 Hey, J-O-Win. How you doing? Hey, man. I'm Bill. I'm J-O. Take a shit. What? Let's see what you got. I heard y'all playing like a real slow jam. Did I hear that? Yeah. Right? What if we start this at a slow jam? I like it. The curtains are open. The curtains open with the Chico and Vixi really like getting to a slow jam melody. And then those talk through. I like it. That's how the show starts. I like it. Let's move. Yeah, so hopefully that's what they're going to be at the morning right here. Right here. Yeah. Really, this is going to be real. You guys can just move on. Me, I got the cue. We got to communicate whatever the cue is. The cat like, the new Kings of Comedy. I think that was the cue last time. Yeah. If you didn't even start the music. Mark. Does that work? That sounds great. Okay, so I just walked out with no curtains. So. What? Go ahead, go ahead and chat with me. So J-O-Win, as soon as you hear Kings of Comedy, slow jam music. Yeah, J-O-Win, as soon as you hear Kings of Comedy, there comes a slow jam music. And the fellas are already keeping their place. They're already on their farm. So, J-O-Win, it's on you. What's up? It's our show. Yeah. By the tournament, beat up. Yeah. You're here. Yeah. Out of that. Yeah. Yeah. Get away. That's it. Oh. Where are you? All right, cool. Kill that real quick. My show, my friends. I have done this show and released 30 times last year. It's just like this. You can watch it on the internet. We've done House of Boos. I've seen it. You've seen this. And I've had the same issue with every venue that I've gone to expressing this to me. And if I can talk to a fire marshal, I can find the middle ground. Do you react like this? I can't accept no. Okay. I can't. Not today. I have an hour before the door is open. Let's go see the G. Oh, from the floor, guys. There's an hour before the door is open. Yeah. My energy is high, but I cannot accept no without a detailed reason why. I can't accept because I don't want to, which came out of your mouth. I can't accept that. Because you didn't accept my other answer before. Well, I'm trying to find a solution. So you can't just throw problems at me when I'm trying to find solutions over and over again. Maybe the three solutions. I need to shoot in the middle. I need those seats. Then you need to move the seats yourself. We can move the people who are sitting in those seats. We can give them a VIP experience. We've done it a thousand times. They're not going to be upset with us. If you're upset about the customer, Who has tickets? Who has tickets? What do you mean? There's no ticket. Sold out. We're going to move them. We can move them wherever we want to and give them merchandise. We've done it a thousand times. The point is, I need this look of the show to be consistent regardless of your venue. Because all of the looks I've been in. It wouldn't be an issue. I can make this try. I can make this. See what I was telling you, sir, is I can make this try to find just as long as I need it. Hello. This is as long as some people. He doesn't have to sit behind it. Which is what he told me. He would be trying to find the camera. The tripod would be stuck in that. No, no, no. He's sitting in the side where it was. And he's looking at the camera. He's going to look like that. You've got to give me options. You've got to give me that. Let me know what the standard fire marshal log is. And I can figure it out. You cannot put anything in any fire egress with an extra sign. Plain, simple, bottom line. See that sign? What is anything? Anything. This aisle way cannot be blocked. If it has to be blocked. It will not be blocked. The terminal is blocked? It will not be blocked. It is blocked. If you are impeding the whole thing. It will be impeded. There will be no impeding. You have a tripod in the way. There will be no impeding. I promise you. We have never allowed trybods to be in the aisle. Not just because of fire ponds. It's our ponds. The situation here is your investigation. Okay. The soundstand is gel-manger. Trypods in the middle of the roof. The middle of the roof. The middle of the roof. The middle of the roof. The middle of the roof. And it's our policy. If any of you cannot have a tripod in the middle of the roof. He does not like that answer in that policy. He would like to get that answer from you. Okay. He is correct. In grassy grass of fire marshal station. He'll shut the whole thing down. Okay. I get you. Do we have any room to work making the tripod smaller than the normal tripod? Our equipment can be very small. I know a lot of productions come in. They have a lot of lights and all that type of stuff. Our show can be very small. Can I ask you a question? I believe you. Can I ask you a question? No. Please be quiet. I'm trying to talk to the gentleman right now. Hold on just a second. I believe. Hold on just a second. We're not going to talk each other like that, okay? He asked me if he had the opportunity