 We are delaying the start of our scheduled program to bring you this bulletin Washington the steel strike has been settled the CIO steel workers union has signed a contract for an 18 and a half Cent an hour wage increase with the United States steel corporation the agreement becomes effective Monday morning Negotiations with the rest of the steel industry will be resumed tomorrow This bulletin has come to you from CBS news. We now resume our scheduled program Yes, Tom could I have a few words with you? I'm all ears. I know, but could I have a few words with you? I suppose you're gonna say something nasty about last week's radio program now. No, okay this week I'd like to say something nice for a change you would I'd like to but I can't Listen my friend what I have to say to you can be written on a pinhead and if you'll bend down I'll be glad to write Okay, who's your guest star tonight and how did you talk her into it? Oh this week. It's common Miranda Common Miranda. She's at South America girl who wears those hats made out of oranges bananas and apples. Yeah. Yeah, I like those hats They're so smart so she so nourishing Does she always wear those hats yeah, yeah except when she's in Boston why not in Boston? That's where they ban strange fruit I'm you're gonna be in pretty fast company with that Miranda chick talking for a zillion I don't know and I can rattle off that stuff as fast as she can What's that taste I'm talking in her native idiom sound more like a native idiot Ribbon be It's Landon Your search for the very best is and then when you go for that blue ribbon 33 Into one great beer Good evening, ladies and gentlemen, this is Dick Joy introducing the Danny K show presented by Paps Blue Ribbon with Butterfly McQueen, Dave Terry and his orchestra, and our special guest tonight, that Brazilian bombshell, Carmen Miranda. And here's the star of our show. Danny K! You know something, I'm worried about Carmen Miranda coming on our show tonight. You are Danny? Yeah, I'm worried about that South American lingo of hers. But that interpreter I hired doesn't show up, I'm in an awful lot of trouble. An interpreter? Well Danny, can't you speak any South American at all? Oh, little casual stuff like our Vita Zane, Gesundheit, little expressions I learned from my South American uncle. Your uncle in South America? Oh yes, yes, yes, he's lived to become president, but not long. He was one of South America's wealthiest kooka-ratchas. His daughter inherited his money, and she was his Buenos Aires. She still lives down there in a big, beautiful Asta Mañana, just out on her siesta all day, dressed in a spangled muchacha, eating those delicious paciendas. Oh, she's one of the most popular Buenos Notes in town. Well, I can see somebody's going to need an interpreter around here. Pardon me, you're Danny K? Yes, no makeup your mind, huh? Well, I'll hand, and this is strictly a snap judgment, I say I am Danny K. Who are you? I am Boris Marshalov, Interpreter Fourth Class. Oh, oh, the interpreter. Oh yes, do you understand Portuguese, Mr. Marshalov? Like a native of Portland. Maine or Huffer. Now, somebody says something in Portuguese. Like that, I'm interpreting into Russian. Into Russian? I don't understand Russian. This I have foreseen. Oh, I have brought an interpreter. Come in, Mr. Martinini. Mr. Cade, this is my associate, Mr. Martinini. How do you do? Gracias. In your case, a larger type of pleasure to meet you. You understand Portuguese? Portuguese? No, that's Greek to me. I understand Russian, and I speak a very good Italian. Italian, what good is that? No, Mr. Cade, you do not understand. The plan is working as follows. To which, somebody says something in Portuguese, I am listening, this I am interpreting into Russian to my associate, Mr. Martinini. Precisamente. Mr. Martinini is listening in Russian, and quick as a flash, is interpreting into Italian. Si, si. That's a very good plan, Mr. Marshalov. My comrade, except for one minor detail, to which, I'm an honest man of power. In your case, this I have foreseen. So I brought interpreter. Come in, M. Moselle Lafayette. What did you tell him? In your case, I am very happy for you to meet M. Moselle Louise Lafayette. How do you do? I give the pleasure, Mr. Cade. And this is Mr. Marshalov, M. Moselle Lafayette. Oh, can I be at your? You don't have to. So you see, Mr. Cade, it is now very simple. I'm listening in Portuguese and translating into Russian. That's right. And I listen in Russian, and she comes out Italian. Oh, you, Mr. Cade. And I listen in Italian. Voila, French. Isn't that a magnificent plan, Mr. Cade? Sounds