 Arriving in late January of 2020, it's always fantastic when you're learning a new collection. I mean, I've known this collection for decades, but not in a way of working with it. One of the roles that a curator has is to assess the collection and to do it frequently because objects change in their condition as well as we need to look at them as historical objects and aesthetic objects. Being a curator is not just about buying art and traveling, which I think was some people's idea of what a curator does. But a curator always works collaboratively, and it's the joy of the job, is that you work with designers. We knew the walls were going to be white, but then we all chose this green to highlight sort of the beginning of the story and the end. We work also with art handlers, so they do the actual art installation. Curators rarely are allowed to sort of place things. We can say twist that. Occasionally I'll put on some gloves and get in there. And of course we work with conservators. We then work to make sure that the objects are safe, so security also does a walk-through. There's a lot of open space here. We've removed almost all the plexi. So again, that allows access and visibility, but it also makes the objects more vulnerable. Design 1880 to now highlights some of the most important design movements during that period, whether it's the aesthetic movement at the end of the 19th century or whether it's what's going on today. And today is a very exciting time in design. It highlights the range of the collection in the museum, which has really had a commitment to design for a very, very long time. I hope visitors will take away the great range of objects that the things that we live with usually were designed with intentionality and that a chair is not just something to sit in, that there are all kinds of manifestations of what that might look like. It might look like a serpent, sea serpent, or it might look like pieces of colored wood. It might be bent. It might really be ergonomic or it might look supremely uncomfortable, but that there's always been this interest in what we live with and what we surround ourselves with. And it tells a lot about ourselves. I think our personalities and our times come through the objects.