 Let's, um, yeah, automate the time. I should actually put it here, because it doesn't need to operate. Let's make it play, make it go from 18 milliseconds to, uh, crap, again, this. Fuck, I won't move one point, not two. Stupid. Oh, yeah. Nice. Now let's add a... It's weird. I have DSP loaded 23%. It's not too much, but otherwise just can't keep up with the amount of files, I think, in this session. Just... Yeah. Oh, yes. MA pitch shift. That's the... That's the whole thing. That's the key to success, man. And also it's going to give us a simple stereo image. It's going to be awesome. MA pitch shift ratio. We can use this as a build-up sound. Yeah. That's the idea. Let's go from the very low to... To... About also automating the window size, because that's going to sound very weird. And cool. Yay, this could work, I think. Alrighty, let's maybe cut this with all its automation. Ctrl-X and paste it here. Yes, this is working. Let's just use any cue. Or maybe... Oh, I think I want to change one more thing about this. Make one... Okay, let's cut off the lows. Yeah, it's very subtle. Great. It adds to the feel of the track and makes it more interesting. My goodness. Are you with me, Ardor? OBS, you're recording this? Okay, I think I want to copy this thing and use it somewhere else. But I just would like to listen first. Yeah, maybe here. I think here would be a good idea to use this. Copy, copy, Ctrl-C and Ctrl-V, C. Let's try to use it here, too. Why not? Maybe let's give it more velocity. V... For velocity... Oh my God, I don't know how the recording is going to look. It's going to be terrible. I think I'm going to automate the ratio to make it go higher. I want to make it super high. Alright, I think we just need a few more small sound effects and this track is done. And then some final mix down session, like paying attention to levels of different frequencies and instruments. Final look at dynamics and overall loudness. And I think I'm going to render it out and then master it and send it out. Exciting. Okay, let's call this FX4. Whatever it's going to be. This is FX3. This is FX4, actually. Okay, so this is going to be FX5. Actually, no, let's call this pre-noise or riser. That's what it's called. By Peoples. Let's give it keyboard input again. Add a monotone stereo splitter. Yay. Great. Maybe I could try save the session and reload it. Maybe it's going to, our door is going to work faster. I'm really tempted to try it because taking so long to do anything now. This is artificially slowed down. My work is artificially slowed down. Okay, I'm saving the session. Saving the session. Yeah. My goodness, it's amazingly bad. I'm going to quit. I'm going to quit our door and I'm going to run it again. Maybe I'm just going to minimize the spotlight. Actually using it. Waiting for the shit to load. Waiting for my shit to load. Yeah, yeah. Hello, bodacious 11. I keep loading, loading, loading, loading, loading. Still, still loading. Okay, loaded. Oh my goodness, I'm like eating 14 gigs of RAM just to run this session. What the heck? What's going on, Vio? Okay, let's see. It's going to be more responsive maybe? Not really. Oh, this didn't do shit. Didn't do snot. Sounds like a flute. Let's try a different algorithm. Looks interesting. Something's really bad. The envelopes are very bad. Okay, let's try. Okay, let's go with this one. Okay. Oh, nice. Sounds like a stick. This could be useful. Maybe I can insert some small melodies with this thing. Add some reverb or something. What the fuck? No, I'm going to wait. Let me wait. Come on, Nardo, you can do it. I want to make a track for this challenge. So please cooperate. Shall you? Can you? Will you? Hello, motherfucker. Oh, yeah. We're alive. Great. Actually, I'm going to save... Oh, my goodness. Clicking anything just takes forever. Because I'm going to save a new version in case something breaks the session. I want to have a snapshot. Yeah, I can just go and make myself some tea. It's going to take a while. 12 excruciating minutes later. Holy shit, it's done. I turned off the screen for a while and then realized it's... I just had moved it, opened it up and... Whoa, it's done. Awesome. I can actually work on it again. Nice. I wanted to make it slow. The melody is frantic. Okay, let's try to stretch it. It doesn't work so bad, so good. Let's see. That's interesting. Very interesting. Okay, I'm going to now just try to snap every note to a reasonable place. Let's move this back. Oh, interesting. How about moving this all up one octave? Interesting, yeah. I like this rhythm. It was weird, but it's nice. Okay, how about using C-scape? Because it's doing these nice chromatic resonances and a delay. I like it. BPM. What BPM do we have? I forgot. 175. 174. Oh, it did catch that. Nice. Okay. I think it could take a mono input. Oh, shit. Okay, gotta fix this shit. Remove the outputs. Now it's fucking distorted, because why not? That's what we do. That's what we do for a living. Distort a shit out of things. I'm going to try to use a compressor before. No, just an amplifier. And amplifier, this one. I think I should make it pretty much my favorite. But I have too many favorite plugins, so it's not going to work. Okay, let's get 24 decibels. Oh, 20 is the max. Oh, yeah, nice. I like it. I also want to add some noise. So let's go fractal. Yeah, let's set a gate. Let's see what's got one. I like it, so it just... Yeah. I forgot about one channel. Not again. How about strict IO? Fuckers. Okay, nice. Better now. Maybe I should... Crap, but now I want stereo. Routing grid. Left, right. I want stereo. How do I do that? Okay, let's add an audio out. I can't duplicate it. Oh, my goodness. That's... So I'm going