 Okay, so I think this is pretty cool. I like the idea. It's it's nice and dramatic like all those guys You know restraining him and the action and everything and the thing that I would do is This works like I like this right? This is okay You're starting to cut off too much here Too much there and then even this feels unbalanced and low That's better careful This would only work if there was like a lot of energy suddenly with the cop and him So it's a bit like a couple frames of this and not so so much like for so long covering his eyes Again, we're too low And that's okay. It just feels like you want to be Framed like this So, you know, you imagine you would still see all of this again. That's That's your framing So throughout all of this Oh actually even a bit less like that So you would still have his eye That's your framing cut off here. So you never really cut off his eyes But he gets close and you can have a tiny bit more handheld in the camera Uh, I think that could work. It just it feels like you're we're too close Um, was I like the amount of movement? The only thing would be he's always aligned like this. You need to have a moment Maybe on this big moment He's actually doing it this way to get away from the cop and that's why The cop then comes over and struggles with him and that's why he gets so close because this guy at this point is here And he pulled himself over there which pulled the cop over there and then you can go back To here. So right so you start like this big pull over here come back to that And actually you would start here big pull over that end here So at the end you are a bit further in space All right getting closer to where he wanted to go I will do that and just pull the camera back a bit. So either do like a lens change or just translate the camera back overall Don't gradually go back. It's always further back um And that's it. Yeah, I just know more contrast in the alignment and the movement of the head Uh, we can do a tiny bit of handheld like really tiny bit So the up and down will be like this amount and the left right will be this amount It's really tiny. It's a bit more Bit more life in there It feels very smooth So like on top of everything you have you would do a secondary curve. That's maybe like every six frames Uh, you would have like, you know, like that random Key type of thing and then you had that's an x and then you do in y Another one that that's different, right? blah blah blah and then you take this and move it back by three frames And then that's it and then you get your Your, uh, organic handheld Curves. All right. Thank you All right, there's an email you can sign up you can start whenever you want you can submit whatever you want You get 16 submissions either way a like and subscribe would be awesome. All right. Thank you