 Hi guys, now I'm hanging with the one and only film giant. Introduce yourself, sir. Ya, my name is film giant, Nizomontana. Nizom, so far, project kwa ju? Project kwa sir, actually today is the second day to kwa set. Kiangalia sayi ni usiku mefika, we are just doing the main performance where we are going to feature Andrei, Kairiji and Dufla for the main performance which is going to carry the whole video. Ya, ya, this is the second day, the shooting has been amazing since yesterday. So I can't complain, we thank God for facilitating everything in kwa kwa set. And the whole team in kwa kwa kwa set will be behind the scenes even you for being available. Thank you sir. I'd like to know, have you worked with Kairiji before? Ya, Kairiji, ame kwa rafiki yangutu kaki tambo. How's your relationship like? My relationship with Kairiji is a friend. My business partner here, we do some other things apart from music. Some other things we do, link-ups and business. Like nivi tu vingi vingi tu mambo mingi mingi tu tu nafanya piya pa mawaja, ya, ya. What are the basics of being a music director? The basics of being a music director, first of all, in short you have to know everything, you have to understand photography, you have to understand the camera, you have to understand the editing softwares, you have to understand like all aspects, we are informed about what's happening around the society, what's about love, about hate and love, about government is nafanya, you have to be informed. But the basic, mostly you have to have a knowledge about filming. I love the most important thing, you need to do things, shoot every day. Get the camera that's on your iPhone, you just keep on shooting things, ya. The basic thing is to have a camera, and the skill at least you can edit, ya. I can edit. What is the script you want to do as a director? Mostly I do that, but I do with the help of my producer, assistant director, like the whole team, when the song comes in, we sit down, we just share ideas, we say, okay, me na fili pa tifanyevi, na fili intro ika heivi, but most of the time I make the ultimate decision, okay, so the script is under heivi, but most of the time we share ideas, but most ideas like 70% they have to come from me as a director, ya. Which of you you propose to an artist, an idea, and then they are not willing, or are vixen, they are not willing to do as you say, or do you deal with such a situation? Mostly na kwanga, kipi ham sani a idea, ala fulabda I feel, okay, personally as a film giant, I'm always open to ideas because I believe creativity is more, there's a time you become like, when if you can't even think, there's some other things na fani kakwa background, ya I'm say your life, ni ni, you need some help, so most of the time na kwanga tifi we share ideas, in case my idea, I get an artist, then we can adjust any time, ya, sometimes na kwanga tini mod of agreement na je, misi fili kufanya hi, but na zado hi, but when it comes to model, what we really need, we don't look for someone who doesn't do, who can't do what we want, so we look for someone ma na zafanya, kama ni seti akungi wa bata tabu na bikini ni ni, we look for someone who can do that, if you can do that, then you can do it. There's no need. Last question, I have seen your name everywhere, you've worked with so many Kenyan artists, is there any international artist you've worked with? Ya, na fani na wengi na national artist, like na kazi na kina Shomajouzi, I've worked with Emmanuel Jal, the video is coming out by the way, Emmanuel Jal. Ya Shomajouzi li shatoga gita ma ni na itotamani, ikon YouTube li tokatengi 2 years, one year ago, there's a new project to me work na Emmanuel Jal, we have worked with artists from Tanzania, Uganda, from West Africa, there's a guy we've worked with from the UK, there's so many projects to me work na, but some of the artists, wengiwa ondio, onangia kwa game na wengiwa, wali kwa kwa game, but wame tokas, but our piki kelele squeeze is na yam. So you've been in the industry for a while? Ya, I think from 2013-14 hapo. That's a long time. Ya, ya, ya, actually it has been for me, I really believe in baby steps. Ya, you know when you grow, you can't get a baby right now, often the next day at MBE, nalia. So I really believe in small steps every day. It can take you so long to do something, but when you are fit now, you may take enough time because the experience will come with the time, nalia, ya, ya. It has taken me a lot of years to be here where I am, but at the end of the day, there's so much I don't understand about film and I really want to explore. You learn every day. Every day. When you stop learning, that's the day you die. Because that's what I believe, ya, because life is a learning process, you have to learn every day. If you want to move forward, you have to learn every day, like I need to learn, because technology needs to change every day. If you don't learn, then it will happen, it will happen in the future. Ya, ya, ya. Upcoming producers, upcoming directors, I hope you're learning from the film Giant himself. Thank you so much for talking to us, talk to us after, we'll just say exclusive. Anytime, anytime, we'll have my number, anytime we'll just give me a call, I'm available, okay? For the interview, I'm available, ya. Okay, thank you so much. Thank you so much for the interview. Thank you, the camera guy.