 Maybe even getting close to being Pimp C out on a song. What's our killing? What's our killing? On that, when he say, it must be the first night of falling in love with a, wanna go down on my end and marry me. Boy, that's a, ooh, that's a tingle. I must be the first man to ever fall in love with a, gonna go down on my knee. Pimp gonna come up through the cut, Pimp. No, Pimp. But that's a serious. Pimp, trickin' ain't in my pedigree. We don't understand when you listen to music. It's just serious, bro. Pimp C different. No. Pimp C different, man. R. Kelly was a different type of beast. I don't wanna get into this. Hey, look. When you, I mean, when you talking about writing songs, this man was writing for Selena D on my tracks. But they say he couldn't write. I can never figure this part out, bro. What he doing? I'm putting it in, tell me what I'm doing. Go behind the mic. Hey, let me get into this, okay. Record this. Da-da-da-ba-ba-ba-ta-ba-ba-ta-ba-ba-ba-ba-ta-ba-ta-ba-ta-ba-da. Hold up. Ka-ba-ta-ba-ba-ta-ba-ba-ta-ba-ta-ba-da. Record this. That's what was going on, man. He was talented. He was thin. He was super talented. Didn't need no paper. Punching it like punchin' it. Yeah, just punchin' it. Hard with it, though. Yeah. Man, we did two songs with R. Kelly on the self-titled DoD album. Man, it's being in the studio, watching like this. Man, they go in there and handle it, though. Man, he make it. Look, we doin' the video to Magic Chick. Boom! With the vision, let me highlight your show. I wanna get it with the diamond, know your game. I can spit it like I spit it, but I gotta beat you. Check. And you know how people that say, say the words to the video so we can make sure, you know, you're not lip-sing it, right? Man, R. Kelly was, he was letting the song say what it was gonna say and then went behind it and said, I need you as the camera person to line it back up. Too cool in the DTQ, little bit not due to the Magic Crawl. It's all up in the club like my phone for a few time my day, face off. Man, I said, that's difficult. I was like, oh, that's too difficult. That nigga boy. The man was saying the words when he heard the words, he was saying behind it. And then he'll say it behind it. And then he'll tell them to line it up. And that whole be right on point. Boy, I already know. I already know. No question about it. I'd never see nobody like him. It'll never be another. You'd never see nobody like him. It'll never be another. The only verse where I had issues with somebody maybe getting close to being Pimp C out on the song. Was our killing. Was our killing. On that, when he said, it must be the first man to fall in love with a, wanna go down on my hands and marry me. Boy, that's a, ooh, this nigga. I must be the first man to ever fall in love with a, gonna go down on my knees. Pimp gonna come up through the cut, Pimp. No, Pimp. But that's not serious. I'm P-I-N-P, trickin' ain't in my pit greed. It ain't by no square look. We been all day when you listen to music. It's just serious, bro. Pimp C different. Pimp C different, man. And what was so dope about Pimp C that I love, he had just got out, I was down in Houston, and he was shootin' with T-I, I think it was. And... On that front back? Yeah. Yeah. He was shootin' with T-I, and he said, I did a feature for somebody, man, and it was a style y'all had. He was like, man, I had to use that, you know what I'm talkin' about. Yeah, he used that. I had to use that whole, man, he said to you, he said, man, but listen to it. I got in the car and I listened to it, I was like, I said, boy, you snap. Yeah, boy. That nigga wild, wasn't it? Pimp, man. Pimp gonna do Pimp, and see, he showed you just believe in yourself. That's hard. That's it. Man, just believe in you, man. That's big. So you and Pimp, y'all, sitting in the car and listen to the hell. You don't even know, you stop the show when you say stuff like that. We'll shut this whole day. You're... You're... Sorry, man, sorry. No, because you gotta understand, man, when you hear this dude and the way he was gettin' around all of those and playin' instruments and just gettin' around these verses like he was doin', you don't see nobody just, y'all different, man. That whole era is somethin' to be respected and recognized, bro. You know what I'm sayin'? That fast style y'all had, though, man. Like, what the hell, man? Man, and it was crazy because, you know, Bone Thugs and the Hummin' was... Yeah, yeah. They was harmonizing the music and things of that nature, but people's like, they were, it's not clear, but they caught, it's cold. I felt like it was just cold, period. Cold period, yeah. But when we came through that boy, seven, seven, little P.M. flyin' love to them like... Come on, man, give it to me. ...in the sea, grim, chillin' on the weak stem, touchin' on my full film, movin' to the back. Let me see who peepin' this Pope Pimp, spring to the phone with a slow limp and a tripped out, shh, to the three, one, two, seven, six, two, one. Man! You know, they was like, oh, man, they trippin' the words, ain't you hear that shit? Yo, man, man, I gotta say it, man. Texas, thank y'all. Man, we loved it. That was a embrace. But you would rap a lot. Y'all, we had to step y'all anyway. Man, that was a big embrace. Y'all killed it anyway. Y'all deserved it, bro. Yeah, that was a big embrace, though, man. That was different. What did you think when you heard Mike Jones use that verse that he said? I smiled, because it was like, you know. You knew it was a... What did he say when he said what he said? Like, do it down, Pope Pimp. Like, do it down, Pope Pimp. Carl Ston Real, keep on spittin'. Me and Slum, we ain't trippin', I'm figure-flippin' and surf-sippin', like, do it down, I'm Pope Pimpin', Carl Ston Real. Dang! I mean, we, it was great to be able to hear somebody say your name. I influenced that person. I influenced that person, you know what I'm sayin'? And like, a lot of guys that we run across, like, 21 Savage, one day he was playing on Smokin' Rad. I was like, I influenced him. He won't let you know. Yeah, yeah. There's a lot of guys, man, coming across, man, they play the music, man, I influenced him. But see, the one thing, it's one thing to play the music. But Mike Jones been goin' through a thing where they been takin' that tippin' on fourfolds and they remade it by four different people, NLE Chopper, all of them, they remade it, but they didn't give rights to it. He been snatchin' them down, all of them, and they been into it about that. Wait a minute, why he's snatchin' them down? He say because they ain't clearin' it, and they don't, them y'all still sayin' you hatin' on us. But it's business too, though. Oh, it's all business. It's business, y'all got to, you got to respect him. And go through the right channels and doin' it. You gotta get it cleared, man, you know that. I was finna say, yeah, no. If you hear y'all's been playin', what you goin', what you goin'? Let them keep on playin', and then once I put the papers on their asses. Ooh! I heard you hear that, too, so you say, what he takin' to him? Yeah, let it be. It's hard, right now. Let it be. Let it be. Let that hoe go all the way. Isn't that what, what's his name did with Glorilla? That's what he did with Glorilla, but that's also, you know who got hit like that? Who? Pharrell got hit like that, him and T.I. Neal. Yeah. And Robin Thicke. And Robin Thicke. They got hit by Marvin Gaye people. They got seven million dollars. But they waited. They waited. I got out the way, ain't I? That's what he did, man. That's what he did, man. I was the robber. I was in that thing, man. I remember that. I remember that, but they got paid. Yeah. They got paid, man. It'll go up, man. It'll go in this, and then it'll go up, and then put that paper on there. And it's up. Yeah. And we up together. Yeah. And it's up.