like a five-year plan, Mr. Marshalov. Why don't you just interpret in English for me in the first place? Mr. Cade, please. We'll have union. That's right. A very strong view. Oui, vive la federation. Vive la federation. La federation. Quiet, quiet. Just quiet, please. Come on, thank you. That's quiet. This will get me nowhere, because I don't understand French. Ah, Monsieur, but do not worry. This I have for you. Come in, Monsieur Cropopolis. Cropopolis? This is my associate, Firas Cropopolis. How do you do? Mr. Cade, excuse me, very happy to meet you. Mr. Cropopolis, this is Mr. Martinini. You're kidding me? Yes, you're kidding me? Yes, because I'm tired. This is Mr. Marshalov, Mr. Cropopolis. I'm scared of police. Because I'm tired. Now, let me see what we have here. Mr. Miranda will talk in Portuguese. Mr. Marshalov is listening in Portuguese and translating it should come out Russian. Then, Mr. Martinini, he's a listener in Russian and will translate it so she comes out Italian. Then, Mr. Paus listens in Italian and voilà, French. Then, Mr. Cropopolis is here for to listen in French and he will give translation what it should be Greek. Yes, yes. Yes, yes. Yes, yes. Yes, yes. Yes, yes. Ten, ten. Oh, it's the union. Union. We have a very strong union. Yes, yes. Long live the French! Long live the French! Long live the French! The union! The union! The union! That's all very nice, fellas, except that I don't know Greek. Mr. K, this is something I have for tea. Oh, no. You know, a few more of these interpreters will have to hunt for a site in Connecticut. Come in, Mr. Huang. Mr. Huang, I want you to meet Mr. K, Mr. K, Mr. Tsing Huang. How do you do? Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Hoi hao! Don't be so sure, she talks a blue streak. If you please, comrades, a red streak. OK. OK, OK, a red streak. But she's hard on the stand, and she puts the accent on the wrong syllable, not only when she talks, but when she sings a tropical song. Upon the island's throne, which we call, we have a national characteristic which is very strong. We put the accent upon the wrong syllable, and we sing a tropical song. Upon the island's throne, which we call, the point of interest beside the coconut, and it's wrong. Is that we put the accent upon the wrong syllable, and we sing a tropical song. We could show the natural wonders of the scenery. So you'll. We could show the native birds and perhaps give two or three, and describe the flea musk, and also tell the elevation. We could very hastily introduce the population. So you'll. But we prefer to acquaint you with the following interesting fact. Upon the island's throne, which we call, we have a national characteristic which is very strong. And if you should remain here, you will discover one peculiar thing before very long, that you have put the accent upon the wrong syllable, and you sing like this. On any topic whatsoever, for instance, I wanted to say hello in Calypso fashion. Welcome to my guest, Armis Carmen Miranda. This weekend, fashion tropical into a Calypso greeting like Chiquita bananas. I would spring like this. Welcome to Carmen, Miranda, for her I care. With bananas and oranges growing tall in her head, she's the only singer of whom it is said she has Adler elevate her head. When a song she sings, then I am glad to know she is Carmen, who's Miranda, not from Bartholp. She sings the hardest style from the equator. So you must never put Miranda in the refrigerator. No, no, no, no. When you put the accent upon the wrong syllable and you sing a tropical song. And so we say welcome. Be hard on the stand, Ms. Miranda. If she puts the accent on the wrong, it's la-blah-blee-blee-blee-blee. Oh, I don't know, Danny. What do you mean, Dick? Well, maybe in Calypso, you put the accent on the wrong syllable. But when you speak of beer, the accent is on Pat's blue ribbon. Ribbon? Well, of course. You order it with confidence and serve it with pride. I don't know what Dick, you tell him. You bet I will. Friends and especially all you thousands of loyal listeners of KCMJ, the glorious, wonderful, exciting youth station at Palm Springs, California, which just joined the Columbia Network this week. Well, I happen to have a little something to do with that, friends. So I just like to say that my partner and I built the station. And tonight, out there under those desert stars, he'll be celebrating with a real California barbecue. You know, plenty of that spicy, fragrant barbecue beef and plenty of blended, splendid, Pat's blue ribbon. Why, a barbecue wouldn't be a barbecue without those big foamy glasses