 Hi guys welcome back to part two and in this lesson we are going to do the reverse process where we are going to take an arpeggio in the right hand and then spice up the groove and make it sound a bit more foxy with the left hand playing the 16th note which you heard of in the last video. However in this lesson just to make it a bit more interesting I am going to use triplets and not 16th notes. So the way 16th notes worked was one e and a two e and a three and a four e and a right. The way triplets are going to work is one and a two and a three and a four and a one two three one two three and so on. So it has that galloping triplet feel. Now in the right hand we are not going to play triplets we are just going to play swing eighth notes. Let me just focus on the D major chord in the last video in the right hand this time. So some of you may be counting this as one and two and three and four and one and so on that's completely fine that makes it like you know roadhouse blues. Right but what we need to understand is with a swing rhythm it's sort of like playing a triplet without the middle beat see one two three one two three one two three one two three one two one two so the two is basically absent with swing pretty much so one two three one two so I'm going to capture the twos in my left hand it's only right hand I'm sure you're wondering what about the one you know usually piano players play the one very often you can still play the one you have the pinky finger which you can use along with all this stuff going on if you can I mean if you can't I would suggest starting this way and then building towards getting the chord root with your with just this finger of the left hand. That's what happened I started with the one right so what you probably felt was just a succession of triplets one two three one two three one two three but the evolution of that can happen in the left hand as well as the right hand the left hand can build new chord structures while the right hand at the top register can build new melodies so the possibilities with this technique are quite a bit I would say endless I myself am still practicing this and I use this a lot in my music which you could check out so yeah in conclusion part 1 we took the left hand LHMH and then played something at the E or the E in the right hand with one note and then built from there and in this part you took a chord in the right hand played a swing imagine the triplet one two three one two three one two three one two three takita takita takita takita one and two and whatever and play the middle one and after a while try to bring back the one so I hope you found this lesson useful again this is Jason Zach here from the Nathaniel school of music and if you found the lesson useful please hit the subscribe button as soon as possible and also the bell button which is somewhere near the video and sure you'll find that bell and by doing all that you'll basically get an update whenever we do a next lesson and share it around with your friends as well and I'll see you in the next one cheers