediately this I think this could be a catch and Then turn into do that What shot this is it's okay for a moment I thought she's gonna look at me and this is cute, but then I would involve these a bit more I know this is kind of pushed against her body here But maybe it could have that a bit more up and down almost like a little flappy like how does he show? That he's happy as well. He lands And Let me just see something he does It also feels like maybe that's intention when it feels like that creature is driving the move back And it's not her holding on Moving the character over so just watch out how you want to portray this is this You know is that maybe maybe you see little fins or whatever that is his arms flapping And maybe something strong in the legs and the heck goes over this way almost signaling Hey, you know, okay, like let go of me. I want to move over and then this happens Or is it her holding in an adjusting but either way Once you're here and you got that cute little thing They could be a little bit something in the leg But I would bring that up and down with some flappy and maybe it's something slightly bigger in the head She's cute because the thing is right now It's almost like everything's about her Still all about her. It's could be a pillow and Then when this Happens, I like that. She's not too big in her movement like there's some cute stuff in there But then you can make a big deal out of out of him He can have a bigger waddle with like in the body. So there's the kind of like that was a moment now This is a moment if that makes sense also objective but He's probably not that heavy But it could also be interesting if you had even if it's cubes or anything in the background and then Boom with this she would maybe take one step over and then you know This thing would be here You would have to pan over the camera a little bit but because if you have objects in the scene We understand what the camera is moving because we wouldn't if it's all empty Let's kind of open the shot a little bit and give it give it the body a bit more complexity It's technically if I do my onion skinning here And draw that box She is kind of always in that box So if we need to get her out of that fixed position and kind of So open up the shot Again doesn't have to be crazy just a little bit of a but then you can combine it into boom Then she moves over turn off the onion skin here and then she takes a step over So she's then maybe almost a bit bent over and then she would shoot up again with a reverse Into this and that's this moment of So it really goes from something like that to Really straightening back like really a bigger like squeeze hug there like oh and then turn into Maybe slightly more over because he is just moving a bit stronger I mean she wants to be close to him not move away But something like that if that makes sense the bit more movement in the scene And even a bit of up and down will kind of help can open this up a bit And like I said with some object so you can understand the camera move And that's kind of that I know it's first pass just throwing out a couple ideas Obviously feel free to take or ignore whatever you need and that's it. All right. Thanks All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you