 I'm intrigued by the idea, like the division between the two, or the perceived division between the two that is sort of almost ingrained into society now, that you're either in humanities or you're in sciences or engineering and the two shall not meet, so to speak. But as somebody who's worked in both domains, I can sort of see a connection in terms of the thought process and the way that you have to kind of creatively abstract ideas to come up with things, whether it be in arts or in sciences. So I'm intrigued by the connection between the two. So I'm shooting on 8x10 slide film basically. It's about $40 per shot roughly in terms of the cost of the film and the processing. So it's not something you can really shoot very quickly. You've got to be fairly meticulous about it and kind of consider it. It's not like taking a lot of digital pictures. My initial goal was to produce a photographic study of the facility and my particularly interesting issue was the detectors because they're visually very interesting and they act as a form of camera, which is a nice connection back to my involvement in photography. Just in spending time here, that's sort of broadened out. So I've found other things that are visually interesting. This piece is composed of images from the Hubble Space Telescope Archive. And the pattern is based on a mathematical set of coordinate systems called bipolar coordinates. My motivation for going to art school was to get away from sort of the day-to-day business documents and meetings and whatnot and get back into actually making things and having that opportunity to kind of creatively come up with things. And that's where I guess where the motivation is in terms of art production, is it's an opportunity to kind of find creative expression and actually manifest it so that hands-on process. And I think that's the connection back to, part of the connection back to my interest in sciences and things that happened here because there is a process of moving from something very abstract and idea and translated into some kind of physical reality.