 So what do you think's going on here? This is literally blowing my mind. My mind is exploded. Exploding mind. Oh, now I've got a funny story about this one. Matt, as one of the doctors, what's your take on this? What's up, guys? Welcome back to another episode of Visual Effects Artists React, and today we have a very special guest. But Nicholas, you're on with a W. Where is he? Whoa! Hello. I'm the doctor. Matthew Smith. Matt Smith. Matthew Smithington. Or just Matt. Or the way from England. Or Gallifrey, if you're a big old nerd. Well, when you're on this couch, you're automatically a nerd. You can also catch me in Edgar Wright's latest movie, Last Night in Soho. So, Klug. Today, we're going to be looking at some Doctor Who visual effects and getting your take on them. As we have someone from the set here on the couch, hopefully you can give us some insight. I have got some stories to tell. All right, let's jump into these effects. Don't interrupt me. Sorry. So in your show, the doctor can change his face through this thing called regeneration. That's right. You know, a very simple faith in the light transition. Well, this was the 60s. All they really had to work with is lead paint and Hartnell's threats. So why don't we compare this to the most recent regeneration, the 12th Doctor's? So we've gone from an old man just lying on the floor to an old man literally becoming a firework. Katy Perry would be proud. You want to know what I want to see? I want to see something from your time on the show. Oh, goodness. I hate watching myself. Oh, really? Nah, just kidding. I'm sectioned. Yes, the day of the doctor. Oh, getting to film that with David and John Hurt, it was a dream. Well, maybe you'll be filming something with David on the show again. This is actually very impressive CGI for the BBC. They're not exactly known for a big, bombastic effect. Now, I've got a funny story about this one. Really? No, I was just saying that for your opening montage thing to get people hyped, get that watch time. So what they did here is they created a visual pass with multiple different hues, then created an optical map and zoomed a digital camera right through it. What? And then to build up the tension, they added these digital explosions, although some could be filmed on a BBC light with a green screen. It's all right. I'm just making it up. But I thought you were an expert. It's in the title, Visual Effect Artists React. Oh no, I'm just an AI created by... For watching this latest episode of Visual Effects Artists React, don't forget to check out the stuntman react and all the other reacts. We got lots of reacts. And if you want full extended cuts of these episodes, don't forget to head on over to the website. I'm leaving now. No.