 I'm on my way. He, um... How's your school? I'm on my way. I haven't had breakfast with him yet. We have a back-to-back meeting. We have a shower here. We know. The guest seats. We miss it all week. It's good. It will try it. It will try to make it feel safe. I mean, I trust you. I haven't liked it either. He says, It's the beginning of the world. That's what he said every book. It was the beginning of the world. And it's like, I bet so. Yeah. Well, we're a bit long, but it is such a weird thing to do. It's a weird thing to do. It's a weird thing to do. It's a weird thing to do. It's a weird thing to do. It's a weird thing. So we're here. A lot of people are here. Hey! It's good. See, guys, it's hot dog shoes. We're going to create a play. Together. In the lobby. It's a real life. It's a real fast week. I'm going to show some of the product. There's people all over. It's okay. It's okay. So what we're going to do is we're going to do some work for 45 minutes and then we're going to do some diet work for 15 minutes or so. And we are actually going to work again and have opportunities for your questions to me about your creative process. You're going to be together. And we're going to be trying to pull together. And it's a lot of fun. We also have a lot of work to do. So I'm going to throw up something to do with you. A question where I can't do anything. So thanks for your support. We're also going to put an end to having some things to help us choose you guys. You can do three equations that ask all of you what you work as talking hashtag for you to be going to the halfway and you'll begin to set a watch for our phone. No, no, no. Let's do 40 since it's our we're already in battle. We're 40 minutes for those four skippers. And that same time review, we have actors that we really love and they do some great stuff. People start thinking about our situation. We'll have just this flag and that's how they write it. And that's how they generally integrate phone language. I know exactly what you're talking about. You've got a pretty guy. A pretty guy. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. Mike Lee. and they don't show up and they don't ask to come out for a day. You know, because the charismatic person, all the actors, the directors, the peace service, we didn't want to go over. And if you have already, the liberation responsibility, someone's got your responsibility, and I'm going to tell you about it. This is what it should be about. We had a dinner, so someone started to work, and they jumped in and started to help, trying to have an old time game, and a lot of action going into the background. So I'm going to be up on the line to write it into the first floor, or what type of action I'm spying is open to us. But I know this is what we were talking about. You know, a lot of things we had to work out about. How is this spying going? This is a gesture. Oh, but, you know, we need that extra line because we're going to have to put the world into a grand cage at our stage. And I want to say to you that I was the king of the great state, the psycho-army issue, I've read some of that, but if I did it, I do did it, that's solid, that's solid, that's solid. And I never did it. So that requires more work, what was going to be done, and just, you know, what the work was going to be like. Because a lot of the African people can't ask about it, and it's important to them. And that suggests that you guys would too, but if you were in the temporary, you don't want to be gone, and it's just hard, you know, for all. Now, I think this is sort of a moment when I'm going to show you the flag. You know what I'm going to show you? I'm going to show you the flag. The moment and the shape and the flag. Thank you. Thank you. The story of the moment, this is the hard part. I see that the folks have fun with it. So the hard part is kind of hard, and so this is my first time. I'm sorry. Enjoy it. Enjoy it. Yes. I'm in. Here's the point. I have the first draft. It's maybe a good draft. That's amazing. It is. I have something that I feel like I really like, have been working on, and I want to bring it to that next stage of getting feedback on it, getting people to, you know, hear the parts that don't make sense when they're not just in my pages. And I guess I'm wondering how do you open yourself up when you know it's not good enough yet, or you know that there's going to be so much that needs to change. I know that over a hill that I thought was the summit, but just saw a lot of that happen. That's really great. That's really great. Wow. He said that point now. The finishing draft. It's been a lot, a lot, a lot, a lot, and the finishing draft now is okay. You want to open yourself up and process it up to others. Have you, so that we want to do something about the finish? I would. Because it was a cool draft and the finish was yesterday. So let's say you have people that play. Music. So you're going to be responsible. Yeah, I'm working with them. And the music's not totally that yet. Okay, that's great. So you have them you really look. So you have them to talk to. Have you talked to them and really look at them? Okay. Okay. To the back. To the back. And make a list of everything you need to work on. Listen to what is not right. Listen to what is not right. Make a list of what works in your mind. Make a list of what's out there and then choose what is an active friend who are making better friends than they are actors. You know, and then you have three actors. If you really go to a career and you want them to see and they really don't care if you go there, I think you're just going to die. You know, you can hang out on your apartment and have your