 What's happening everyone is a heel turbine with the metal voice. We're here at Rock Ferrani with one and only Rudy Sarzo. Rudy, man, it's such an honor to see you. And we go back a few years, man. I remember auditioning for Driver in 1986 with you and Tommy Aldridge and Kurt James. Wow. And then just before you guys went and joined Whitesnake. Yeah. Well, there was a, actually we got a, as far as that goes, we put the band what's actually became with Tony Macalpine and Rob Rock on vocals and we did a record for metal. What's that? Yeah. Mike Varney's name. Mike Varney. Yeah. What's that label called? Yeah. Rudy's putting me on the spot again. Yes. Okay. It's a long time I go by. Yes. Yes. But that's all right. We love Rudy. So tell me, Rudy, what about I can't hold on? How did that, how did that come about? Is that a surprise to you when they put up? Yeah, it was a surprise to everybody because Alex wrote that song and the music and then he gave it to Kevin, Kevin sang on the demo. He wrote, you know, the melody and the vocals and the lyrics and then they put it away in a computer and he had forgotten about that. So when I came back to the group, we were all looking for songs from our catalogs and he found that. So that was really a surprise, like, oh wow, I forgot about this song, you know. So yeah, that's Frankie on drums and myself on bass and of course Alex and Kevin. And another thing that I thought was pretty amazing, I remember before I ever met you when I was, you know, probably 14, 15, I saw this photograph and it was of Ozzy's band, Blizzard of Oz with you and Randy and with Tommy and you're sitting there on these steps and that's like the indelible image in my mind before I came out to Disney World. Disney World. In Florida, in Orlando, yeah. So is that an actual press photo that was used as a promotional photo? I'll tell you exactly what was going on that afternoon. It was the last day of the tour of the Blizzard of Oz U.S. tour and we were playing in Daytona Beach so they decided to like, okay, next tour is going to be Dyrif and Madmen. We need photos for the tour book. So they said, okay, well, Ross Halford is here, let's go to Disney World. He said it's a background and that was it. That's all I knew. It was going to be photos for the tour book and then it shows up in the inside sleeve of the diary of the Madmen. So I got a Randy Rose question. So with all of the time that's gone by, the way that the world is, the way that the music world is these days, where do you think Randy would be musically today? Well, he wanted to go back to school to get his degree in music. I know that he gave notice to Sharon Ozzie that that's what he wanted to do that. And so I think he would further his education in music, have gotten a doctorate in music and then probably going to, you know, there's a possibility that he could have stayed with Ozzie. You know, kind of like what Zach does, that he goes between what he does as a solo artist and also be part of Ozzie Osborn. And I got two more questions because I know you've got to get on stage. So I was just wondering how do you, you know, how do you shift gears from working with David Coverdale, working with Ozzie Osborn, working with Quiet Riot, Kevin Dubro and of course Randy back in the day and working with, you know, Dio, Ronnie James Dio. We're here at the Rock for Ronnie. I mean, and that's not even all the bands that you play with because, you know, you work with Adrian, you're just sitting there talking with Adrian Vandenberg and also Queens Rike and Jeff Tate. So how do you work with the, I mean, oh, simple, even the Wendy Dio's. I mean, I remember being at Lemmy's Funeral and you were there with talking with, you know, Sharon and Ozzie. So how do you like get along with all these people and work through the different scenarios because there's a lot of politics with everybody in this business. One of the biggest gifts I get from being in so many bands and playing with so many people is having to play with them, learning from them and being in their presence and it's having them in my own personal journey through life. And as far as musical directions, you know, I saw the same 12 notes. It's how you treat them. Well, I admire that about you because, you know, you're like someone that, you know, it's like you can shape shift into all these different bands and like well, you know, I grew up with top 40 music. So I learned diversity by nature because that's what we played. It is, you know, you be in a band that one day, you know, one song will be You're Having My Baby by Paul Anka and the next one is Smoke in the Water. Whatever's on the radio, that's what we played, you know. Well, I know you got to get on stage, but I just want to ask one last one. So is there anything that's upcoming with Quiet Riot? Anything new, a release, a recording, an album? Right now, our strategy is to do a song at a time, you know, because what happens is we have, we have, you know, at least two albums that we got to play songs from those records. That's Mental Health and Condition Critical. That's the set. And for us to record a new album and have to pick three songs to stick on the record, I mean, on the set, it's pretty impossible. So why record a whole album if you're just going to play one song? So right now, it's one song at a time that. So you're working on another song right now? No, no, we have songs from the can already. It's just a matter of finding the right time to release it. And is there any other archive songs with Kevin or with You never know. Alex or Frankie? Yeah, Alex might find some stuff. Yeah, the other songs that were actually Frankie playing drums. You know, it's over now and now I've got to go on stage. That's right. Good answer. Thank you, Rudy.