 So we're going to check out interview Martin Doerr. Hi, so who are you? Hi, thank you, fine. I'm Lumix Ambassador and here for the people explaining cameras and making some shootings. And you use a lot this one? I use this G9 together with the Nocturon lens because it's super sharp and it gives me the perfect cello depth for working with people in portrait photography and all that kind of stuff. Did you take this one with that or no? Yeah, sure. Did you take it with this? Can you hold this for a second? So it allows to get super sharp in the eye. Super sharp and nice bokeh in the background so it's really good use, very good lens and good to carry. It's very light? It's very light, yes. What kind is your favorite lens? Yes, there are the 52-200mm and the 10-25mm which is relatively new to the whole range of the lens. Do you use the 10-25mm or? Yeah, it's very good. For photo? For photo because it's more into street photography and architectural photography so it's super sharp and also it's bigger lens, it's very lightweight. And you also use the new S1, right? Yes, sure. And this S1R? This S1R together with the 50mm lens, 1.4. How is that lens? It's wonderful. It's super sharp and there have been tests where it is better than the Zeiss lenses so it's a really, really good lens. Really sharp? Really sharp and easy to use. Which one do you prefer working with this or? To be honest I'm using both, in a lot of my shootings I'm using both cameras, I have them side by side and whenever I want to choose it's no problem. So because the menus of the cameras are nearly the same and therefore it's very easy to use the whole range of cameras. Of course you're a Lumix ambassador but is it possible I can ask do you think there's no better full frame mirrorless in the market? For me it's a real, real good camera because I can work with it all day and especially the grip, it's very ergonomic. So I'm not tired carrying the camera. It's very reminiscent of the G9, the one I'm using to film this video. The designs are, the grip is kind of like a big brother of this one, right? Yeah, sure, yeah. And all that kind of like the style. Yeah, the style and every knobs and menu points are nearly the same so it's not a big deal to work with both cameras at the same time. So this is a Leica? Yeah, it's a Leica. A Leica and the 50-200 is a Leica. Yeah. And the 10-25 is a Leica. Yeah, we have it here. Yeah. It's also a Leica, right? I think so, it's a Leica. Right here? Yeah. This is an amazing lens, no? Yeah, yeah. Can you explain, what do you think about it? Yeah, even it's a bigger lens, it's very lightweighted and you have very precise control because very smooth and it's perfect if you have from, let me say, great to wide angle shooting. It's the ideal companion for the camera, for the G9 or GH5 or whatever. But of those three lenses you talked about, the 42.5 nautical crown, the 10-25 and the 50-200, only the 50-200 has dual IS, no? Yeah. This one doesn't have one, so isn't dual IS really useful for photography? Yeah, it is, but the stabilization of the camera is so good that it's working, it's really working. So it's working great, even with a lens that is not stabilized like this one. Yeah. It looks really, really nice, but it's bigger than my 12-60 Leica. Yeah. And it's not stabilized, but also it's a little bit expensive or something, I think, I'm not sure, but I think it's a little bit expensive. It's a little bit expensive, but it is a dream lens. It's a dream lens. It's super sharp and the image quality is perfect. When I shoot the video now, it'd be wider. It'd be nice to have a wider view. Yeah, just a little bit wider. It's 10 millimeters, yeah. It does something different, right? And it has a 1.7 only. 1.7, yeah. Yeah. Very good. All right, awesome. And this is my lens. No, not quite. Not quite. I have the Leica. Oh, I have this. Oh, yeah. Do you use this or not, this lens? Not too often, but it's a perfect lens. I know it's a perfect lens, but as a portrait photographer, I'm doing more portrait stuff. So, sure, I have the 50 to 200 millimeters and I can show you a picture I did with the 50 to 200. It's only on my phone, but I will show it to you. Maybe that helps. Do you use it a lot, the 50 to 200? Yes. Yes. It's really good. This has been taken with the 50 to 200 of the G9. So, you've been photographer for a while before also doing Panasonic stuff. Yeah. How is it the life in the Panasonic world compared to what you're doing without Panasonic before? For me, it's perfect because it's, like for a cook, having a