Dmitry Nilov plays Chaconne by Bach in National Philharmonic of Ukraine, Kiev, 2009





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Published on Oct 11, 2015

Dmitry Nilov plays Chaconne by Bach from Partita №2 d-moll by J.S. Bach in National Philharmonic of Ukraine, Kiev, 2009

Guitar - Timophey Tkatch (Russia, 2009)
Strings Augustine Imperial (blue)

Clips by Dmitry Nilov about classical guitar playing technique find here: https://www.youtube.com/channel/UC-Gv...

It's the second performance of Russian classical guitarist, laureate of international contests Dmitry Nilov in National Philharmonic of Ukraine, Kiev, first took place here in 2004 and also had a great success.

Dmitry Nilov, the young solo guitarist of the Moscow Philharmonic is believed to be one of the leading guitarists of our time.
Mr. Dmitry Nilov gained his popularity first of all because of his classical guitar repertoire. His favorite program including works of Bach and these of Spanish composers was played on dozens of stages.
With the same persistence the musician keeps himself in the strict frames of the guitar academism but, delightedly, obtains from this calm chamber instrument a strikingly fine touch, precise accent and astonishingly rich images, both of Bach’s meditativeness and of Spanish expansiveness.

(Ukrainian National Philharmonic, January 29, 2009)

Dmitry NILOV (classical guitar, Russia) http://dmitrinilov.com/

- 1998 and 2002 – Laureate of the “Printemps de la guitare” contest (Walcourt, Belgium, WFMC);

During last 15 years the musician had given several hundreds of concerts (solo and as a soloist with symphonic orchestras) in Russia, Belgium, France, Germany, Spain, Belarus, Ukraine and Lithuania. He appears in the best chamber and grand concert halls of Russia and other countries (e.g. the Tchaikovsky Concert Hall (Moscow); the Grand Hall of Moscow State Conservatory, the Chamber Hall of the Moscow International Performing Arts Center, the Lysenko Academic Concert Hall of the Kiev Republican Conservatory (Ukraine); the Chamber Hall of the Minsk Republican Philharmonic Society (Belorussia); the Glinka Smaller concert hall of the Shostakovich Academic Philharmonic Society of St. Petersburg; the Grand Hall of the Vilnius Philharmonic Society (Lithuanian Republic), striving to expand the boarders of guitar music recognition as of a perfect classic instrument.
Within this period Dmitry had turned from classic guitar repertoire to programmes based on his own arrangements of piano pieces by I. Albeniz and E. Granados and in which a whole concert part is dedicated to his arrangements of I.S. Bach’s violin pieces.
Teaching: Despite that the performing activity was always prior for Dmitry Nilov, he combined it readily with teaching by giving consultations and master-classes for students of high schools and academies of Moscow, St. Petersburg and other cities of Russia, as well as of Germany, France, Belgium, Holland and Spain.
Special training were also organized for professional performers, including selection of concert programs, thorough studying of fingering, detailed solution of technical problems, work with scores, with sound, purity and culture of motion, intonation expressiveness. Particular attention was paid to psychological mood before going on stage.

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