 The Biennale is like the work-up in football. Everybody wants to be here. Here you come also with a very strong exhibition if not you don't come because you want to do something remarkable. The Escuela Grande that is a huge complex, I thought this is a space for Hugo Rondinone. When I saw this church as an art, that's it, something that was brewing for three years had the right outlet. And when the Biennale, you have a very, very short period of time to do such things if you finally you are not very happy with it, I mean there is no time to change it. I think there's different ways to look at it, how to create a portrait. This is his twist to it, it's a big honor for me.