of sparkling Pat's blue ribbon. Yes, sir, there's something about Pat's blue ribbon, which just naturally adds to the good taste of your favorite food. And of course, you know what that is. It's the magnificent flavor which comes from blending never less than 33 fine brews into one truly great beer. Remember, Palm Springs or Palm Beach, California or Connecticut, wherever you go, there's no finer beer than blended, splendid, Pat's blue ribbon. Oh, spoken like a true blue, Pat's blue ribbon man, Dick. And it's nice to welcome station KCMJ to the network. Now, I'll buy a little song of welcome. Well, I have just a song, Danny. Palm Springs, kids. 33 fine brews, blended into one great beer. 33 fine brews, blended. OK, Union, let's get ready back there. Miss Miranda's on the way up. Everybody here? Now, let's get together now, fellas. All right? Count off. A-ding, do it. Swap. Yes, sir. Boom. Good. That's good. Everybody's in on your toes. Miss Miranda will probably burst in here with a long speech of Portuguese. And as soon as she does, you, Mr. Marshala. I'm jigger standing here. She comes. Why, it's Carmen Miranda. Well, interpret. And I'll go with it more which we've got in Mrs. Nussbaum. Ah, that means in plain Italian, she would be the latest petaforce by the Mrs. Nussbaum. And Madam Nussbaum? In simple Greek, this is to mean, you see, an amenity at Sirian Nussbaum. Translate it into a language of my honorable ancestors. OK, I'll send it to you. I'll make it Nussbaum. That's what you said. I said that's what you said. Isn't that wonderful? Is that Portuguese? Yes, I saw it. I saw it out of your life that I've been speaking it all my life and didn't know it. Carmen, what's new? Nothing new, Ken. Nothing new, Danny. Huh? I wasn't. OK. Well, I'm stuck again. Go ahead, unit. Same style, Portuguese I have never heard. Fine interpreter. Danny, you don't need to interpret me. What I said was, I have read a brand new joke for your program. Oh, a new joke, Carmen? Oh, we can certainly use it. My two writers can't think of one. Oh, but your writers give me this joke. They want me to tell you tonight. A joke they want you to tell. May I ask what it is I'm afraid? Well, Danny, this joke is like this. Imagine if you had a father with four children. Three children married the last child without having any children. Oh, really? No, O'Reilly. No, Miss Miranda. I will interpret. You'll interpret, huh? I don't need an interpreter for that. I know that joke, and I won't use it. Miss Miranda has said, my ancestors taught us the most of Irish men, O'Reilly, yes, O'Reilly. Ah, la mia simpatisissima sorella, innamorata pasta, si è sposato con un Irish man. O'Reilly, no, O'Reilly. Ah-ha. El adicca, ma serre, n'arriai un Irish man. O'Reilly, no, O'Reilly. Il adiccimo è pandrattiche, innam, il andò. O'Reilly, or gi'O'Reilly. O'chang, o hoio, sa tracchò, a'chai, o li'chang, o lei. Don't tell me you don't mean it. Do you come and please? Of course not, Danny. My sister was not married Irish man. She's already married to a South American. Oh, really? No, Jose. No. Oh, no, not you two coming. Do me a favor. Will you sing something for me? Yes, Danny. Yes, ma'am. Don't go to Brazil, nothing. Wonderful number, Carmen. They were sensational. That was really wonderful. You know what? You look so wonderful. Thank you, Danny, thank you. That hat is really a creation, too, Carmen. Where did you get that hat? Addy Carnegie's, a rose sapphire, John Frederick? At the A and B. Well, I don't care. You look beautiful. Oh, Danny. I mean it. If it isn't true, I'll eat your hat. Oh, thank you, Danny. You look very handsome, too. Come on, give me a kiss. Oh, I couldn't do that, Carmen. Give me a kiss, I don't know how to do it. No, ma'am. No, ma'am. No, ma'am. No, ma'am. Oh, no. If I did that, they'd take away my Sennacher button. Forget about Sennacher. You are not the Bobby Flack. Bobby Flack? Huh? Come on, give me a kiss. If you don't kiss me, I kiss you, right away. No, Carmen. I don't think no. My God. I don't think so. Come on, give me a kiss. A kiss? Mm. Mm. Mm. Ooh. It's hot, I'm mollus Jim. Hot, I'm mollus. I is cold, fresh, hot, fresh, hot, fresh, hot, fresh, hot, hirly, hot, fresh, hot. Hot, fresh, hot. Now, Carmen, I'll kiss you. That's right, Danny. Turn about this foul play. Go ahead. Turn about this foul play? No. Especially turn about this foul play, not this foul play. You make me a villain. My God. Okay. Here you go, Carmen. You get your foul play. Yes. How was that? Well... I interpret... Hui! Hui! Hui! Hui! The second interpret is, why don't you and your union take the first