 All right, so here we got X version here, and nice. Reaction will be, whoop, hold on. That's cool. And just watch out timing-wise. It's a, I think it would still separate these a bit more by these M in the arms. And here like a bit twinned in there, a bit in sync in how they drop. I think it would separate these just a bit more. That is cool. So my thing is that after, especially this frame, it's such a big move that you have this here, and then it stops pretty abruptly and it has really small spacing to almost being locked on those frames. And I think for something where you go that big of a move, I will do here, here, a big one, and then a bit higher. And then you can go small with a little bit of a curve. Just a little bit. That's my biggest concern at the beginning there. Just feels a bit, not huge, just one frame. And then the next one is how suddenly this guy accelerates forward. And what bumps me a little bit is that being so straight, but then accelerating so quickly there. And I think it would feel better if he had a forward lean into that. Not that it's mechanically not possible because that leg is back there and is able to push forward. But if I watch this, there's a sudden acceleration feel that just, it just feels a bit odd. And even if you have this, it's like you almost want this guy to go up, but then it's this way. You know what I mean? If there's something at least subjectively to me, it's odd where this feels like, this is a cool post for a jump. But my brain doesn't quite connect this sudden acceleration this way with how this guy's so posed straight up all the time where I would almost go like that. And then you will be lower. And then that is the moment when you go from like something where it's exaggerating, but low to shoo with that sudden burst to a reverse C curve, still a bit low, that gets him to this. You know what I mean? If we go from this to that, and then he can jump up, which is cool. I love all this here. Shoo, that's cool. That's cool. I like it. Love that. Yes, that stretch is great. And the only other thing at the end, it feels like he starts like a 20-year-old and ends like an 80-year-old. It's all like, yeah, good pose. And you know, nice stretch, nice stretch. And at the end, it's like, this is straight and it just breaks. 90-degree break in his spine. This aged me. Oh, I can't get back up. That's kind of what it feels like. To me, it would be more of a compression like this where it's more in his legs. And then you can have a bit of a compression in the upper body and some swing in his arms. And then he can come back up again, where it's maybe leaning forward a bit more, bent legs and he's straight in his body. But this feels like, hey, the spine just broke in half. And then we are, oh, it's been 84 years old, whatever it is, you know, that type of thing. So that would be the biggest thing at the end, where I'm not quite feeling it. And I wonder, and you're imagining it, this is a body mechanic shot, not like an exercise, not a demo real shot. But I wonder, there's up to you, because it adds more work. If you wanna extend the shot by half a second to give him the compression and to come back up into a finished straight, like maybe one more step or beginning of a step, it just feels like we're cutting out too soon. We wanna see that ending just a bit longer. What you also are doing is you're going from this broken pose to up, but then we're easing into the end as if this is about to stop. And if you would add four more frames, it almost feels like you are going to end with this leg here, but that is his actual pose at the end. And that just feels odd. So I feel like we wanna add more, maybe 15, maybe even 20 frames so that he can get back to a pose like this. Subjectively, obviously that's not needed. It's an exercise and you can do whatever you wanna do. I don't wanna give you more work, but that's just the feeling that I have at the end, that it feels broken and then it's almost we're missing a beat, like an ending beat to resolve that pose. It's almost like the beginning of an idea that has no resolution, basically. All righty, that is that, thanks. All right, there's an email. You can sign up, you can start whenever you want. You can submit whatever you want. You get 16 submissions. Either way, a like and subscribe would be awesome. All right, thank you.