 Welcome back! After the short break, we're coming back. John the Bard and me. We're going to turn your tracks to shreds, and you're gonna watch it, and you're gonna enjoy it. Let's go. What's up, John? I just opened my studio closet, so my 15 is nice and open to the room. So I can check your bass at any time. I'll mute my mic and slap it. Yes, please mute your mic. Oh, don't worry. Top priority. You guys don't want to hear how loud the studio is. Your 15-inch subwoofer. The 15 with the 212 mains. The 3-way 12 mains, mind you. 96 dB at 1 watt SPL. Serven Vig is a nutty company. They don't sound that great, but they are loud. That's the quality in itself. Alrighty, we'll start out with a track by Sahativa, and it's titled Melodic Tea, and it's a work in progress. This sounds very familiar. Sahativa writes that this was made with B-Spoke synth, Helm, LSP, X42, Ether and Hardware. It sounds familiar, but in a good way. This reminds me of some classic piano tune. I can't recall the name. Oh, the progression. I see what you're saying. Yes, the chord progression, yeah. It's a very classical progression. It sounds... I would say, Mozart-y. Oh, yeah. It's very dramatic. The progression is stretched out. Oh, wait. I broke something. I'm broadcasting our chat. The mix is gone. I can't find mix. Oh, there it is. There it is. I have to change it immediately. I'd like some sidechain compression on that bass. So that was Melodic Tea by Sahativa. Makes me think of... Oh, what's that track? I'll think of it. It'll come back to me. Just keep going. It's an Eric Pritz track that it makes me think of. I can't remember which Pritz track it is now. A very dramatic one. I like the drama in those chords a lot. It's very good. Yeah, I love the chord progression. It's really interesting. It checks the position of the complex chord progression with lots of tension and a chill synthy tune. That's kind of house-ish, kind of synth-wavy. I don't know. Interesting. Yeah, it's... I don't know much like that. Like, I can... I don't know. It feels very familiar, but it doesn't feel... Not many tracks are kind of like that nowadays. The big wobbly chords. And I think it's really cool. It's a very unique feel, I think. I would like more melody in it. I would like something that isn't LFO'd to be punching through with all of the LFO going on. So you get a constant kind of... Maybe even just an arpeggiation or something over the top. Maybe there is a lead line that comes in there. It seems like a long track, so... Yeah, I don't know how long it is, but I'm fading things out around the three-minute mark. All right, let's move on. The next track is from Quantizer. And this one is titled Tether. And I just put it twice. And I just... Just did... Not fix... The metadata. There we go. Yeah, and Milofi said, You rehearsed this for three hours? Not long enough. It's never long enough. Quantizer writes, So, LMS, vital and audacity. Me, is that sub-bass-sounding stereo to you? Kind of, yeah. I need to turn this up a lot. I love the brakes. I really hope the drums will be louder, though. They barely punch through. Yeah. I wish the drums were more prominent. I don't know, I like that. Some awesome stuff. I really enjoyed that. Some of those synths is off. Some come in too loud, some come in too quiet, Overall I think the track is very good. I think it's just... I could have minor complaints with mixing and EQing throughout. That's about it. But the actual... Yeah, the composition is very good. I enjoyed the composition, the sequencing, and the sound design a lot. I just wish the drums were louder. And I wish they had more space. 8 decibels louder or more. Yeah. I feel like everything needs a bit more space with some EQing too. Kind of really let it shine in its full glory. Some EQ cleanup of all the elements and then give the drums some more room. Maybe side-change a little bit more with the drums. That would be smashing. That is already really cool. Awesome. Thank you, Quantizer. This is really... I like these tracks a lot. Alrighty, moving on. The next track is titled Isolation and it's from OV. Let's go. That sounds to me like a collection of interludes from a metal album. Only Plant Piano. Yes. It's not quite jazzy. It's way more metal, I would say. I think it's like metal jazz because there's lots of atonality, lots of chaos and... But also some very... I don't know. It was so packed with music. I would have to go through and stop every 10 seconds to give thoughts on the last 10 seconds if I were to actually talk about this piece in an intelligent way. I'll