 CHAPTER 38. AT THE RUFUS STONE. He folded his arms as Dangle and Phipps returned towards him. Phipps was abashed by his inability to cope with the tandem, which he was now wheeling, but Dangle was inclined to be quarrelsome. Miss Milton, he said briefly, Mr. Hoopdriver bowed over his folded arms. Miss Milton within, said Dangle, and not to be disturbed, said Mr. Hoopdriver. You are a scoundrel, sir, said Mr. Dangle. At your service, said Mr. Hoopdriver, she awaits her stepmother, sir. Mr. Dangle hesitated. She will be here immediately, he said. Here is her friend, Miss Murgle. Mr. Hoopdriver unfolded his arms slowly, and with an air of intense calm, thrust his hands into his breeches' pockets. Then, with one of those fatal hesitations of his, it occurred to him that this attitude was merely vulgarly defiant. He withdrew both, returned one, and pulled at the insufficient mustache with the other. Miss Murgle caught him in confusion. Is this the man, she said to Dangle, and forthwith? How dare you, sir! How dare you face me, that poor girl! You will permit me to observe, began Mr. Hoopdriver with a splendid drawl, seeing himself for the first time in all this business as a romantic villain. Ugh! said Miss Murgle, unexpectedly striking him about the mid-drip with her extended palms, and sending him staggering backward into the hall of the hotel. Let me pass, said Miss Murgle, entouring indignation. How dare you resist my passage! And so swept by him and into the dining room, wherein Jesse had sought refuge. As Mr. Hoopdriver struggled for equilibrium with the umbrella stand, Dangle and Phipps, roused from their inertia by Miss Murgle's activity, came in upon her heels. Phipps, leading. How dare you prevent that lady passing, said Phipps. Mr. Hoopdriver looked obstinate, and to Dangle's sense dangerous, but he made no answer. A waiter in full bloom appeared at the end of the passage, gardened. It is men of your stamp, sir, said Phipps, who discredit manhood. Mr. Hoopdriver thrust his hands into his pockets. Who the juice are you? shouted Mr. Hoopdriver fiercely. Who are you, sir? retorted Phipps. Who are you? That's the question. Who are you, and what are you doing, wandering at large with a young lady under age? Don't speak to him, said Dangle. I'm not a going to tell all my seekers to anyone who comes at me, said Hoopdriver, not likely. And he added fiercely, and then I tell you, sir. He and Phipps stood, legs apart, and both looking exceedingly fierce at one another, and heaven alone knows what might not have happened if the long clergyman had not appeared in the doorway, but heeded, but deliberate. Petty-coated in acronism, said the long clergyman in the doorway, apparently still suffering from the antiquated prejudice that demanded a third wheel and a black coat from a clerical rider. He looked at Phipps and Hoopdriver for a moment, then extending his hand toward the ladder, he waved it up and down three times, saying, chack, chack, chack, very deliberately, as he did so. Then, with a concluding, and a gesture of repugnance, he passed on into the living room, from which the voice of Miss Murgle was distinctly audible, remarking that the weather was extremely hot, even for the time of year. This expression of extreme disapprobation had a very demoralizing effect upon Hoopdriver, a demoralization that was immediately completed by the advent of the massive wiggery. Is this the man, said wiggery, very grimly, and producing a special voice for the occasion from somewhere deep in his neck? Don't hurt him, said Mrs. Milton, with clasped hands. However much wrong he has done her. No violence. How many more of you, said Hoopdriver at bay before the umbrella stand? Where is she? What has he done with her, said Mrs. Milton? I'm not going to stand here and be insulted by a lot of strangers, said Mr. Hoopdriver, so you'd needn't think it. Please don't worry, Mr. Hoopdriver, said Jesse, suddenly appearing in the door of the dining room. I'm here, mother. Her face was white. Mrs. Milton said something about her child, and made an emotional charge at Jesse. The embrace vanished into the dining room. Wig removed as if to follow, and hesitated. You'd better make yourself scarce, he said to Mr. Hoopdriver. I shan't do anything of the kind, said Mr. Hoopdriver, with a catching of the breath. I'm here defending that young lady. You've done her enough, mischief, I should think, said Wigery, suddenly walking toward the dining room and closing the door behind him, leaving