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Music Production Lesson: Compression, Dynamic Range, and the "Loudness Wars"

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Published on Apr 4, 2012

Learn music production online with Berklee: http://berkonl.in/1Ssy8wF

In this free music production lesson, Berklee College of Music professor and Berklee Online course author Dan Thompson offers advice and thoughts on compression in music today.

About Berklee Online:
Berklee Online is the continuing education division of Berklee College of Music, delivering online access to Berklee's acclaimed curriculum from anywhere in the world, offering online courses, certificate programs, and degree programs. Contact an Academic Advisor today:
1-866-BERKLEE (US)
1-617-747-2146 (international callers)
advisors@online.berklee.edu
http://www.facebook.com/BerkleeOnline
http://www.twitter.com/BerkleeOnline
http://www.instagram.com/berkleeonline/

About Dan Thompson
Daniel M. Thompson is Assistant Chair of Music Production and Engineering (MP&E) at Berklee College of Music, where he has taught advanced production, recording and mix techniques, and audio technology for over fifteen years. An independent writer/producer and recording engineer, his credits include work on records, feature films, and television series and movies, including ER, The Sopranos, Swimfan, The Sweetest Thing, Melrose Place, Malibu Shores, Sabrina the Teenage Witch, Touched By An Angel, Soul Food and NCIS, to name just a few. Dan has authored articles on music technology for EQ and Electronic Musician, has been a presenter and clinician on music production topics in the U.S. and abroad, including at the Panama Jazz Festival, and his book Understanding Audio (Berklee Press, 2005) is a required textbook for Berklee College of Music's own Music Production and Engineering classes, as well as for numerous other music production and engineering programs throughout the country and abroad. He is a member of the National Academy of Recording Arts and Sciences (NARAS), the Audio Engineering Society (AES), and the American Society of Composers, Authors and Publishers (ASCAP).

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