just suffice to say very metal. Would it be someone to remix this with drums and bass and guitars? So this track was made with Ardor and General Midi Synth. I would say too much reverb. It definitely felt drowned out, the piano. It was hard to hear the top end of it. And I think it's probably the General Midi Synth that's doing the panning because it has that built-in pan with the high keys and the low keys. So I think that's expected. Because a bit much and a bit dark. I think a brighter and quieter reverb would serve it well. Otherwise, I can't give compositional tips on that because... It's both my pay grade. Quite outside of my comfort zone. It's hard. It's very difficult. It's not easy listening. And there's so much dissonance, especially at the start, that it kind of... If I didn't know Ovi and didn't hear tracks that they submitted before and how competent they are, I would think that this is some random stuff that someone put together. But then it doesn't. It's not so random anymore. There's lots of very precise piece parts in there, I think. And the finale with the clean tonal chords is like a complete opposite of the beginning and it beautifully resolves with the harmony and it was a journey. So you could take that exact set of things you just said and apply it to half the progressive metal albums and it would stay true. At first I thought it was total chaos but then I came to realize that they were actually doing something really intelligent. If I didn't know the musicians, I would think they were complete beginners, but knowing that they're a very metal piano piece you've written, Ovi, solid stuff. Yeah, that's really crazy, really avant-garde and really out there. I never heard such a piece on this show and wow, that was interesting. Okay, let's now move to the other side of the music spectrum with Outer Mind and a track titled They Dream. That's a preview. I got a lot of variety of music we're playing in these streams. Straight in the hard style. Hard style kick over Ovi's track. Oh, wait. No, I can't do it. He's out there, not everyone. Just... For clarity, there's some impressive DJs. Wow, look at the macro dynamics in this track. We've gone from Ooh, that's a cool lead. That's a pianissimo now. This breakdown is really deep. I love it. Imagine this on a festival where, like, I have a decimation in there with spicy digital distortion. Oh, that's a high resonance. Oh man, this is like... Gives me goosebumps. No more dynamics though. There's actually quite a complex chord progression and a really dramatic melody and, like, wow. Gave me Pirates of the Caribbean vibes at the end. Really strong ones. I think I can't hear you, John, and I don't think it's my doing. Right, I hit the mute thing because I was slapping it on my 15. How could I forget? I was going to say everything's very good. I also agree with you. Very Pirates of the Caribbean. And it's that triplet feel. The hardstyle triplets perfectly match with that. But we also got chords and a melody that reminded me of that movement from Pirates of the Caribbean team. Hardstyle's pirate music. We've confirmed it. But sea shanties of the modern era. Yeah. I was saying the kick and sub-bass could use more punchiness. I feel like they're not present enough. I don't like the sub-bass. I crank it on my 15 and I don't feel it in my soul. And I should definitely feel it in my soul. So... That's my only advice. I felt the leads and the chords in my soul. Yes. Everything else is fantastic. I would totally love more transient of the kick and more like a punchy body that just, you know, because the kick is sort of distorted and I love the distorted taste of that but I love to add a little punchy on the start of it to just reinforce it so that your subs really go... Yeah. So it's not just... but it's... Yeah, exactly. And dynamics really help it hit on big systems. It's a bit counter-intuitive but the more dynamics you have I think I've mentioned this a couple of streams to an extent. I mean, if you have like minus 30 loops or something that'd be crazy. But if you have actual transience to your kick, the big PAs and big amplifiers will eat them right up and smash out your audience straight in the chest with bass. We'll have a good time. And hopefully not deafening them as bad as if you just limit the whole thing. Yeah. Yeah, because then your sound engineer is going to be turning it up to get more transient and then the average loudness is higher and then... Or they'll turn it down to not burn out the amplifiers or whatever. That too. If they're smart, we... Not