Dangle and Phipps with Hoopdriver. Claire, said Phipps, threateningly. I shall go and sit out in the garden, said Mr. Hoopdriver, with dignity. There I shall remain. Don't make a row with him, said Dangle. And Mr. Hoopdriver retired, unassaulted, in almost sobbing dignity. So here is the world with us again, and our sentimental excursion is over. In the front of the Rufus Stone Hotel conceive a remarkable collection of wheeled instruments, watched over by Dangle and Phipps in grave and stately attitudes. And by the driver of a stylish dog cart from Ringwood. In the garden behind, in an attitude of nervous prostration, Mr. Hoopdriver was seated on a rustic seat. Through the open window of a private sitting room came a murmur of voices, as of men and women in conference, occasionally something that might have been a girlish sob. I fail to see what status Wigery has, says Dangle, thrusting himself in there. He takes too much upon himself, said Phipps. I've been noticing little things, yesterday and today, said Dangle, and stopped. They went to the cathedral together in the afternoon. Financially it would be a good thing for her, of course, said Dangle, with a gloomy magnanimity. He felt drawn to Phipps now by the common trouble, in spite of the man's checkered legs. Financially it wouldn't be half bad. He's so dull and heavy, said Phipps. Meanwhile, within, the clergyman had, by promptitude and dexterity, taken the chair and was opening the case against the unfortunate Jesse. I regret to have to say that my heroine had been appalled by the visible array of public opinion against her excursion, to the pitch of tears. She was sitting with flushed cheeks and swimming eyes at the end of a table opposite to the clergyman. She held her handkerchief crumpled up in her extended hand. Mrs. Milton sat as near to her as possible and occasionally made little dabs with her hand at Jesse's hand, to indicate forgiveness. These advances were not reciprocated, which touched Wigery very much. The Lady in Green, Miss Mergel, B.A., sat at the opposite side near the clergyman. She was the strong-minded schoolmistress to whom Jesse had written and who had immediately precipitated the pursuit upon her. She had picked up the clergyman in Ringwood and had told him everything forthwith, having met him once at a British Association meeting. He had immediately constituted himself administrator of the entire business. Wigery, having been foiled in an attempt to conduct the proceedings, stood with his legs wide apart in front of the fireplace ornament and looked profound and sympathetic. Jesse's account of her adventures was a cherry one and given amidst frequent interruptions. She surprised herself by skilfully omitting any allusion to the Bechamel episode. She completely exonerated Hoop Driver from the charge of being more than an accessory to her escapade. But public feeling was heavy against Hoop Driver. Her narrative was inaccurate and sketchy, but happily the others were too anxious to pass opinions to pin her down to particulars. At last they had all the facts they would permit. My dear young lady, so the clergyman, I can only ascribe this extravagant and regrettable expedition of yours to the wildest misconceptions of your place in the world and of your duties and responsibilities. Even now, it seems to me, your present emotion is due not so much to a real and sincere penitence for your disobedience and folly as to a positive annoyance at our most fortunate interference. Not that, since I am a young lady, I am not sure what I should do. But why did she go off like this, said Wigery? That's what I want to know. Jesse made an attempt to speak, but Mrs. Milton said, Hush, and the ringing tenor of the clergyman rode triumphantly over the meeting. I cannot understand this spirit of unrest that has seized upon the more intelligent portion of the feminine community. You had a pleasant home, a most refined and intelligent lady in the position of your mother, to cherish and protect you. If I had a mother, gulp, Jesse, succumbing to the obvious snare of self-pity and sobbing, to cherish, protect, and advise you, and you must needs go out of it all alone into the strange world of unknown dangers. I wanted to learn, said Jesse. You wanted to learn. May you never have anything to unlearn. Ah! from Mrs. Milton, very sadly. Ah! from Mrs. Milton, very sadly. It isn't fair for all of you to argue at me at once, submitted Jesse irrelevantly. A world full of unknown dangers, resumed the clergyman. Your