to ask a question. I don't have a lot of time. The doors are open at six. I'm trying to talk to the person who can help me out. I got you. Go ahead. If a person is sitting in a seat like this in the mezzanine room, I can make it so the tripod sits in between my legs. So there will be no impeding. And what you said, nothing will be impeding. Every guest will be able to walk freely wherever they want to go. I can put the tripod in between my legs and have the camera right here. It's not like that right now. I understand it's not like that right now. That's not the problem we're currently at. I understand that right now, but I can make the tripod smaller so it can fit inside. That's why I was concerned about the fire marshal standard. Do you have like a monopod, like one leg? I can make it like a monopod. I only need it for the wide shot. I only need the smallest camera to sit right there for the wide shot because these guys are wild. And they go all over the stage. And I need one shot that covers everywhere they go on the stage so we'll be good. So when this comes out, they'll be like the impact was a great venue. They'll say, that's a great place. We want to go there. And I want to cover it the right way. If we looked at the shot from the platform, does anybody put a camera there? This is the perfect world. I want to honor the integrity of the show. So if that's what he feels like we need to do, I would like to ride with that. That's it. That's why I ask you every single option. Here's what we got to do. I have to honor the fire marshal. I understand. Okay. Here's what I'm saying. Go out there with your idea and show it to these guys here. If these guys look at it and you'd say okay, it's okay. If these guys says it can't work, we've got to find another way. I appreciate you listening to it. Thanks, sir. But this guy, these guys here has to improve it, okay? Yes, sir. All right. I'm going to try to get smaller. I can't put that in. Thank you. Three, four, five, six, seven, eight, nine, ten. I'm just coming up in the light. I told you. I told you. I told you. I told you. I told you. I told you. I told you to the fire marshal. I know. In any person. I don't know. I just don't know. I don't know. I understand the weight of this song. I've shown it to you. I know. I appreciate it. I'm sorry. It's your show and I did it. It just has to. The weight of this right now, it can't be. I know. We'll get it. You can get it between his legs. It's not in the road. We'll get it tight when we get there. It won't be in the way. I promise you. We'll get it out the way. Don't be nice and clean. But just like you guys, that's about a standard. Yeah. That's all we're doing. I know. I know. That's why I'm trying to make your life. I know. I'm just trying to make the middle ground. That's all. That's all. We'll get it nice and tight. We won't even know the camera's there. We'll shake your body off. We'll shake your body off. Come on, fire. There's a reason you show us that. Yeah, there's a reason, man. And then they're not going to, you know, the people that come in the seats, they like to sit in the camera and see all that because they watch it. You know, that's why they come. Can you do me a favor? Nothing is even in the... He's gonna sit behind it? Huh? Is he gonna sit next to it or not? I'll sit right next to it. I'll be sitting right here. Yeah, him is he. Right next to it. So you're running this camera? Yeah. So you get his word? I get it. Yeah. So when we go like this, just like that, nobody will be in the way. And it's pretty safe to be here. Nobody on there will know if he was doing that. Let me tell you why. Oh, that'll be fine. Yeah. When they stand up, they only stand up during the beginning of the show. The last one. So we have to wait for this conversation. Yeah, and then when the people... Yeah, they started high, they started high, and I just stood up and they sat back down. But it only lasts for like two minutes. Two minutes? Yeah. This will be good. But I need to figure out from Jessica and make sure that we can... how these tickets were sold, like if it was a group of three or four... Yeah, and look, if you need to throw in merch or whatever, meet in Greece, we can do like that. You know, it's not even... That work? That work? If it's like that, you're going to sit next to it? Yeah. You sit right here. I'm going to Jessica and figure out which seats we're going to drink together. This one's just going to be wide and this one out. Okay, sir. This one will be like that. Yeah, man. Thanks, man. Thank you. I appreciate you. I hope we got a lot of space. That's... That's... That's good. We should have tried that before. You're right. You're right. You're right. Instead of yelling. That's right. That's right. That's what I was telling them. I appreciate you. Everybody just calm down. Yeah. We're fixing it. Oh, down down the clock. No, no, no. But there's hardly anything that can't be worked