 Hi guys, my name is Liz Jackson and we are with SPM Buzz at the Alchemist. So we are here with the one and only Papa Jones, Habariyako. Mzuri sana, Nikofi tika bisa. Now first of all we have to commend you on the good work that you've done on the album that we've had a chance to listen to. So one of the questions that maybe our fans could be asking, what inspired the title Invisible Currency? The title was inspired by, I mean there's a, I was talking to my people having a conversation and that term came about. And you know I was sitting down thinking of a suitable title for the album and then when they explained to me what the title actually meant I was like perfect. This is what I'm going to take for the title of the album so that's why we came up with the title Invisible Currency. For those who don't know what that means, Invisible Currency is the value that you bring to the table that is not visible to the naked eye. So basically it's just the strength of your brand, the strength of you as a person, yes. So when we listen to the album, ojitunaju rawenim to hardcore, to emotions, but we can feel the rawness in the album. How was that transition for you and what inspired you to be so real in the album? It all comes down to growth, ojitunaju and the growth, I've said this, I've done a bunch of interviews right now, I feel like I'm just repeating myself, but I am 32 years old right now and I cannot be moving the way I was moving when I was 25 years old. So the album I felt like I needed to display myself in that manner so that then people also understand that Kali Graf Jones is a human being. But at the same time we balance and being the ojitunaju that I am, so yeah, that's that, yeah. So one of the tracks that you've released is Hiroshima and it's currently trending at number 14 in Tanzania. So how do you feel for that kind of vibe to be trending in Aswahili Nation? How is that for you? I saw that and I didn't even believe it because one of my guys from Tanzania sent me that screenshot. It's like how? Hiroshima doesn't even have a chorus, it doesn't even have a hook, it's all bars from the beginning all the way to the end and for me to have a song like that trend in a country where people don't even speak English, that speaks volumes, right? So I was excited and I was having a conversation with my manager, we're actually planning on doing a tour in Tanzania, media tour in Tanzania and I mean that is something that is part of the plan that we have because we've seen the reception and the guys love it so it's only right that we give them a proper visit and we let them know what's up. One of the artists that you featured is Ali Kiba. What made him perfect for you? Were you trying to diversify your sound in Aswahili Nation or what made you choose Ali Kiba? Ali Kiba came to my studio and he was working on his album, he had his album, he wanted to feature me on a song so it was like some sort of a trade, he actually featured me on a song and it was like yo I give him a verse, he gives me a verse. So it was and the way I worked with Ali Kiba on this particular song, you will notice that it's very different because it would have been expected that Ali Kiba comes in and does the hook, the chorus and then calligraph does the verses but I was doing the hook, I was actually singing on the hook and I sang on the first verse, Ali Kiba only came to on the second verse so I did it differently and he was feeling the vibe you know because he also thought that I was going to call him to come and do a chorus and that was not the case so in Liyonatu from that aspect he would be the best perfect match for this song and that's why we made it happen. One of the people that you've mentioned is Bien. What was Bien's impact on this album? Bien a kuchini. Bien lakini, he is my friend Yanni of course, he is one of, he's a very good friend of mine, he's a good friend of mine in the studio and even outside the studio so we were having studio sessions with the producer and he happened to pop up, he came up, he came to the studio while we were recording the song with Prince Inda and he came with, he actually came that day, came with the guy Rimbui, Aaron Rimbui, they have a joint EP and I mean he gave the album a sense of direction, there are musical terms that I can't even mention right now because people are not going to be able to understand what I'm talking about but just know that Bien is the one who made the album take that direction you know and he, Yanni, Bien imi noma. Thank you so much for speaking to SPM Buzz, good work on the album and we hope that our viewers are going to interact with it, thank you so much. Hey what up calligraph Jones Papa Jones, you know what it is, we out here just dropped the new album Invisible Currency, go stream it, it's on boom play, we're doing massive numbers, God bless you if you have listened to the album, if you haven't God bless you too, go and listen to the album right now, got a new track out together with Invisuals, Calligraph Jones feature in DAX, it's on YouTube, go and check it out and remember keep it SPM Buzz because this is where it happens, respect peace out.