 Well, let's see. I think this play once was able to see it. I remember hearing about it for a while first and reading it. What really sealed the deal for me was when Aaron Tripp and some other native actresses read the parts of Lita and Katan and said, these are characters that I know and these are voices that I understand and they were just really hungry to do them. And that led to the production and then there's something also about this play for you because of how personal it is. It felt like a great first play and after that, there would be more and they would come maybe more easily in some ways through experience or getting this one out of the way. That's a filming 101, right? Turn your phone off. Mine will ring next. I don't know if you're a mom. She knew I was just talking about my mom. For me, Perseverance is what I know about theater and a lot of that is because once we got done with the Alaska Native Playwright Project, there was a bunch of playwrights who were wanting to do more and we didn't know what we were doing or what we would do really but we had an idea to keep up the playwriting and figured we'd need something to write about and someone to perform and a space for that. And Perseverance stepped in and wanted to support us, literally from day one, the very first day that we incorporated our little Alaska Native Theater company. They came in and said we want to support Alaska Native Theater. What do you need? Stage space? And gave us stage space right away and kind of over the next couple of years mentored us into this is what it takes to produce theater for these playwrights who didn't know how to produce. We kind of only knew how to write. So they were our group mentors for quite a while so it was pretty natural once I was actually in... My play was in production to keep up their relationship. So it's been my home for theaters since I've been doing theater.