 Yes, my name is Kainthor. Head of the Dramatized Department of National University of Arts and Culture. In our department, we are teaching the Yuma Traditional Grand Drama, Dance and Choreography, Yuma Traditional Marionette, playwriting, stage directing, and the art histories. So a man that culture subjects, now we are presenting the Yuma Traditional Marionette Cheer Dance. So those two prepared years that they are studying first year honours students. The guy's name is Yatu Gugunai and the lady's one is Winshui Soh. So they are studying first year honours students. So they have to study this battery for five years. After that, it's again year honours and third year honours. After five years, they will be get the drama arts honours. So if they qualify, they can join the master course of the drama arts. I want to explain about Yuma Puppet. So Yuma Puppet is the composite of wood sculpture, handicraft, and painting. So Yuma Puppet is the kind of shrink puppet. So it's called Yuma Traditional Marionette. Yeah, now in human figures, they are all together 13 shrinks and 18 to 24 inches in height. So Yuma Puppet is Yuma Puppet some major of wood. We can make a big gap of wood. The best wood for the puppet is Yemeni or clock wood. And now on this day Yemeni is very rare. So we can choose other kind of wood such as katek, leban, teak, and etc. So Yemeni is very light and strong. So this is the best wood for the puppet. Now we want to demonstrate the Yuma Jewish dance of Yuma Traditional Marionette dance. This dance is the love scene of the leading role of the play. So they can dance and they can create in the southern chance and dance together. They can portray with the Mianta sounds. This is very difficult arts of the Yuma Traditional fields because of the puppet here. He or she played but not human being. But he played the wooden puppets. So when he or she plays the strings. So this presents how can I say if they will make the good gesture, the dance and the pattern of the marionette is very beautiful and soft. So it is very, very difficult arts in the Yuma Traditional fields. So the students who are studying our primary arts department, he or she have to study the traditional marionette two years. At first year's student life they have to study, they must study. How can I say after second year's student life they can choose the Yuma Traditional marionette as a specialized subject. So after five years they will be great puppets here and the professional way. We will manipulate this marionette dance. We have to combine our soul and our hand and the puppet or combine three souls in one mind. Yeah. The olden days, I will let this show you. We Yuma have one words. It's if the human being dances as much like with marionette, it's the puppets who play the marionette as like ex human beings is complete. So in Yuma dance pattern, some pattern is derived from the marionette. Yeah, human being, yeah, human being immediate how to gesture, how to play, how to move of the marionette. Some patterns is especially marionette dance but the human being dance this pattern. Most of the Yuma are Buddhist. So we are living and the teaching of the Lord Buddha. So we have two things. The one, the first one is the shame and the second one it feels. So in olden days, the people, they respect those two kinds of shame and feels. So the dancer, the dancer, they are afraid to perform on the stage because of most of some of audience are the Buddhist monk, the king and the raya person. So they invented the marionette instead of human being performers. So on the stage, yeah. It's called a mean the pain, a backstage level.