 So, this is a menu walkthrough for the C70 and we just go by its paces. I've set it up in such a way so that you could see the output screen displays for every setting that's going on. And also, we just walk through everything correctly. So, first and foremost, that is from the screen itself. If you look at the screen at the left corner of the screen, there's the finger hand icon there, which you could touch and to give you access to other functions such as the white balance. I'll shake my picture up so you can see this. The white balance, NDs, T-stops, ISO, shutter speed and the other custom button, which also brings out more options. So, if I touch the button after that, that's when we get to see more functions that we can access just from touching the screen along without diving into the menu. We get to see we have zebra, peaking, false color, max and lot, which we can also access when you're actually using profiles such as the C-Log2 or the C-Log3 to expose the camera itself. Then, if I go out of that by going back, if you look at the top left corner, there's also like a film with a gear icon that when you touch it takes you into another mode. This is where you could easily just get to access. So, you're in super dead 5 mode, or you're going to super 16 mode, which you allow you to record 180 from per second when you're doing the crop. Or you could actually go into a second card function whereby you can actually do special functions such as relay, double slot recording or do main A sub B recording like when you have like in different dual codecs that actually could actually work depending on the function you're assigned. On the recording mode, we actually have the normal recording, slow and fast per recording, main and continue like switch over continuously to B, then the slow and fast clip with audio or with sound. And if we go back out of this, you could actually scrub and see more. We'll actually get to see. This one will touch screen, it will not actually dive into the menu. These are like the essentials. So we have like codecs such as the XAVC in 10 bit, HVAC 42, we also have MP4 in 4 to 0, 10 bit. And it's also the MP4 H264 that's in 8 bit codec depending on what your flavor is. You actually get to access different data rates depending on where you are. So I could be like in XAVC and come here and actually see the other options of codecs with different actually compression on it. The long up being the one that is actually more effective in actually compressing and the interframe recording is the other one that actually records independent frames individually without actually compressing them or with actually figuring out what's the difference to actually save space on the card. But with the XAVC, you do, right now that's an XAVC, you do not get, let me go back to slow and fast mode. So you see what I mean. I'll go back a bit. So if I'm in slow and fast motion, right, and I go forward to like the XAVC, when I check my frame rates on my slow and fast motion, you see that the highest I get up to, there's the highest frame rate I get up to. But if I mean the HPEG that's also 10 bit, Y42 10 bit, and I go to, we could get up to as high as 120. And this is just tapping the screen to actually access these functions with actually getting diving to the menu. So it makes a quicker way for accessing menu. It's also available in other codecs. I believe if you actually go down to 420 and you go back, you're still able to access the 120 function. If you go down to the MP4 and you go back, you can still access the 120 frames per second on slow and fast motion. So go back to normal recording. So also here, going back to the other codec, we can actually change our picture profile. So if you look at this, right, there are a lot of normal picture profile. We have our C-Log2, our C-Log3, our BT709 to white gamut. That's the C1, C2, C3 rated with your different gamma settings, conversion, including HDR. For those of you who want to record directly in HDR, you'll be using the PQ tone mapping. That'll be mapping the entire footage curve to the HDR gamma, which is the BT2020 color space and the PQ gamma curve space. There's also HLG, I believe that's a lot more. It's hybrid-log gamma, the difference between, a split difference between HDR and 709. It's a different flavor of HDR. Then from C6 to, let me see how far, yes, to C20. You can actually go back and actually customize it however you desire and actually figure out what the settings are will be for you. You can go up or down of the curve however you see. For me, I was able to load a custom lot into custom picture 6. It mapped it to the gamma curve of C-Log2 and the canons in the gamut. Basically, if we get out of this place, we are back into the space where we are using the REC709. There's the custom picture 6, which is what it's using now. That's how I get in the look we're actually getting. We could also load all the custom picture looks and try that out, but I did not have several looks loaded into the monitor. I mean, into the camera at the moment, but yes, you could actually load several custom lots to your hat desire. So diving to the main menu, if we hit the main menu button, going all the way to the very first function, we get to see if we're using the IRF lenses, you'll be able to access functions such as the iris mode whereby you have this function activated. Apart from that, this way you can make custom increments using the zoom ring of those IRF lenses to become like your iris. So it automatically becomes a conversion where you de-click the iris of that lens and have this hole. You could convert it into some kind of cinema field because the aperture will be de-click if you're using the zoom ring, because the zoom ring doesn't have click and stumps like it actually does in other photos. This is for the ND filters. Normally, you get up to 6 stops, but you could actually get up to 10 stops when you turn this on by stacking lenses in front of the other. Here you can choose whether you're in shutter angle, clear scan, slow or off whatever your hat desire, but for now I'm using shutter angle. We have ISO gains and in what increments it can go up to in the second page of the menu. On the light meter, you have how it actually sees whether it uses just a small box to actually use that as a spotlight. So what that box is on, or the IRF interest would be on, that's what it would read off or a general calculation. I actually prefer using