 Right, so here's the next one. It's basically called as a minor sixth chord. So let's first form the minor sixth chord. If you take A flat minor, which is A flat B, D sharp or E flat, to get that minor sixth, it's essentially a minor chord with a major sixth on top. So it's a little tricky to remember. So how do you remember a minor sixth? It's a minor chord with a major sixth up top. It's not a minor sixth interval. It's a major sixth up top. So minor chord with a major sixth. So the way I use it very often is, okay, the context of using this is a very plagal cadence like context. So what we mean by a plagal cadence is a four chord going to the one chord, okay? So generally what happens in a traditional plagal cadence, we go four, A flat in this case going to E flat. So that's also called as an amen cadence or a church cadence. Amen. Usually at the end of a hymn, a lot of people use it. So a lot of composers use this at the end of a phrase, right? So you have tons of those songs, but what happens in some songs, like if you take Radiohead Screep or Billie Eilish's My Future or even maybe the ending of Eric Clapton's Laila in the electric version, okay, it's very common, a lot of rock bands, a lot of, generally a lot of artists use it, okay? So I use it also in a very traditional way. I don't think I have a very different way of using it, but it's just something to know. What I'd like to add is first of all, it is the four of the one. So if you're in the key of E flat, the four is A flat. So traditionally in the E flat scale, we go A flat major going to E flat, but the first thing you try and do is A flat minor, change that around and then go to E flat major, right? That doesn't become the amen cadence anymore, it becomes something else unique. You could even do major fourth, going to the minor fourth chord and then back to normal. So how we color the minor chord even more is we add that minor sixth element, okay, again very James Bond-like, okay? And this is actually motivated me as a composer to put these two chords together along with the tonic to build a scale out of those two chords, you know? So that's, it's a very interesting scale, I love this scale. It's also known as a Mixolydian flat sixth scale. Instead of that, we do, right, so you get progressions like, so actually, okay, so just something to note. So in a nutshell, minor chord with a major sixth, that's your minor major sixth, very interesting, very mysterious, but could be used to resolve in a plagal context, that's a four going to one, right, four going to one or you could look at the bigger scale formed out of these two chords, which could be a Mixolydian scale with a flat sixth. Mixolydian is essentially flat seven and then you add the flat six as well. So Mixo flat six is the name of the scale. So these are various ways to use this chord into perspective. Let's move on.