to fly. Pick your poison, man. Can't have it work. Easy. What? You fucking kidding me. Why it can't be removed? All right, let's do this like this. Fuck it. Okay, maybe it can't be removed because it was used. Something was connected to it. Okay. I want some reverb. Let's use GXZeta reverb again. Yay, nice. Oh, I love this reverb. It's so smooth. And just compress it. Oh, also an equalizer. We don't want some bass frequencies to be there and mess up with the rest of the mix. Just a high pass. Also, on some more presence. I like it. I should also copy this over. Maybe use it somewhere before. I'm called this a ping lead. Support lead. And I think I also want to add a second reverb unit. Argot Lunar. Yeah, because I would like to wash it off in the first part. Yeah, I like this. Let's automate the mix. Now here, I want it to be all wet. Later, I want it to be dry. Let's do it like this. Simple. Also, I would like to add some low pass filter automation because that's going to make it even more cool. Wow. I think it is working a bit faster overall. This thing is too loud. Yep, it's just too loud. It should be... I'm going to make a... What I want to do. Oh, I think I remember. Yes, I wanted to do something with this thing. This pad make it quieter. Make it like also wash it out. I think I'm going to do it with a filter. Maybe this time of hypers filter. Very, very gentle hypers filter. How about this? Well, it sounds good. Yeah, that's good sound. Really cool. Let's go from this. Make it slowly, slowly go down. I really like this track. Wow. How about this? I think I want to make the kick have more influence on this sour bass because it is not enough. I'm going to try and make the kicks louder for this part. How about doing this? Okay, I'm going to save first. Now V. Oh, shit. Okay, no. This doesn't work here. Transform velocity exactly 127. See what that does. These notes are too freaking long. Okay, let's try and fix it. I don't know if it is possible, but I'll try. MIDI, MIDI, MIDI, transform. Set note length to exactly 1. Okay. How about 0.5? Will that make a... Okay, 0.5 is... So I need 0.25. Okay. All right, I get it. I think I can do this. Set note velocity... No, set notes length to exactly... Okay, 0.5 is this. 0.25 is what we had. 0.125 is what we need. Yeah. I want to do something to make it feel bigger for a while. I'm going to maybe try to use a guitar X multi-band compressor. And then I'm going to try to bypass it. Let's see if I can automate the bypass for it because that's really important. I can't. Okay, I can't do that, so no. I can't use this plugin. Sorry. How multi-band is that? Or do we have any other multi-band compressors in the house? Multi-band compressor stereo. Oh yeah, we have the LLSP compressor. Let's try it. I never tried it. Oh, it looks nice. Interesting. Okay, let's maybe loop this section so I can just play over and over and can easily... Okay, so... What is this? Oh crap, we have eight. Oh, I can have eight fucking bands. Wow. Pretty rad. Let's go for it. Pretty fucking insane, but yeah, I actually wanted a multi-band compressor that can do eight bands, but can I also automate multi... Not multi-band, can I automate bypass for this? Yeah, I can. That's the key. Okay, can I configure the filters somehow? Can I make this bigger? Oh, nice. Sweet, I can configure every single one. Okay, I guess it's going to take some time to set up. Okay, ratio. What is the threshold? Oh, level. All right, let's un-solo it. I don't want so much makeup. Nice. Okay, un-solo. Yeah, this is the main... Now I'm going to go to split. Ratio and knee. Okay, ratio. Lovely. Now threshold. Where is the... Oh, attack decibels. Okay, yeah. I think the first one also needs a longer attack. Let's see, get it. It's pretty awesome. Wow, I didn't even know this exists. This plugin is cool. Does it really bypass? I can really tell. Okay, it doesn't truly bypass, so that's a problem. It's pretty crazy. Okay, I see. Okay, I think I would need to use some... Oh, I can use this. Awesome. Oh, nice. I can just use this to fill up the space. I don't have to be all wet. That's something I couldn't just do with Calf Multiband Compressor. I think I need makeup gain. It sounds different. It doesn't sound... I'm not sure if it sounds better. I think it sounds different. Let's try it. I'm going to save it and let's play this whole thing. I think the bass is too much. A bit too much highs. Should be loud. Will it work? Let's do it. There has to be something to differentiate the drums in the first part of this in the second one because there's not enough... I think I need to EQ the crash very carefully because there are some tones I don't like. There you go. There you are, crash. Oh, shoot. No, no, no. Gee, I'd like to make a slight little thingy here and see what happens. I'm about changing the tape stop speed and make it faster, much faster. Can I do something cool here? Nice. I think the track is pretty much done. Sweet. Cool. Awesome. I could try some mix bus compression. Just a tiny bit. Fabulous. I'm just going to render this and make sure it's okay. Where is the session start marker? Oh, there it is. Session end marker. Yeah. Thanks for watching. The rest is just boring stuff. You have basically watched me do the whole track from start to finish. You can see how it didn't look like much in the beginning. It didn't look like much for the three-quarters of the time. You see, that's how it is. You just have to push it further and finally you arrive at the place where it's cool. I hope this series was worth your time and shown you quite a lot of different tricks and ideas and how I work. Anyway, thanks for watching. I will see you in the next video. Bye.