out. Right. Right, right, right. All we just got to do is just take a step back. Yep. And revisit the situation. As long as you're not going to... If you stand up, you're not going to stand up the whole time. No. I'll be sitting right here. I'm just... I'm right behind you. I'm like this. I'm going to be solid. You got that. Yep. And what the fire marshal's going to say, if we have an emergency, and the lights are out, right, and people are trying to get the hell out of dodge, this is a blocking. Yeah. See, right? Right. This is not. That's what the fire marshal looks at me about. All right. You good? Yep. I'm good for that. Now on to the next thing. I'm like, I ain't going to let her play in that league world. Once she started talking, I'm like, I ain't fucking... The more you talk to this name, the more you go over it. You guys just shut it down. Yeah, a little black man in his suit kept over like, what the fuck are you, bro? So we got some good folks that must be coming to support right there. What's up with you? What's up with y'all? Appreciate y'all. Got a good white girl with them, you know what I'm saying? She's probably helping them out, you know? I think she's probably going through something. She's probably supporting me down here in Alabama. You know what I'm saying? I'd love to see that in this state, nigga, 50 years ago, that nigga got shot for that shit. It's amazing, man, to come to these venues like this, these size venues, and know that all the people are there to see what you and your people do, man. It's amazing. You know, a lot of people do this for a living, for a long time, and never get this opportunity. You see, my name is Carlos That'll work. Keep that going. All right, we'll wrap it. See you in a month. Yeah! Welcome back to another 85 South Show. We are live in Montgomery, Alabama. A.K.A. Gump Town. A.K.A. The Gump. You don't know nothing about it down here, boy. It's rough. It's raw down here in the Gump. Boy, I go to the area called 3-3-4. The Enigga do not play. You know, the last time I came down here, old buddy got down and didn't have that money, but I still perform for them people and stuff. So a lot of people like that. You know, it is what it is. But never again. Young G, where are you from from down here? No. Atlanta. Atlanta. Yeah, bro. Come on. Look, you on tour? You on tour? See? It's a close one to go to, man. You on tour? Did you guys make a decision? Do you guys like me? That's where we left you. Hey, you got to take my pressure on you. Yeah, you do. You're probably sitting at home like, man, bullshit. No cap on words. I was like, no, they can, they can tweet and they see my tweet and tweet. Come on, bro. No, I wouldn't ignore you. I know. I didn't come up front, bro. I need you busy. You here before me? What about you? And you have? I'm just going to what's the screen? If you go, we got to come up with the screen and process when he asked him to do nothing. He just showed up with the camera. We don't need to know if that's his camera. Well, who he came with. They can probably we owe another nigga now. They're going to show up one day, but like, you know, young boy taking my camera. So what I'm going to need from y'all is three, four, five percent. You know, anywhere between three and five percent, I'm good with that. Look at this. Nigga, whole producer dreams just came true. Right, man. Look at this shit. Training day. You got to see this shit. Look what these got. Oh, now nigga. Not damn. You got to get it. Yeah. 24. 24. We got a 23 on 24. Give me a B shot. Can I get a B shot? 23 on 24. Look at the nigga. I get to set up. Look at you. Nigga, you about to do a Bobby Brown show. Oh, don't be cruel presents. The 85 sound show. I'm good. You want one? No, I'm good on the motherfucker. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. I got it. What's happening? Shipping it. Shipping it, yeah. Man, look at my man. This is how the energy works. What we just speak about, he said, man, he feel like Berger came. Coming around the corner young and he want him to sell a nice good bag of fresh Berger came. And look, man, we ain't to him with the universe. He's the entire world. Hey, you gonna put a door open. What up, punk? What up, fool? What up, punk? What up, fool? Hey, blackbush. Hey, blackbush. Big at the motherfuckers. Church van shades at this motherfuckers. A petamal van. Damn. Nah, that's that motherfuckers. Hey, Claude, Claude, don't. Hey, you guys want some candy out there? What up, fool? What up, punk? What up, punk? What up, fool? We're gonna paint it pitch black. We're gonna GQ it out. Nah, I'm gonna keep it. I'm gonna keep it Mexico tan. Oh, shit, I thought he was gonna black it out. Family man. Hop out right here. What up, punk? What up, fool? Yeah, that's what I'm saying. You see one of these, man. They came to get you coffee. I don't know where they come from. Hell, yeah. Turn it up, boy. They can listen to some Marvin Gaye