false color as a way of judging the image and that I could just activate. Temporarily for now, for the sake of showing you leave this mode, I'm just going to sit up 2 and go back out. I could come into my frame here and I'll turn on false color here. It's turning on my screen, but you can't see it now. So for you to actually see it, I'll have to go into the menu and go into the monitor menu, I believe. And say false color turn on and that's how you get like sit on your own monitor. So you get like see all the exposure. So if I crank it down, you could actually see he's in the shadows. If I open it up, I could actually say, oh, okay, I have clean blacks. There's no more. There's nothing to just belly above. And I could bring the entire background a bit. And while it's exposed for the skin, I'm just still opening up to where the background is not like hot and like, and the skin is like one stop over exposed on the right side. And that's how you could easily use false color. But when you turn it on activated, even when you turn it off here, here just only controls the LCD. As you see, it's going off and on, but it's not changing in your picture. So you have to like go back to the inner menus and say turn off. I wish there was a way to actually just make it a global function so that it just turns on on one and turns off on the other all true and true because it's actually not something you keep there for a long time though. So going back, we're at yep. So you have like your auto focus mode. So I'm using a single lens. So it's not going to show me my auto focus options because I'm using a single lens. If I go to a still lens, I'll be able to access those functions. And we would like say a couple of them. So on the color temperature, we have like what are you going to use Kelvin or Mary? So here we have the face detect that's still on, which is why you could get the box whenever it sees his face and face AF. You could also map functions to your camera grip if you're doing those stuff. Then auto black and balance. This is what you use. You do before you actually roll a camera so you could actually get you the camera to calibrate the blacks of the sensor and make it clean. It's usually great and you have peripheral illumination when you're actually correcting. If you know the focal length, if you see what it does on off, you could see how it just affects the edges of the lens. So for lens, things that doesn't have on total lens coverage, you could actually use this to prevent vanishing from happening. Chromatic abrasion also during high contrast scenario, you can leave it on most of the time. Lens diffraction, EFS lens, this is where it tells the camera to actually crop in a bit. If you're using like a lens that's not covering the full super dead 5 mode, which is the Canon's EFS lens for the super dead 5 sensor camera. So yes, there's a digital stabilization when you're using that and it also supports anamorphic correction in the 1,3 and the 2x squeeze. So if you move to the next function, this is where we have the custom pictures that I was telling you about that we looked at. So we'll start with 7 or 9, so you see what that is doing. So that's the Canon 7 or 9 look. If we go back in, we change to C-lock 2. So now we are now in C-lock 2 with the same function. Then we can go back in and go to C-lock 3, which slightly crushes each other and takes out like two stops and doesn't get mapped to the full range of the sensor. Then we'll go to HDR because this is a 7 or 9 live recording. You would not be able to see it in HDR, but I believe Hybrid Log Gamma will be able to display itself. Yes, the camera is live and you're actually sleeping for a bit. Okay, so this is Hybrid Log Gamma and you could actually see the difference in Hybrid Log Gamma. So now this is a custom lot that was mapped to... I just loaded this one of my custom lots and this is how it's not oversaturated, it's not jacked up. You have normal contrast and stuff. Then we have the rest which we can go in and go. You can go load on the lot. If you want to do that, you have to come into Edit Files. Choose where you want your lot to be mapped to. So probably it could be like... We could go all the way up to C-lock 2 Cine Gamma. Color Space Metrics, we'll leave it as neutral. Then you come up to your Look file and you register a lot or something. If you have a lot on it, it's going to take that lot and load it into the camera. You can go and custom a lot of couple of things here and even increase your noise reduction. Not that you will need it because you have DGA Sensor that allows for very clean blacks. So that's one way to quickly load your lot settings. So the Initialization which is actually for formatting the cards. The Super Ted 5 Sensor which you can also get into the Super 16 mode. The 16th frequency that allows you to get into various frequencies that you desire to record in. Codecs, like we said also in the beginning and frame rates, I'll just skip through this. Then we have different forms of recording that's actually possible on this bit. Then you could also assign multiple functions to your second card recording. If you want to record at a sub resolution, a sub bridge rate, we also call a space combustion. Say you're recording and you also want dailies out. So you could record your 4K in high res and you could record the second card recording process then before that. I like to do editing. Metadata is the same thing as metadata. You can load your take scenes and all this that we're trying to resolve for the clips that you be sorting. Then we have your audio input but you can actually choose a couple of inputs you could choose. There's a built-in mic that's on your 1 and 2. The built-in mic is available on the body. There's also an input terminal so you could choose and say okay on channel 1 what do you want. So I could put the built-in mic, I could use the input terminal which is a small XLR. There's also the mic terminal which is the TRS quatering jack that's also available on the camera's body. So there's a whole lot of robust supplies and you could actually use the built-in mic for scratch audio and probably use your channel 2 for soft. They all have the ability to send phantom pads with the audio control at the back of the camera. So if we're going to the next you could see how you could decide whether you're going to set your levels manually or you could just dive in and modify a lot of them putting trimmings and limiters