 When you pull it up, it just takes it all the way around. A little tab. Sometimes you don't just tape, press down on the side here. You don't have to press down all the way. I wouldn't, just because then that way, if you need to, you could grab it from this side. And then it's not as hard to take off because the whole tape isn't on the board. It's just a helpful little thing to make it easier to take the tape off. And always remember to put your tape out of any resin way because if the resin gets on here, you ruin your tape. Completely ruined. It'll always, when you take the tape off, it sticks to it and then it tears. So you have a whole ruined thing of tape. So we are going to do a little bit of resin today, a little white and gold, as you can see. These are Montana black. This chrome gold is beautiful. And I put this in some hot water before because it was a little chilly today. Real thin on three levels. Looks good. Is that a little higher than three? You like to put down a random pattern of clear if it's going to be the majority of the color that the background is. So you have a white background. And then when you make a white, excuse me, white to put on top of it, it lets it flow a little bit. And then it lets the white resin sink into the paint and it stays, I guess you could say, a little more solid. And then when the white goes over the clear, it floats and gets a little bit marbly. You could definitely see the difference because these two whites are different whites. I try not to get over the whole thing, leave a couple little patches open. Let's mix some white. I'd like to leave a little clear just for a different taste. Mix your white into the resin. Now you can feel it getting hot. I have a roller that we use for resin, and it's super stiff. Like it's really hard, so hopefully it doesn't, I mean it shouldn't soak up the resin. This one just soaks it up and it takes it away. So I'm going to try to use this one to make the veins. Let's see how this works. It looks like it just picks it up. Still picks it up? Like it picks all the gold up. Do the veins real light, right? You turn it, and it gets all of the paint. The gold is separating, it's not doing that. Shake it up super, super well. I didn't. I'm pretty sure that's why I'm not going to think about it. It's already like said, if I started this before you took it, I mean right when you took them out, this will be fine. I mean, it still looks great. You don't want to light the landing on top? Because it's already on top, and it looks great. I figured it was lighted on top. That's what this is, that real light stuff? Yeah. I think it'll be fine though. What? It's gonna work. That stuff just does something different that Montana didn't do. See how it spreads more? It just does better. What? What's wrong? I thought you were about to put the resin end in your mouth. It did. Yeah, this stuff is, it even like, that's what I like about that. Yeah, it stays together kind of. Oh yeah. We use two different types of gold, and resin tastes like this. Two. Yeah, don't put the wrong end of your straw on there. It's like going back together.