 Got another one for you. Not going to be good at all. Ddina ddina ddina ddina ddina ddina ddina ddina ddina ddina ddina ddina ddina You matter to me. My stupid rax is getting in some Corbin. I'm Ricardo. Any quotes on Instagram and Twitter? I want to see comments. It's so cheesy. But bang! Also, I'm cursing you, Jesus. I'm putting you down. Today, we are in for a treat. We are watching a trailer for an Odea film from Odessa. Yeah, we have not seen a film. We've done nothing from that region. This film is one I've been hearing about because the director, and a lot of people, it was in the conversation for the Oscars for a while. I'm really happy. But I think we've wrecked one of his trailers before. It starts Sanjay Mestra, but that's a Hindi film. But apparently he's made an Odio film. And I know it's a very small industry, but apparently it's a really, really good film. It's called Yesterday's Past, the director is... Neela Madhabhanda. The film revolves around a man from the Satavaya village in east coast of Odisha which has been swallowed by the sea. Excellent. Awesome. So we want to get to a bunch of regions and just elevate Good Artichoke. Once again, we don't care where it's from. It's from Odia, Canada, Balialam, Tamil, Telugu, anything. Obviously you've seen, we do Assasins. Well, India. Somewhere in India. Yeah. So if you've seen this film, let us know how it is. And if it's worth a watch, we would love to elevate some good films from Odia because we've not even seen a trailer. No, that's why when you said it, I'm like, did you really just say that? We've never done anything from that region. That's fantastic. That makes me very happy. So... A little pulling thread. La, a notufaloso. Po. I'm not gonna say it. No, but have you seen the thing that says, like, you know, when you open up a loaf of bread and there's the piece at the top, and people call that the butt? No, I call it the hoe. Cause everybody touched it, but nobody wants it. That's it. Ha ha ha ha. Here we go. Turn the chairs around and... Yeah. Ha ha ha ha. That looks good. That looks good. So this director, from what I remember, the one with Sanjay Mishra, I can't remember them, we'll look it up right now. But I believe that also had, and I'm not sure if that's what this one is, but I think that one also had something to do with climate change. I don't know what you're referring to, so that's okay. But obviously, this one looked like it did, like the rising tides of... Yeah. And stuff like that. There's a lot of spots in India that are affected by it. Yeah. And so it looks like a disappearing village that could obviously be wise. So that might be something that this director is very passionate about, which, you know, makes sense, as everyone should. Yeah. It just looks like the kind of thing that floats our boat the most. Yeah. We really do like all kinds of film, but at the end of the day, for us, we're actors. Something that's good. And it's artsy. Artsy, also that has a good message. Coming from the heart of an artist, with a bunch of artists collaborating. It's a story, because that's what, at the core, what movies are, they're not just entertainment. At their core, the history of theater, I'm not gonna get on a soapbox. It's storytelling at its core. That's what it is. And when you have a great story that's sending a message, particularly one that's gonna send a message that's educating you, this looks really, really good. Yes. So the film I'm referring to. I remember that. Yeah, you're right. Kadfi Hawa. Yeah, the story of a farmer and a bank recovery agent who lives, lives are impacted by climate change. Both are willing to go to any lengths for the sake of their family. Does fate have... I heard this is a really good film, and I do wanna watch it, obviously. And I don't know how many people have watched it, because it looks like a very independent film. Yeah. So you've seen it, let us know how it is. But from watching it, I remember how much I wanted to see it. This one is no different. No different, and that's my only concern is not just for our availability to see it, but for everyone else to see it. It did just say it's coming to theaters in the summer, so I don't know how we're gonna see it. Yeah. But... I just, man. That's the one thing about the lesser known regions and the lesser known films is that there's these beautiful films that are made that just, it's a shame that these streaming services don't always carry them. Doesn't even look like this is on his IMDb. Yesterday's past. And at the very least, if a production company on a trailer like that, if they just had a website that the film was on, and they charge you $3 to watch it on their site, okay, sign me up. Because that's what... The best film of this year, in my opinion, is American Film? No, Indian. Oh, Great Indian Kitchen. Yeah, remember, that's what they did. It was some, I forget what the site was, knee something? Yeah. And I think it was like $3. Short films do that here quite a bit. If an Oscar-nominated short film is... If a short film's Oscar-nominated, they will often have a website for the film, and you can watch the short film just by going to their.com. Yeah. Anyway, but this looks really, really good. Yes, it does. I would absolutely watch it. So if anybody has seen it, please let us know how it is, and also how that other film, by the same director, with Sanjay Mithra is... And if there's any other stuff from Odia? Yeah, and I'm guessing it looks like it's a one-person film. Like, all of... Well, Castaway isn't technically a one-person film. The majority of the film is one person, but All Is Lost is one-person film. Yeah. With no dialogue, other than one expletive shouted in the middle of the water. If you've never seen All Is Lost with Robert Redford, it's pretty good. Or Locke. Oh, yeah. We see Locke with Tom Hardy. Tom Hardy. And there's just Tom Hardy... Three other people's voices. Tom Hardy driving in a car at night. And it's all in the car. That's all it is. It's so good. There's no flash scenes. There's nothing. It's just Tom Hardy driving in a car having phone conversations. Locke. Hello, CKE. Anyway, I want to see this. Yeah, so let us know how this is. And if there's any other films from other regions, Odia, or other smaller regions that we haven't got to, please let us know down below. Look, mother, it's over.