blow the tweeters and stuff. So... So that was Outer Mind's Daydream. The track was made with LMMS, synths where synth 1, that's not open source sadly, zinnsubfx source, surge, triple oscillator and samples same as usual. Music creator, producer, spot, hex, a wave 200 drums and shins back blah blah blah Selfmade kicks. Selfmade kicks are the most important ones. Selfmade kicks are the best kicks. Shoutouts to entrepreneurial kicks. Support your local resort kicks. Oh man. Alright. Let's move right on. Malfuse I don't know how to pronounce that. Let's say it Malfuse. Resuscitatio Resuscitatio Resuscitatio I don't know if I'm pronouncing this totally butchering it or is it the correct way. Let's hear it. I can't find any metadata for this track. Where did it come from? Like seriously. I can't find the author or nothing. Who submitted this? Raise your hand. Because I don't know what is it and I don't know if it even belongs here. Nobody? No one's saying anything in chat. I think someone mentioned it on Discord before the stream. Who was that? I'm looking at Discord now. And also how did it get into my files if I can't find any or unless someone like Okay wait I have it. Okay sorry. I got it. I'm just blind. I don't hear any. Interesting it's classical music with metal drums. Like someone muted the track on a bus. Sadly not much dynamics in this track. Because it was turned down by 10 decibels. That's the most. Even an Outer Minds track was turned down only by 9 decibels. Cheechoo says it's War Hero Metal. I kind of agree with that. It was a really interesting piece. It makes me think of Oh what are they called? There's this band. Every single member looks like a vampire from a different vampire movie. Um... So the problem is the title that this track was submitted into the form was Canon. And the metadata had a different title. So Malfiz please don't do that. Because otherwise I will pause your track and abort! Abort! Abort! Nightwish is the band I was thinking of. Very good. But if you look up a picture of the band, everyone looks like they're from a different vampire movie. Which is pretty cool. It fits the style perfectly. Honestly, if vampires made music it would sound like Nightwish. Maybe they do. Yeah. This track was made with Ardor, Drum Gizmo and Ray Session. Interesting. I wonder what Ray Session was used for. Because Drum Gizmo is loaded as a plugin. So I guess maybe there was lots of orchestral stuff. So I don't know what that was done with. Not Drum Gizmo. Yeah. Anyway, that's a new one. Welcome Malfiz. Just please get your metadata straight. Alright. That was interesting. I I wish there was a bass guitar though. To fill in... With the kick drum. To play with the kick drum. To fill in the low end. Low-fi is saying some distorted guitars would have been nice. And if low-fi says it, it's a fact. So, now you know Myrox, whatever their name was, need distorted guitars. I'm just kidding, it actually sounds really cool. But I would like the distorted guitars as a listener. And a little bit more dynamics. The transients were pretty clipped on the drums and they didn't have to be. I think you could have had a nice big full kit and it would have sounded fitting. Because the orchestral genre calls for dynamics. You know? Unless you play forte all the time. Yeah. I mean you can, but... Yeah. You can. I don't even know what I would try to say there. Okay. Moving on. The next track is from Jobin Resi. I hope I'm pronouncing this correctly. And the track is titled Together. Let's hear it. Lovely pans. The vocals also fit very well. Yes. They write these are purchased vocal samples. Either way, they fit perfectly. Grabbing good samples is not enough to make good music. No, I agree. I've heard it plenty of times but I did not expect this development. I did not expect a non-4 on the floor. This is... You can garage beat, dude. That's the genre melting. So cool. Sahativa writes fake trance. Jobin Resi writes it was made with LMS on Ubuntu Mate 2020.04 Zenatsub FX MDA piano Culp plugins such as Sidechain Compressor and purchased vocal samples. That was excellent. I loved that. Yeah, I like that bass line. It makes me think... It's like the way Viva La Vida, that Coldplay song kind of really catches you with the... it first is on beat and then it moves off beat and then it comes back on beat for the last hit. And that bass line sounds really cool with the... it's a great contrast. And then the drums were really nice. The drums and bass interacted in a very good way. Excuse me. I hope the reverb worked. Yeah. I think