on the mic. So you could add this stuff called voice memo. I haven't used that a lot so I don't know what that is or what that does. But that's also available. So yeah you can now decide what channels goes into your VRHGMI if you're doing like an external recording. Here's channel 1 and 2 you could also set it to 3 and 4 whatever the preference is. On this menu we have the LCD brightness, LCD menu. This way you could actually change the brightness and contrast of the screen. Also increase the saturation if you need it. I usually do not mess with it apart from brightness I raise to 2 just to make it a little bit brighter. And Mophic LCD this is the discreasing whether it allows it to happen on screen or on the HDMI you get. So you could choose how that controls it when you turn on the discreasing. So you could also see what's going on why you're using a Mophic lens. This is a black and white image you can activate this for the LCD and you could also, it turns the image black and white. Yes it just sucks out all the color and you could, this could be, I do not know what reason you may have that would run into using this. But the on-screen displays will actually get to like control how we get to see these menus. And it has several, it has several display settings that you can set up to showcase the information you really want. And you could actually customize it to what you really want you get and make it really into your taste. So if your screen face too populated with things you're not interested in you could go into like a custom screen display and turn on and off. What is it you want and what is it you don't want to where you actually are at your heart's content. Yes so here you could mess with the opacity of the on-screen display how you want them to be intrusive or not depending on what you're doing. Same thing with a lot and if you're actually doing like, if you're actually monitoring HDR and SDR here you can actually set by how many dBs or how the conversion of the screen actually works. If you're actually doing like standard recordings this would be useful too. It says full range or the narrow range or whatever you're actually taking the full readout of the sensor. So going forward we have things like the focus guides that you already know which you can turn on and turn off in case there isn't manual lens it tells you like now that's on. I could actually do two for two frames and you can see that here that eye is just slightly out of focus and if I just turn the lens bar a little bit there it's now in focus. So going back to the menu on the LCD screen I still have false color turned on and off. So going back to the menu we have other settings such as the peaking if we're using peaking functions how to modify them also magnification if we're doing like critical focus test. False color we've been here earlier zebras which I do not use waveform I do not find it that important because it's just too small for me to read on a four inch or like the screen the LCD is very very small. So markers if you're actually doing framing and stuff they'll be useful for you so you can now choose they want center markers two three five crops on your grids or whatever it is you're actually doing and you can actually figure that out. Then you have also have expert ratio markers I can get it show up like out here now but yeah same thing with safe areas if you're doing stuff that's supposed to be sensitive to framing you could also use your safe areas also. Then network this is when you can actually control your camera using like an IP function and you can see basic functions that allow you to like control the camera remotely which is the most expensive function such as recording and all other stuff that's workable for the camera. Here we have our custom button with the I think that over I'm testing custom buttons on the camera yeah and they all map to several things right now I have the record button here that's mapped the button 10 does a 10 button close to record button and map that to tracking in case I'm actually using the tracking function. I have an extended record out I've actually showed you what that does but basically what it actually does that when I turn it on it doesn't if this is like an auto focus and I tap it right it's actually give me the tracking marker and it's going to like track and follow. The subject of the set of the person so. So we have like the reset and the normal stuff where you have like a CP menu if you have multiple C 70s only transfer functions in between you could actually do that with this by saving your preset and that's it and you have your date language the resolution you're sending via your HDMI can send out up to 4k. So we have time codes that will allow us to keep our audio video thing in sync. There's also. On the front dial if you control how it works and custom customise it to how we want it to behave and its functions. So there's the key lock button so we have the record button that's enabled and the touch screen how we want it to react for for all purposes and intent sensitivity of it. The title lamp is the light that comes on on the camera and the fan you can actually set to different levels of how you fit automatic always on red actually decides when you should go on or go off. You can leave it for automatic though. Then you have all the things such as battery power certification firmware and your custom menu settings. And we have gone through the entire wrap up of what the menu structure of the C 70 and what you should expect and what's available should you decide to pick up one it's quite a robust system though. On the next video you're going to see a previous video actually depending on which I post first. You'll get to figure out the entire camera as it is. So I've been with this camera for quite some time and so I had an issue not getting like a proper cat for it because the cat it uses is not normal SD card. It uses a V90 card. I'll probably show you what that looks like. And if you use any kind that's not a V90 card you will not be able to record in one 20 frames per second. You may be able to record other lower compression lower bitrate like 8 bit functions. If you use the cards that you use on your 5D Mark IVs that will allow you to actually use the lower recording functions but the high end stuff you will not be able to get from it. That's the entire menu structure we've just gone through. And until next time improvise, adapt and overcome.