proper place was surely the natural surroundings that are part of you. You have been unduly influenced, and it is only too apparent by a class of literature which, with all due respect to distinguished authorists that shall be nameless, I must call the new woman literature. In that deleterious ingredient of our book boxes. I don't altogether agree with you there, said Miss Murgle, throwing her head back and regarding him firmly through her spectacles, and Mr. Widgery coughed. What has all this to do with me? asked Jesse, availing herself of the interruption. The point is, said Mrs. Milton, on her defense, that in my books, all I want to do, said Jesse, is to go about freely by myself. Girls do so in America, why not here? Social conditions are entirely different in America, said Miss Murgle. Here we respect class distinctions. It's very unfortunate. What I want to know is why I cannot go away for a holiday if I want to. With a strange young man, socially your inferior, said Widgery, and made her flush by his tone. Why not, she said, with anybody. They don't do that, even in America, said Miss Murgle. My dear young lady, said the clergyman, the most elementary principles of decorum. A day will come when you will better understand how entirely subservient your ideas are to the very fundamentals of our present civilization. When you will better understand the harrowing anxiety you have given Mrs. Milton by this inexplicable flight of yours, we can only put things down at present in charity to your ignorance. You have to consider the general body of opinion, too, said Widgery. Precisely, said Miss Murgle. There is no such thing as conduct in the absolute. If once this most unfortunate business gets about, said the clergyman, it will do you infinite harm. But I've done nothing wrong. Why should I be responsible for other peoples? The world has no charity, said Mrs. Milton. For a girl, said Jesse, no. Now do let us stop arguing, my dear young lady, and let us listen to reason. Never mind how or why this conduct of yours will do you infinite harm. If once it is generally known, and not only that, it will cause infinite pain to those who care for you. But if you will return at once to your home, causing it to be understood that you have been with friends for these last few days, tell lies, said Jesse, certainly not. Most certainly not. But I understand that is how your absence is understood at present, and there is no reason. Jesse's grip tightened on her handkerchief. I won't go back, she said, to have it as I did before. I want a room of my own, what books I need to read, to be free to go out by myself, alone, teaching. Anything, said Mrs. Milton, anything in reason. But how will you keep your promise, said Jesse? Surely you won't dictate to your mother, said Wigery. My stepmother. I don't want to dictate. I want definite promises now. This is most unreasonable, said the clergyman. Very well, said Jesse, swallowing a sob, but with unusual resolution. Then I won't go back. My life is being frittered away. Let her have her way, said Wigery. A room, then. All your men, I'm not to come down and talk away half my days. My dear child, if only to save you, said Mrs. Milton, if you don't keep your promise, then I take it the matter is practically concluded, said the clergyman, and that you very properly submit to return to your proper home. And now, if I may offer a suggestion, it is that we take tea, freed of its tannin. Nothing, I think, is more refreshing and stimulating. There's a train from Lindhurst at thirteen minutes to six, said Wigery, unfolding a timetable. That gives us about half an hour, or three quarters here. If a conveyance is obtainable, that is. A gelatin lozenge dropped into the teacup precipitates the tannin in the form of tannate of gelatin, said the clergyman, to Miss Murgle in a confidential bray. Jesse stood up and saw through the window a depressed head and shoulders over the top of the back of a garden seat. She moved towards the door. While you have tea, mother, she said, I must tell Mr. Hoopdriver of our arrangements. Don't you think I began the clergyman? No, said Jesse, very rudely. I don't. But Jesse, haven't you already? You are already breaking the capitulation, said Jesse. Will you want the whole half hour? said Wigery at the bell. Every minute, said Jesse in the doorway, he's behaved very nobly to me. There's tea, said Wigery. I've had tea. He may not have behaved badly, said the clergyman, but he's certainly an astonishingly