 Yes, my name is Mya Thong-Ao, my name is Mya Thong-Ao, my artist name is Am Thong-Ao. I am the professor and head of the painting department. In my department, we select the student before the attended university. We select the predicate NWN or NW for the student. Especially, we check the hall. They are deland in art. We select 50 students in one year. Every year we select 50 students, limited limitation. After we select, they have to learn their painting subject, full subject, and academic subjects. Literature and other English and other subjects also teach in past year. Second year, we start two more other subjects. We teach in past painting subjects art, art of drawing, art of anatomy, art of art, art of art, art of art, art of anatomy. So, these six subjects we teach in past year to find. Students have to attend four year course in my department. After they get a bachelor degree, they can prepare for the master degree in my university. But now until we don't open this year, next year we will open master degree course in my department. In my department, all teaching staff is 21 teaching staff and students are 140 students. They study in my department. We have ten kind of tradition, art and craft in Myanmar. We teach in our university sculpture, stone sculpture, wood sculpture, and painting are the three kind of the traditional art. The traditional art is the ten kind. We can teach like this. Guzmi also teaches in my university. We have ten kind of craft art. Slavers made craft of mason. Out of wood carving and stone sculpture, craft of tannery, art of indian, is the ten kind of art. But in our university painting and sculpture department, it's only about four subjects. Painting and stone sculpture, wood sculpture, and Guzmi, we teach in our university. Other subject is the separately other school in Myanmar. For example, in Ligawir, school is in Pekin, in famous area in Pekin, Ligawir school is here. Guzmi and Guzmi like this, they are private art studio. They work for traditional way in every very places, especially in Myanmar. In Myanmar, traditional, ten kind of art and crafts. One is the Ligawir making, is the traditional way. Since we work 11th century this way. This is the home to make step by step to 28th step. First way is the bamboo, cutting, finishing bamboo, and other small finishing, and next step is like this, draft, stone, and step by step. This way in so many steps and so many times, we make this one piece for the underground cabinet. We also keep it in one month after painting and one month like this for faster to last. That is nearly six months long time. Ligawir Unistai is 100% handmade and only traditional way until now. So it's the expensive and precious for Myanmar craft, one of the Myanmar craft. You can study in the traditional way in Aba Myanmar, Pekin, Ligawir school. We teach step by step how to make step by step Myanmar Ligawir. This is the photo, step by step explanation. This is the predicate explanation. Like this, raw bamboo works. This is the fastest Ligawir coating. This is the surface finishing in bamboo. And next step is the cutting. This is the cutting. This is the surface finishing in bamboo. And next step is the like this. Applying with the saw, that's a liquor in. This cover the bamboo cap. And next step is the coating with the clay. We use the clay in one layer. Next step is the coating with the paddy husks, ash liquor and water. Ash, we use the ash, yes. Yes, after we use. Other step is the smoothened with fire stone. Yes, this is the draft step. Next step is the base coating liquor. This is the first liquor coating we use. Next step is the second coating. And this is the taco finishing. After we paint in this outside. This is the traditional way and traditional design. Traditional Buddha, jataka and story we make in this outside place. It depends on this material. Like this, the big one is we use traditional jataka in detail in the painting. This is only my Florida design, yes. This is also we use traditional material. Like this, bone ash, red clay, green pigment, yellow ochre liquor. This is the black color liquor step in. This is the brown color liquor step. This is the saw dust and cinnabar, cinnabar use. We use only, faster to last, only traditional way and traditional painting combination. So this is the proud of Myanmar broader in traditional way. Thank you. For teaching, scrap, sculpture, they choose words that need to be used. We use traditional jataka, traditional jataka, traditional jataka, traditional jataka, traditional jataka. For teaching sculpture, they choose woods suitable for sculptures. That is usually rain tree. Rain tree, the wood is not too hard, not too soft. It is suitable for sculpture and they also care about the aroma of the wood. If the aroma is not good, it's not good for sculpture. They usually use, they usually avoid woods that have cracks from inside and outside. And if there is no crack, it is suitable for sculpture. So, if there is no crack, it is suitable for sculpture. So, after choosing the woods, they sketch on the woods as a second stage of sculpture. So, after sketching the removed and necessary parts, the parts they don't want are in the sculpture. So, for sculpture, they make big woods, removing and necessary parts and making, sculpting for the image they want. So, after removing and necessary parts of the wood, there will be a block and then they would continue sculpting, removing the small parts to create the image they want. And then more details involved with small utensils, using very small utensils and small utensils.