 I'm at the East Circuit on Facebook, Twitter and Instagram. Before the break, we were talking to Wavinya Williams, Tomeonga, about the reaction in USIU because now she's a superstar. You're studying IR over there. The collaborations you've done, the productions you've done with urban coaches as well. And I feel like I'm at Kujivo. I think I'm going to add here the reactions in the USIU. OK, for those people who know me, ok, nikiwa actually I'm a bit low-key. I just come, go for my classes immediately in my talka. So ok, asiwa na nijwa, but we'll try to misquend that pooping in school. But isn't that like, you know, the point of it all? Yeah, it's the point, but it's not the right place. As in you're not someone you can, even without being a superstar, you can't really, you know, hide in a crowd. I can't. The digital Russian understands what I'm saying. Yeah, I know. Celebrities like me. But now there's a pempilav, yeah? Yeah. We were talking about that earlier on and you said that you're diverse. You do whatever comes to mind whether it's any genre and any style whether you're rapping or you're singing. How is the reception with this one? Because they are the regular fans that you've had ever since a polypoly featuring Raj and Tehukon and now a pempilav. People have seen you, they've seen you grow as an artist, as a rapper, but now you're singing. How's the, is it mixed reactions? How do you feel about it first of all? Actually, I got a good reception. You got a good reception? Yeah, more than those two projects I need to find. For pempilav in a video, it's a visualizer. But the way people are doing it, Mika, it's a video. It's like a video already. Yeah, so the reaction, reception, it's good. Yeah. Are you going to do more Afropop? It is Afropop, right? Yeah, it's Afropop. Are you going to do more Afropop? No, I'll mix everything. In Tajaribo, I do Afropop, Zuki Dog, I mix everything. I'm going to mix everything. You know, I wanted to ask, because most of the time when you see an artist do such a thing, like mix it up in terms of genre and even in terms of like a style of music, it's more like a monetary thing. Did you see like there's more money in that genre or? Because it is the music business. Not really. Okay, me switching up, I realized that people love that sound. Yomana, I tried to do something and yeah, people are going to like it. So it's not about the money. Okay, the money, it's there, but the main point is, everybody should love my projects. Oh, so you're basically just covering your bases? Yeah, yeah. The people who are set on this, set on this, set on this. Is there like a reggae coming soon? Okay. What are you not willing to do in terms of the Spotify? Maybe reggae, I can't do reggae. I can't do reggae, I can't do the auditing. Auditing. Oh, what is the auditing? How about giving me this example of this auditing? Like, yu kwemba na kisoili enye, it's shank, that's a big challenge for me. So you see the genre. Give me an example of a song. Uh, why? Ure jo zile odi danse ziku, you know there, ma. Uh. Siya ti, I can't do them, but it's not my style. But it's not your type of thing. Yeah, it's not my style. That's interesting because there was a conversation. Si kumikuna this play-key and we've talked about this before. Play-key in music, play-key in music. Then there's the other people who are saying, well, hold up, what about the content that is there? Exactly. Now you as a lyricist, as a rapper, you end up saying all of your genres, they are cares and you're writing properly. Yeah. And at home some of these are limits to what you do. Yeah, what you can do. So what do you think about the situation in terms of content creation? That's kind of new school-ish that they're trying to force on us. Do you think in the content are you kumikuna or what is your perspective on it? Okay, you know, in music industry, kilam twa kuna target audience, siya ke. So maybe those artists or the audit kumikuna audience, audience siya. The same thing to me, kuna enye, watias kiza muzikengu. So it's all about pleasing your audience. So you do audit, you do the pop thing, as long as you are audience, they're okay with it. That's the most important thing. Yeah. Like in our karedi, you can you wanna find? Wana karebiya kwa sababu, they are getting views. No, no, they are getting views. Siwa titi, they are also getting views. Mibu aka jaribu kweka kitu enye. Maybe Paris, they can listen too. Ineza kwa much better than just singing. Kenye mi enye, we can listen too. Mibu aka kwa ngeza, we too, more serious. But they are getting views. So the only kwaum with that is like mostly the, maybe the inappropriate things they might say within the track? But even kwa hip-hop and those other genres, they also sing semi-twenty when you know. No, no, nia, right? Wakuna potential kwa, they can do great. With regard to that and the Kenyean industry and the Kenyean artists, you've done a collab with Raj. Are you planning on doing another collab with someone else? Who do you have in store for us? Funa, I can't say it. You have to? No, I can't say it. You're home. You're supposed to feel comfortable on the East side. Funa, I can't say it. I can't say it, but I want to do the song with it. But what I can say, I'll be more consistent. Like Stuckhouse and... In terms of all, in terms of like release dates. So says I'll be more consistent with my work. But I'm going to produce good work, that's what I'll say. Is there an album in the works? Because also that's another conversation I've had before. We said, okay, albums now, but we've seen people are starting to release albums again thanks to digital media, things like boom, play and iTunes and the like. So what about you? Did you change your mind on that? For now, I'll just focus on the solo projects. You know, the same 10 ways into our album, people don't know you, you need to put in work. Work on what they are going to listen to. So I just take baby steps till I get wherever I want to go. That's interesting. I like that perspective. So you're viewing like the singles part of your career, like a marketing part of your career. But at the same time, I'll try and also do features. Tafanya singles and features. And then maybe 2 to 3 years, I'm a one ukulele and I'll do my album. I'm a superstar in New Moaka, in Moaka, I'll be a DJ in Russia. New Moaka, lasima to party. Lasima to party. We're about to play a Pimp You Love by Wavenia Williams. It's a hot, hot track. It's actually the visual of Pimp You Love by Wavenia Williams. But before that, I want you to tell us where we can find you on social media and YouTube. On Instagram, it's Wavenia underscore Williams. Tita, it's the other way around. Williams or Wavenia, Facebook or Wavenia Williams. Facebook or YouTube or Wavenia Williams. Basically everywhere it's Wavenia Williams. It's Wavenia Williams. Apart from Tita, it's Wavenia Williams. Wavenia Williams. If you missed the first interview, Williams is the dad's name, just in case you're wondering where she's from. Williams is from the dad's, so... Sesh tu ke sahara. I love her so much. I want you to tell me where she's from. I don't know her name, I don't know her name. Boxing in Gumu. Boxing in Gumu. Before we go to that song, did you little Russian had some shout outs? Yes, I have so many shout outs. My inbox is blowing up. Inbox is blowing up and keep blowing it up. You can find out DJ and Lil Russian. I'm a white people and they are so cute. So I have Samuel Jiro. He said and he shout out. There's Kevin Muriyuki. There's Chokora Tajiri. There you go. Rewind selector. That's it. Chokora Tajiri. Chokora Tajiri, Nixon, Mukagati, Musomi, Deno. People from South B, South C. I have somebody from Kileleshwa also watching Tundinia. Shara to you. Asafika Bisa. Asajisana Wavenia Williams for joining us yet again. And giving us some good good music. You're welcome. Thank you. This is Pempeloved by Wavenia Williams.