weak person to let a wrong-headed young girl Jesse closed the door into the garden. Meanwhile, Mr. Hoopdriver made a sad figure in the sunlight outside. It was over, this wonderful excursion of his, so far as she was concerned, and with the swift blow that separated them, he realized all that those days had done for him. He tried to grasp the bearings of their position. Of course they would take her away to those social altitudes of hers. She would become an inaccessible young lady again. Would they let him say goodbye to her? How extraordinary it had all been! He recalled the moment when he had first seen her riding with the sunlight behind her along the riverside road. He recalled that wonderful night at Bognor, remembering it as if everything had been done of his own initiative. Brave, brave, she had called him, and afterwards when she came down to him in the morning, kindly, quiet. But ought he to have persuaded her then to return to her home? He remembered some intention of the sort. Now these people snatched her away from him as though he was scarcely fit to live in the same world with her. No more he was. He felt he had presumed upon her worldly ignorance in traveling with her day after day. She was so dainty, so delightful, so serene. He began to recapitulate her expressions, the light of her eyes, the turn of her face. He wasn't good enough to walk in the same road with her. Nobody was. Suppose they let him say goodbye to her. What could he say? That? But they were sure not to let her talk to him alone. Her mother would be there, as what it was it? Chaperone. He'd never once had a chance of saying what he felt. Indeed, it was only now that he was beginning to realize what he felt. Love he wouldn't presume. It was worship. If only he could have one more chance. He must have one more chance, somewhere, somehow. Then he would pour out his soul to her, eloquently. He felt eloquently, and words would come. He was dust under her feet. His meditation was interrupted by the click of a door handle, and Jesse appeared in the sunlight under the veranda. Come away from here, she said to Hoop Driver, as he rose to meet her. I'm going home with them. We have to say goodbye. Mr. Hoop Driver winced. Mr. Hoop Driver winced, opened and shut his mouth, and rose without a word. Chapter 40 At first, Jesse Milton and Mr. Hoop Driver walked away from the hotel in silence. He heard a catching in her breath, and glanced at her, and saw her lips pressed tight and a tear on her cheek. Her face was hot and bright. She was looking straight before her. He could think of nothing to say, and thrust his hands into his pockets, and looked away from her intentionally. After a while, she began to talk. They dealt disjointedly with scenery first, and then with the means of self-education. She took his address at Antrobuses, and promised to send him some books. But even with that it was spiritless. Aking talk, Hoop Driver felt, for the fighting mood was over. She seemed, to him, preoccupied with the memories of her late battle, and that appearance hurt him. It's the end, he whispered to himself. It's the end. They went into a hollow and up a gentle wooded slope, and came at last to a high and open space, overlooking a wide expanse of country. There, by a common impulse, they stopped. She looked at her watch a little ostentatiously. They stared at the billows of forest, rolling away beneath them, crest beyond crest, of leafy trees, fading at last into blue. The end ran through his mind to the exclusion of all speakable thoughts, and so, she said, presently breaking the silence, it comes to goodbye. For half a minute he did not answer. Then he gathered his resolution. There is one thing I must say. Well, she said, surprised, and abruptly forgetting the reason argument. I ask no return, but then he stopped. I won't say it, it's no good. It would be rot from me, now. I wasn't going to say anything. Goodbye. She looked at him with a startled expression in her eyes. No, she said, but don't forget you are going to work. Remember, Brother Chris, you are my friend. You will work. You are not a very strong man, you know now. You will forgive me. Nor do you know all you should, but what will you be in six years' time? He stared hard in front of him still, and the lines about his weak mouth seemed to strengthen. He knew she understood what he could not say. I'll work, he said concisely. They stood side by side for a moment. Then he said, with a motion of his head, I won't come back to them. Do