the mix was a little busy in the low end. I forgot to listen on my big system. What was I thinking? The bass was really... I really like the bass was really deep and nice, but I felt like fighting for space a little bit in the sub frequencies spectrum. Maybe some other synths could be cleaned up a little bit. I don't know. I haven't seen the mix, but I just get the feeling that there's a little bit of clutter there. And maybe maybe it's like some reverb on bass that's making this sub... Yeah, that could have been. Spectrum messy. I don't know. A little bit of that. It wasn't much. I think it could be a little bit cleaner and more punchy in the low end. But overall, really cool. I loved the two-step beat with the trans theme. That was really surprising and really cool and refreshing. And this track is all purple. Up something happened to the audio. You are slightly more silent or muffled. Oh. I turn myself up after I blow my nose. Ah, makes sense. Sorry. Alrighty. The next track is titled Ibu Profan by G Newton. Be careful. Too much exposure to this track can wear down your stomach lining. Don't overdose it. Yeah. Lots of people die because of that. Actually, I turned aspirin damages your hearing. I like these synthesized drums. Almost unfollowably crazy. I wish there was some more sighting on the bass. So the drums would feel more powerful on top. It's off-center. It's pan to the left a little bit. You can see it on the vector scope. Or it could see it. It's weird. I didn't feel it, but it is. Look at the kick. Look at that. It's skewed. That's interesting. Wrong space bar. Alrighty. That was Ibu Profan by G Newton. It was made with LMS, kicker, triple oscillator, and stock plugins in LMS with Carla Patchbay. G on kick and Vitalium. There's the secret sauce, I guess. Calf plugins, Ether opens the operating system with Manjaro. Interesting. Really nice. There is something rough about the mix. The drums I think could use some tasteful saturation. Maybe parallel. I like the punch and the transients on them. But I think they miss a little bit of spiciness. The saturation and parallel could I think help with that. And also some side chin with the bass to also increase the perceived punch of the drums. But overall really interesting stuff. I like that. Although as it is, it punches through the kick really well. I don't even know if it needs more punch. It's super dynamic. It's using the entire spectrum look. It was turned down by 0.5 decibel. It was turned down by 10 or 9 or 4. So it's dynamic and that's really good. But it could do some more stuff I think with the mixing or sound design a little bit. But it's a really nice thing. It's a really nice start I think. Alrighty, let's move on to another track which is titled Mind Palace by Geeky Gami. Let's go. Microtonal. I can't tell if it's microtonal or not. Oh sorry. I focus on the lower arp. Same feeling. And I think the microscope shows that there is a slight panning. It's not perfectly balanced. Yeah, interesting. The mix felt quite busy and I'm not sure if it's intentional but I felt like in the mid-range lots of things were happening and it was a bit noisy. Maybe that was the goal. You probably could EQ it and clean it up a bit but that's easier said than done when it's that busy. It's very weird. I can't tell if it's detuned or it's microtonal. Yeah, I can't tell either. I'm not the one to ask. Yeah. I got some friends who could tell us but not me. I'm not into microtonal music. Yeah. Yeah. I think it's a cool idea. I've heard some microtonal stuff that I have liked so I could get into it but it's harder to find good stuff. So it's, yeah. One thing I wanted to try is use quarter tones in melodies. Because sometimes I found that when I'm humming melodies, it was years ago and I was humming melodies so I couldn't play them on a keyboard and I figured out I was missing a key between two keys. So I guess a quarter tone in the 12th tone equal temperament could be something interesting to play with but doing a completely different tuning system is not something I would like to test because I don't think I would be able to come up with something interesting. Yeah, I feel like it's a years of experience kind of thing before you can start getting good results but I wouldn't know because I haven't really tried. Well, I've done some microtonal sequencing in VCV which makes it incredibly easy because you can send arbitrary voltages so you can send arbitrary pitches but it's still you know, it's hard. It's hard to write good stuff. Yeah. I wonder how close to a scale I came