 Often, I like to make a comparison that suppose you have a small liar, a small one, suppose that liar has five strings, chords, we call them strings, five, and I strum the strings. Or suppose one of those strings that you pluck deals with the sense of taste. You pluck the string. When I read a poem, if it contains one word that deals with taste and it say it was salt or the sea, sea spray, salt sea spray can at the same time you can taste it and feel it see the beach and the surf and the spray hitting you in the face. It's part of feeling it, tasting it both. So you pluck the string and you get two of my senses that experience a sense, sense of touch and the sense of taste. So when you pluck the different strings, you get different senses activated. You get the idea. You put them all together. We call that sense experiences. They travel to the mind up to different strings, or maybe they.