good knife, it's a working bench and I can work with that tool day and night. I don't have to think about menu points or things that doesn't work. It exactly meets my goals. I'm more an artist than a technical photographer. So, it gives me all the freedom and creativity I can have or I want to have. So, this is for me the right choice. What do you do before, the Panasonic? What do you use? Nikon or Canon? Nikon. Nikon D800. D800. So, how's the difference to do work in a DSLR and work on this stuff, right? I don't want to go back. For sure. I don't want to have a DSLR. What's the main difference? You see what you get exactly in the... Yeah, you see what you get. I'm very eager about having the result immediately. I want to see how it can compose my images, how they will look in black and white. I often shoot in black and white, only on the screen, to see the contrast and all the light and dark areas to get a better feeling for the image. So, everything you can do is easy to manipulate. All the ratio, the image ratio, which is not possible on a DSLR. Do you think Panasonic has been able to... Look at the S1, right? Match or exceed whatever Sony is doing? Sony for me was never a solution because they are too small, the cameras, too small, and not so... And I don't like the menu. But this is a very personal opinion. It's important to work with the menu. Every day you have to go through the menu. You want to be effective, get to your vision. But how about the performance and all that? The performance for me is perfect. There's nothing... Okay, there are always minor things like they switch the audience which has been in front of the camera. Watching in there. Which is perfect. Which is perfect. I like this. They have made it again on the S1H. Did you play with the S1H? Not yet. You do any video? No, not. Just for behind the scenes, maybe, but not really video. Let's say you have a project right now. How do you decide full frame or micro four thirds? It depends on the wishes the client has. If I know the client, let me say the fashion shooting and they want to make huge prints, then I use the S1 or S1R. If they are only for online presentation or for small printed catalog, then I use the G9. It's probably 90% G9, I'm joking, but very few people do large prints. It's not even a photo, it's drawing. I've seen large prints from the G9, two by three meters. They look amazing also. Are you a fan more of the micro four thirds or the full frame? I couldn't say at the moment. I love the micro four thirds and the size of the cameras and it's really, really good to carry. I had this GX9 in Portugal for shooting with two lenses, the 12.5mm and I think it was the 42.5mm. That was enough. You put the notch crown on this? Yeah, put everything. If you see it when you do complex sunlight shootings it can really good compose the light rays and the sun coming into the screen behind the model. This is even easy to use with the GX9. The main difference between a GX9 and a G9 is the buttons and the stuff like that. You have more serious, faster series, you could shoot with a G9 which is not possible with GX9, but for traveling... For me it's very, very important to have two HD card slots because I have HD cards that break. You do this where you record your bows because it's important if you have a customer you don't want to lose the files, right? You can't really do that on this one. Alright, and what Canon and Nikon are doing is, I'm joking, but this is working. What's happening here, right? Yeah, it's working. It'd be nice to see what's coming next Me too. What do you want? I want a LCD of the G9. Even I'm a visitor, I don't know what's coming. What do you hope for? You have some... This is the camera at the moment, it's really good. Not too much wishes. I also like the... I'm often using the filter menus because they have a very nice and adjustable black and white modes. So I can... When I record in JPEG and in RAW I also can decide afterwards whether I use it in color or take out the JPEG which is often perfect. How about the ND filters? Do you care about this kind of stuff? At the moment not. So maybe for landscape photographers it's important that... Do you mostly take pictures of people? I mostly take pictures. That's the best, right? On landscape we don't care so much about... You have to get up very early. People wake up late, it's much better. Sometimes. Alright, thank you very much. Thank you very much for your time. I'm looking forward to the next Micro Four Third, GH6. I want it to have everything. Yeah, they will come.