now that I think about it because I never checked if I was just playing notes that are real notes just slightly detuned or if I wound up in a microtonal thing but whatever, that's a way off topic. Gigi Gami writes that this was made with LMMS, ZenatsubFX Loudmax, I don't know what that is, and stock effect plugins. I know the ZenatsubFX supports microtonal tunings. It did that for a long time. I think it was like the first open source plugin that supported microtonal tunings so maybe it is microtonal I don't know. It did sound partially like it's microtonal. Yeah, either way, if anything, it sounds like major but using a very sand progression. Oh wait, we have some notes from them. Perfect. Good old notes. It is a track made in 15 equal distance O, EDO, microtonal. It is meant to represent what the title says, your mind palace. The palace you go to in your own mind. I tried doing some fancy key modulations if you need to contact me and let me know on Discord. They're responsive by emails. I would say the fact that we struggled to tell if it was microtonal is a good showing that they did a good job. I'm kind of glad I missed this piece. I didn't read that before. Yeah. Because we had some time to guess. All right. So that was Mind Palace by Geeky Gami. Two musicians going, huh, something's wrong here. This isn't a scale. Is this just whack or is this microtonal? Is this just bad music or is this jazz? I can't tell. It's a tough question every musician must ask himself sometimes. If it's unlistenable, you just tag it as experimental and everything's fine. You're allowed to move on. Let's listen now to 775 Power by Farleen Nex. Very strange name. I don't know how to pronounce it. We're getting some classic trance here. My lo-fi writes still waiting for the 0VM track. Yes. It was part one. That was the never-dying hi-hat sample from the Roland wheat drum machine. This was made with LMMS, Zenatsub FX, Audacity and Manjaro XFCE. Really nice. I'm an XFCE fan myself. Very nice. I don't have many comments. Bass is good. I like the 303 tone. Those leads are very classic. I really like them. Very good. They also write that this was run on an ASUS P5L-VM 1394 motherboard. Please read this message aloud because that motherboard is my personal or personal meme. Woo-woo! You can also see the motherboard in the artwork image. That's very important. We need to see the artwork image. The artwork image is right behind you. If you move away, John, we can see it. I mean, it's there. It's hidden. It's there. That's the... It's been hiding behind me the whole time. They wrote how to pronounce their name. Furlin-X? Something like that? Furlin-X. I think it's Furlin-X. It's a combination of furry, lynx, and fennec fox, apparently. Lots of lore, I guess. It's easy to say. Furlin-X works. Oh, so 775. What is the 775? What is that number? It's a socket. It's got to be the socket. It's LGO 775. Oh, yeah. Definitely. Good meme. I don't know what to say. Thank you. That was cool. That was excellent. I'm looking forward to more classic upbeat trends like that from Furlin-X. 775, there they say it. It's a good socket. Oh, man. What the heck is going on? Okay. I have a Core 2 quad, actually, in my bedroom. That was the SVS server. That's a 775. It's an old Dell motherboard. It's total garbage. It doesn't let you do anything on it. It says the CPU isn't supported and that it's going to have power issues and that it runs full power all the time. No complaints. Okay. The good old days of technology. The next track we have is called Moon Lazy by Checho. Yeah, where is Theo? This was made with Ardor 7.1, Surge XT, Calf Vintage Delay and Ace Compressor. They also write music is the key. Winky face. Actually not winky face, just smiley face. I like the kick here. Very distinct. Yeah, I like that pause in the bass with it. Paddish arp going on in the background, very nice. Those slap so hard on the sub for some reason. The transients to these are just so loud. It's so funny. Come on the 15 and man. I guess that's the transient, you know. Yep. This kick has an enormous transient. I love that. That's why I was saying big systems love the huge transients. They're big fans of them. Yeah, and they can play that loud, cleanly. There's a difference between peak output and RMS output. They say sub bass is especially for me. Did a great job. I'm gonna listen to it more. Whoa. That bass goes low. I like the acoustic snare in the background. That's like 40 hertz. Holy shit. That's pretty deep. Okay, that was Moon Lazy by Chechu. D is pretty much the lowest note, like D0 maybe it's D1. 