you mind, going back alone? She took ten seconds to think. No, she said, and held out her hand, biting her nether lip. Goodbye, she whispered. He turned with a white face, looked into her eyes, took her hand limply, and then, with a sudden impulse, lifted it up to his lips. She would have snatched it away, but his grip tightened to her movement. She felt the touch of his lips, and then he had dropped her fingers, and turned from her, and was striding down the slope. A dozen paces away his foot turned in the lip of a rabbit hole, and he stumbled forward, and almost fell. He recovered his balance and went on, not looking back. He never once looked back. She stared at his receding figure until it was small and far below her, and then, the tears running over her eyelids now, turned slowly, and walking with her hands gripped hard together behind her, towards Stony Cross again. I did not know, she whispered to herself. I did not understand. Even now. No, I do not understand. Chapter 41 The Envoy So the story ends, dear reader. Mr. Hoopdriver, sprawling down there among the bracken, must sprawl without our prying, I think, or listening to what chances to his breathing. And if what came of it all, of the six years and afterwards, this is no place to tell. In truth, there is no telling it, for the years have still to run. But if you see how a mere counter-jumper, a cad on casters, and a fool to boot, may come to feel the little insufficiencies of life, and if he has, to any extent, one-year sympathies, my end is attained. If it is not attained, may heaven forgive us both. Nor will we follow this adventurous young lady of ours back to her home in Serviton. To her new struggle against Wigery and Mrs. Milton combined. For, as she will presently hear, that devoted man has got his reward, for her also your sympathies are invited. The rest of this great holiday, too, five days there are left of it, is beyond the limits of our design. You see fitfully a slender figure in a dusty brown suit, and heather mixture stockings, and brown shoes not intended to be cycled in, flitting London word through Hampshire, and Berkshire, and Surrey, going economically, for excellent reasons. Day by day he goes on, riding fitfully, and for the most part through by-roads, but getting a few miles to the north-eastward every day. He is a narrow-chested person, with a nose hot and tanned at the bridge, with unwanted exposure, and brown red-knuckled fists. Amusing expression sits upon the face of this rider, you observe. Sometimes he whistles noiselessly to himself. Sometimes he speaks aloud, a juice-good try, anyhow, you hear, and sometimes, and that is too often for my liking, he looks irritable and hopeless. I know, he says. I know, it's over and done. It isn't in me. You ain't man enough, hoop-driver. Look at your silly hands. Oh, my God! And a gust of passion comes upon him, and he rides furiously for a space. Sometimes again his face softens. Anyhow, if I'm not going to see her, she's going to lend me books, he thinks, and get such comfort as you can. Then again, books. What's books? Once or twice triumphant memories of the earlier incidents nerve his face for a while. I put the cabache on his little game, he remarks. I did that. And one might even call him happy in these phases. And by the by, the machine, you notice, has been enamel-painted gray and carries a sonorous gong. This figure passes through Basingstoke and Bagshot, Staines, Hampton and Richmond, at last in Putney High Street, glowing with the warmth of an August sunset, and with all the princess boys busy shutting up shop, and the work girls going home, and the shop folks peeping abroad, and the white buses full of late clerks and city folk rumbling home to their dinners. We part from him. He is back. Tomorrow, the early rising, the dusting, and drudgery began again. But with a difference, with wonderful memories, and still more wonderful desires and ambitions, replacing those discrepant dreams, he turns out of the high street at the corner, dismounts with a sigh, and pushes his machine through the gates of the Antrobus Stableyard. As the apprentice with the high collar holds them open, there are words of greeting. South coast, you hear, and splendid weather, splendid. He sighs. Yes, swapped him off for a couple of sobs. It's a juiced good machine. The gate closes upon him with a slam, and he vanishes from our ken. End of section. Recording by Tom Watts, Peachtree City, Georgia, USA. End of The Wheels of Chance by H.G. Wells.