tugboat home? A kid doesn't need an explanation. I don't know about that, Danny. Depends on whom you're caught kissing. Oh, very funny, Dick. But I'm talking about these interpreters. They're translating everything I say. Well, there's one thing that doesn't need translating. Everybody knows that no matter where you go, there's no finer beer than Paps Blue Ribbon. I interpret. Such is nice. Yes. Lucho, beer and Paps Blue Ribbon. Right. For never less than 33 fine brews blend our individual goodness to create the magnificent flavor of Paps Blue Ribbon. Right. And that's why... That's why you can always order it with confidence. Serve it with pride. Oh, yes. Everybody says that beer is the most superb in the world and Paps Blue Ribbon. Right. That's why at hotels, at restaurants, at taverns, at home so many millions say, give me Paps Blue Ribbon. I interpret. It's the opposite of that. There's no need to call me Paps Blue Ribbon. Right. Yes, you just can't stop the taste of blended, blended Paps Blue Ribbon. a ribbon. Oh, I'm going to go and I'm going to go and I'm going to go and I'm going to go. Thirty three five two, blended into one. Thirty three five two. Mr. K. Well, butterfly McQueen, come in, Miss McQueen. Come in. I was the president of the Danny K. Fan Club. Oh, television. Oh, Miss McQueen, I'd like you to meet Carmen Miranda. Miss Miranda, Miss McQueen. Oh, I'm happy to know you, Miss Rumble. This is my native language, all the people in my country speak it. My goodness, how do they understand each other? Now, you don't understand, Miss McQueen, Miss Miranda's from Brazil. Oh, Brazil? Yes, my whole family is in Brazil. One of my brothers, Gaucho. Oh, I like him. And Chico in the hot-pot town. Now, Miss McQueen is trying to get members from my family. But she doesn't seem to have any luck. What's the trouble, Miss McQueen? Well, it's right for the Miss Miranda. She's composed upon his chief executive of this organization, comprising his admirers, exaggerate the theory to the fact that such qualitative energies are not commensurate with his destiny in the future. Miss McQueen, stop talking like a child. Miss McQueen, I'm sorry. Miss McQueen, stop talking like a child. What did you say, Miss McQueen? Danny, I interpret it. You interpret it? No, no, not you, too. Miss McQueen says to get funds for you, she no can do it. Mr. Kay, maybe we can ask Miss Miranda to get us some friends in South America. Have you ever been south of the board, Miss McQueen? Oh, yes, I was born in Florida. No, Miss Miranda means South America, the land of the Samba beat. Oh, I love the Samba, especially when I'm young. And everybody in South America samba, you know, our music is so full of rhythm, so lively, and I wish everybody could understand that. Well, I'll tell you what we do, Carmen. You sing some of your songs, and I'll interpret them for you. One. Pregoneiro, if only your harmony brings joy in South American way. Moon shining on the fields below Voices cronin' sound, tell me so because I know it's sleepy time down South American way. Chik-chik-chik-chik-chikaboon-chik. Chik-chik-chikaboon-chik. Chik-chik-chik-chik-chik-chik. Come and banana-capala-ca-wala-ca. Can't you see? Chik-chik-chik-chik. La co-carracha. La co-carracha. Marhuana-capum-mar-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a. I never went to eat in university, I never learned to speak the language of Portuguese but with the help of Mr. David Terry's fan, let's talk the language we both understand. It was just wonderful working with you. Oh, Danny, so wonderful to be with you. I love to do it. You do? Yeah. I like it too. Hey, you want to do it? And now I must return to the Rock Theater for my next show. Well, I've got to rush over to the Paramount Theater for my next show too. It is cold out, but not tight here, so you don't catch a cold. Don't worry, Danny. Don't worry. I just bought a brand new full coat. Oh, really? No, opossum. I interpret. Now, wait a minute. I don't want any interpretation of that show. The makers of Paps Glue Ribbon wish to remind you that no matter how severe may be the government restrictions on grade. However much Paps must curtail its output to protect quality, every bottle of Paps Glue Ribbon you buy will continue to live up to its name. There will be no cutting corners, no lowering of standards of flavor and goodness, no compromise with quality. Our guest next week will be Jack Pearl and Miss Georgia Gibbs. This program was brought to you by the Paps Brewing Company of Milwaukee, Wisconsin and Peoria, Illinois. This is CBS, the Columbia Broadcasting System.