36 hertz is pretty much as low as most systems will go. The sub I have is utter nonsense goes down to 16, but that's basically worthless in a real recording. The only upside to it is I can hear that my track is rumbling for no reason. But yeah, that's pretty deep. I think that's the open string on a bass guitar. Pretty sure that's the same note. I think it's an octave lower because I don't think bass guitars go to 40 hertz. Unless you're using 6 string bass guitars. Yeah, he says it was E so it was 40 hertz. Oh man. This is my talent. I can identify bass frequencies. I'm very good at picking out bass frequencies. Yeah. Weird flex, but okay. Hey baby, what's your bass note? Let me guess. It's E flat. I used to be big into car culture so I'd be at car meets and stuff and someone would come thumping in some music and I'd be like, oh what you got in there, two 10s? And they'd be like, yeah, actually. Nice. This is my gift. No. Sorry. Whoa, okay. Let's move on. The next track is called King Don, King Don, King Don X by Savannah Trinigowski and I think this is going to be the longest track by him yet because it's almost a minute. And they usually submit like a 15 minute snippet. 15 seconds snippet. It was made with Ardor 6.8 and GM synth. So I guess general meaty short and sweet. We've heard this track before. It's another iteration where like hearing the process month over month. Month after month. I could never forget those horns. I love these like crooning vocals. Really cool. At first I thought you were saying something. No. It wasn't me. It wasn't the track. They leave no comments. So let's move on to the last track of this evening or night or the morning depending on where you are. I cry tears every time. It's titled Convalescence Part 3 by Joachim Hilesstad Hilesstad and it's 12 and a half minutes long. So I'm going to play part of it. And then we're going to fade it out and say goodbye. So this track was made with Ardor using LSP Cardinal and Surge XT effects. The author also writes this is my very first production using only fast software on Linux. The guitar is played by me with an E-bow and a volume pedal and to a 30 second delay with the negative two decibel feedback to overdub myself. E-bows are cool. I don't know if you're familiar but they're a magnet that vibrates the string when you hold it over it. So it's like a brick and you hold it to the string in it. Oh. So this is not a synth. This is a guitar. I'm 90% sure this is the guitar. The resulting audio feeds the guitar feeds in the guitar Wait, what the hell? Okay. The resulting audio from the feedback delay line feeds into a custom shimmer reverb I stitched together in Cardinal using valley plateau and audible instruments texture synthesizer set up as a pitch shifter in a feedback loop. That's a good patch. I've made that too. I forgot who suggested it in chat a while ago but I've been stealing that idea all the time. It works great. Convalescence Part 1 and 2 were made with Properl Heads Reason in 2021. Awesome. Welcome to the open source side of music production. I hope you're enjoying it. Oh, is this Pyrox? Yeah. Ah, cool, cool. Good stuff, man. Yeah, that was the last minute submission or the last half an hour submission. Yeah, I think I listened to part 2 of this on my own, if I remember. I know I listened to one of yours, Pyrox. You may remember which one. Yeah, I like this stuff. You do very good ambient. But you play the right notes, I guess. Now we have a harmony. What amazes me is that this could be performed live just with a guitar and a laptop doing all the processing. Yeah, you should get someone drums and do a crazy concert. Oh, dude. Here break beats playing in my mind. I get the same thing every time I listen to ambient. I'm just going like and then I'm like, okay, I'm going to make some drum and bass with this pad. That's how my track Singularity came around. I was trying to make a remix of an ambient track by Luigi Verona and... I didn't know the tempo and I kept drifting away. So I decided to mute the original track and just do my own thing. This is very pleasant. We've been listening to three and a half minutes almost four already. This could literally just be in the background of us having a conversation generally about music. The shimmer patch that he's talking about if you guys have never done it basically just open cardinal and get a valley's reverb real mixer before the reverb and then so you take dry signal in stereo mixer to the reverb reverb out into clouds whatever it is the mutable instruments I