or something coming to shoot your block up at one of these with the motherfuckers shit rolled down, with the drapes rolled down. Send this bitch open up. What's up, man? What's up, man? What's up, buddy? What's up, man? What's up, man? What's up, man? What's up, man? What's going on? Send me up one time, man. Um, pre-show. Going down, 85 South Show in Montgomery. Yes, Montgomery, Alabama. Pre-show. We'll see everybody getting their mind right, man. Get ready to hit this stage and give these people a magnificent show. Oh, my God. Wow. Watch what I did. What's it talking about? Burn around town. What's it talking about? Burn around town, nigga. Talking about the side of the nigga. Who? They put the blue hat. At least the blue hat matches your pants. We don't play with them niggas. Keep the table with them niggas. If you stay with them niggas, you're going to lay with them niggas. We don't play around here. We spray around here. Keep it quiet. Put the silencer on the gun. Run around and make them run. We'll be having fun. I really do got a married brother. So I'm going to walk around here. I'm going to walk around here. I'm going to walk around here. I'm going to walk around here more. Again. I was smoking purses. Nobody didn't want it. I was having purses. Nobody wanted it. My blood had it. But we had to spare shit. Had to go and grab it. Whoa. Motherfucker. Motherfucker. Motherfucker. Motherfucker. Motherfucker. Motherfucker. Chopper. Chopper. Who's going to give the cue for the curtain to open? Who's going to give the cue for the curtain to open? I'm going to let him do his thing. Yeah, no, I'm going to let him do his thing. Alright, so while we're waiting on Najeeb real quick, the way we're going to start this show is, J-Win has a slow jam tune that y'all three can start, and then Cass is going to start the show, the tune is going to play, and then y'all staying right there on stage, like it's a R&B band, and then the curtain is going to open for J-Win. But the beat is called, so it's going to be our thing. Oh, this is Clax, by the way. Clax? Clax? Click Clax. This is young Jonathan, it's going to be a take-home session. Look, if the nigga any good, I discover it. It'd be any good. It'd be any good. I discover it. You look like this, you're a little brother, nigga. It'd be good. Alright, everybody by the head. Lord, we thank you for allowing everybody to be here, be healthy, get here safe. Everybody come together and be the best tonight. Do what they do. Everybody compliment everybody else, and in your name, we pray Jesus, amen. Amen. Let's give him y'all. You know what you're going to do? You got this money. You know what color? It's the kids behind the stage for the first time. Alright, let's show them what we got. Let's do this. Let's go make magic, you guys. Alright, Joe. Here we come. Here we come. We got to find out. Guys, we made some magic, you guys. Y'all ready? Or not? I did. I see the win already. I visualized it. You ready to be a mother? You ready to be a mother? You ready to be a mother? Win and go. Yeah, all that shit, mother. We're doing that shit for you. Up to get something to eat after the club. Stop doing that weak ass shit, nigga. If you hungry, say something. Please. You ever have a mother who gets so quiet, you feel bad? You want something? Because you never order so much shit, you feel guilty. Yeah, let me get a number four large, then some nuggets, make it a milkshake, but then give me a side drink. This nigga in the back like this. You want something? Uh-huh. You want something? Uh-huh. Huh? Yeah, man, come on over to something, man. What he say? You can get whatever. Get you something, man. Get what you want. Oh, shit, for real? Come on, nigga. Hey, brother. No problem, bro. Yes, sir. Yes, sir. We Alabama down. Coming to a city near you. And if we not coming to a city near you, then you need to come to a city near us. This is the 85 South Shore. How you feel, bro? I feel good. I feel like a champion. Yeah. That's what I want. What I knew, man, I was just over. I mean, we got there in Montgomery, Alabama. All right? I'm just over. All right, Montgomery, Alabama. Let me go in here and use the bathroom. You gonna go use the bathroom? I'm telling you a little bit about Montgomery, Alabama. Montgomery, Alabama is a very unique place. These people came here and they showed us a whole bunch of loving, showed us a whole bunch of good time. And we just appreciate everybody coming out here on this Saturday evening in Montgomery, Alabama and coming out here and supporting us. Tiddies in the left, titties in the right. Tiddies in the left. How you doing? How you doing, bro? You said that's a trip of you. How you doing? How you doing? How you doing? How you doing? How you doing? Took a couple. How you doing? Feel like you were your kid in the back end. You got three kids. They all two, two, two. How you doing? How you doing? How you doing? How you doing? How you doing?