 These kids got like a new different flavor of music. Like Tucker is a Cajun boy. A lot of people don't know, he's black. But if you talk to Tucker right now, he's got a Cajun accent. And his music and his culture is totally a different thing. It's a swing vibe. I'm gonna be my friend, fresh as fuck, I won't be late and all we done. Don't boss talk one-on-one, one-on-one. Here we gon' talk to you. It was like you knocked the door down. I know. It broke barriers. I'm gonna be honest with you, I felt like when it first jumped off for you, like the older cats wasn't really accepting you. They wasn't. You know what I'm saying? It was only a half you that really gave me blessings. One of my partners, one of the, go DJ fresh, he came, he said the same thing. Cause I said, I got, I got Sergio, Sergio Ardome coming on. He say, man, you know what, man? When that man first came in the game, man, they really was hating on him. They were hating, but they just didn't understand the culture was changing. They didn't understand, cause they felt like you probably was changing the whole situation. Right, changing the situation. And like now it's starting to change again. You got newcomers coming, like, like, like big pokey. You got Tucker, Tucker's coming on board now. And these kids got like a new different flavor of music. Like Tucker is a Cajun boy. A lot of people don't know, he's black. But if you talk to Tucker right now, he's got a Cajun accent. And his music and his culture is totally a different thing. It's a swing vibe. And at the same time, he got this young face. Yeah. Just the way I did when I came out. And all of these women fall in love with it. And he got this swing vibe and a Cajun voice. At the same time, with a little bit of 808 knock to give you a little hip hop. With it in one big pot of gumbo. And the audience loves this. Love it. Love him to death. You know what I'm saying? To me, he can't say he's worth a damn. But they love him. They love him, man. And the beats and the rhythm of his music, man, just tick. Mesmerize him. And Mesmerize you, take you to New Orleans, Lafayette, type of Southern soul feel with a little Chicago's two-stepping. Yeah. That's how they do it. They do it. They do it. They do it. They do it. Chicago's two-stepping. Yeah. That's how they do it. So the boy got five different variations of powerful entity within him. And he's going to grow and take over this scene. Yeah, yeah, yeah. And take him to another country. You can see it. You can see it. You see yourself in the way you came in the game. I see myself in Kentucky. And the thing is, I wanted to open up doors for him. OK. To not have to go through a lot of the hatred that I would do. That you went through. I don't think that was good for you, though. Something that was good. It made you have some tough skin. It made me have tough skin. Yeah. And it fueled me up to try harder, man. You know what I'm saying? And I just didn't want them to feel what I had to feel to get inside of it. Because it was hard, man. And even breaking into Dallas. Yeah. It was a lot of people were saying, yeah, I don't like that kid. Sir Charles John. I'm like, dude, meet me first to see if you like me or not. Give me a majority. Yeah, you going by something that you heard somebody say, I told them, my mom always said assumption is the mother of all screw ups in life. All right, no. I was saying, you probably just busting up a relationship. And then it was hard for us to come break the Dallas market. And we had to go to the streets. Yeah. And really go in. And that kind of like, you know what? It should have never mattered about no radio and TV, no way. Yeah. For the rest of my life, I'm going to service the fans and give them what they want. And I don't care about cutting for radio. No, I think, man, listen, man, I think you did it right. I'm going to be honest with you because it's a freedom in it. And people love you. Right. And it don't matter. They didn't put a stipulation on the way that they love you. Right. And that's why it don't matter, even when you was, when everybody else was deal-dub or whatever, it seemed as if you was independent because you was in a lane by yourself. Right. I was in a lane by myself. And record company didn't know what to do. No, no, no. You was different. You was different. I was like, I don't care what you said. They didn't know what to do with me. I'm going to find a fan base and I'm going to work.