can't remember what texture synthesizer and you take the pitch knob and you set it to one so it'll pitch up an octave and you take that and go back out into the reverb and that gives you the shimmer effect It's very good. I use it a lot now in pads and stuff. So how do you decide to end a song because you're just sitting there and you're like wow this is beautiful I'm playing the greatest guitar in the history of guitar and then it's been like 10 minutes and you just go oh that's probably long enough No I mean he was like 20 minutes in and then he thought okay I think that's enough and then he went and said okay maybe I'm gonna do fade out from 10 minutes to 15 minutes so no one noticed that it's over because that's how it looks like it's like yeah you could play some I don't know role-playing game with pen and paper that'd be a good use to this sing sort of way you know in a role-playing sense it kind of feels like exploring a cave but not a dangerous cave maybe an ice cavern you're exploring an ice cavern or maybe maybe a valley where there's lots of alien fauna sorry flora like very pink and purple looking fauna all over the flora yeah flora you're right yeah lots of weird alien plants and you're just exploring that let's see if I can transition to the end screen without playing background music over this oh I think I can or maybe I can yeah this also he says cosmic space this reminds me a lot of the X soundtracks like X3 and X4 if you've ever played those I hardly listen to their music so I completely forgot about it because I just play side trance in the back of any space game I play in my mind space sounds like side trance so I always just cut off whatever soundtrack there's like albums like progressive side trance pics they got like 50 volumes throw one of those on and then we're in space but no this is what the regular soundtrack to those space games sounds like this could or like space engine with music like this probably elite dangerous as well so there's some combat so I mean there's combat music and there's like just trucking for space music the combat music would be exactly this but with like tribal drums going like just to contrast the high tech sci-fi themes all around visually lasers and stuff okay let's try this let's try the transition it may be jarring that was the perfect musical time to and I think we're still yeah we're still in the in the theme in the mood in the tune yeah if you take off your space helmet this is what you hear just before you die yeah exactly this is this is the sound such a soothing ambience it's kind of like tinnitus but a lot better I guess this could also work as a meditation music yeah that's what people were saying too this is very good it's kind of new agey it's almost like ten different genres all combined into one beautiful guitar tone so is this the greatest guitar tone? we have to take a vote how did you keep the timing like because this seems like maybe it was played to a metronome or was it just because I don't feel that the demo is drifting and I think I would totally drift as I was not playing to a beat or even if I was playing to a beat I would drift probably if not for a metronome interesting yeah so that's all thank you thanks to everyone for joining us on this stream thank you to everyone who has attended the part 1 where we were remixing my lo-fi's track made in zero of them thanks to everyone who submitted their music hmmm we're bringing submissions from two months this time because last month was last month was wrong thing there you go because last month we had Paul Davis on and we had no music submissions let us know what do you think about this idea of splitting the live stream into two parts so the music submissions are a separate thing I think it's we'll see how it works out also huge thanks to everyone who is supporting my work financially these are awesome people on Patreon and LibraPay and if anybody watching would like to help me keep going making live streams and videos about open source music production on Linux ads and stuff then you can go to patreon.com or LibraPay.com and go there and do something normally I have links but I just we're doing this music outro thing so I don't have them I could copy them oh that's the thing there you go and if you'd like to meet the community making music with open source software on Linux you can go to chat that chat .unfile.xyz and there is also a link to discord in there if you prefer that yeah thanks to everyone and we'll see you next month hopefully there's gonna be something else as well before that