meeting on it. You need a little team. You need a little difficult strength. I think that. And then get their feedback from the most friends that we can't go ahead and have interviews tonight, last 10 meetings and if you have a drama show or a friend you want to see, you can go back and over and talk about afterwards. So take those tests. There are a few tests that they're managing. Okay. You're going to invite some actors and maybe you're going to talk to them later. I shouldn't have a photograph soon. I guess it's really interesting because it's not in the place where it's finished at that time and it's been a short timeline and it's all people who adore me that are really excited. But it feels like it's getting very official because the company's never done this before. They've never nurtured one of their short plays and so I'm very nervous about it. I'm excited about it and how you are. If you have any thoughts on how to take this form I think it's on writing it so that it's public reading. So that it's what for the public reading? I don't want to just hear it for its performance. They're doing a public reading and we go write it. And I want them to feel good about that but I don't want it to solidify this story into something like this and stop it to just commit to any old direction because I want it ready. Did you hear everybody? Did you hear those questions? Did you hear everybody? Did you hear everybody? Did you hear everybody? Did you hear everybody? Did you hear everybody? Did you hear everybody? Didn't you hear what she said? Why didn't you hear everybody? When did you hear everybody? That was the warm-up line. We're all working on � there are many good stories that are self-sufficient and such images too. Her hair is the worst one. Her hair is the best one. Many times your orbital was blown upside down while you were in Specifically Even if you have to support a lot of rights groups, you can get a very good talk with them also. You can tell them what's going on. This is Bob, and this is Bob, and I am the other way around. My bosses are now, they're not in the community. Okay, so it's literally a minute, okay, and if you want to talk right afterwards. Great. Total working product, the seventh tone. You should make it so it's festive, it's fun. You know, it's a total working product, it's fun to make it. It's a total working product, it's fun to make it. Seven pages, it's a long time. And I'm just trying to tell you like, you know, if someone had to get it again, you know, that should go later. They can't get it all again, you know, the other one. You know, they can't get it all out again. Yeah, they can't get it all out. You should make that with the game, it's fun to make it. Even though you're part of your vision, you know what it is. It's the very end. Good, good, you don't want to log in. So, we're working right now, just to get it. Good, okay, don't worry about it. Yeah, that's right to say. It's just totally fine. You know, it's a little bit for the last time. In the end, you know, the log is there for you. You know, it doesn't have fun. It doesn't have fun. It doesn't have fun. You know, the other way to go is to talk back. Have questions with your audience. Say, I'd like to, you know, we didn't break into the game and show and, you know, talk back, it was like 10 minutes. You guys can do whatever. Say, anybody's taking talk back? I think you can at least three questions. That's what's going on right now. Just talk back a little bit. You're great. Okay. Enjoy the game without seeing my game. You know what I mean? We two, and someone asked you about something in when you played and you said, after eight years ago, I had no idea. You know, and I just thought, to have the damage work behind you, then you can't really understand what you're doing. I mean, it has to be. It has to be. It's a little, like, crazy. I mean, you know, it's great. But how do you personally know when something's done? Do you get it in? Do you get it in any time? Right. Right. Right. So, um, here's what we're doing. Oh, jeez. We're going to have to, you know, you know, I mean, there's a treatment. One, it's going to stand next to me. You know, there's a counter-potential. The character's where it is. There's a lot. You said that you're going to play. And that's kind of what I'm writing. And it's something you've felt all the time, but they don't know what to do. You write it until you can feel it, and you write it until you can feel it, so you can feel it. And that said, these are the covers that I have to talk about around the community. You know, we're going to have time and I, we're going to have time. We're going to have to pressure it in the next day. And if you were talking about, you're a point in play-up, you're going to have to do this moment just a couple of different things we already have in our class. So, you're going to manage a slide, spit,覺 cable, and change the color of the new or judiciary. You're going to have to go lighter. And it's kind of like the original structure. So, we're going to have time to get to it. So, that's what we're going to talk about. So, but here's a note I'm writing I don't know if they're going to have to develop these people for the real needs of their servants. You know, being like their partners, it wouldn't have to happen. You know, it wouldn't have to, it has to be, but it all sets. But what do you know? It's just, you know, it's perfect. And it's a good quality of work. Well, I have a general question. Yeah, I don't even know if it's general. So I'm in this wonderful city and, you know, I know all these wonderful people now. And I am so gun-shy about asking people for the real needs of my work. Like, I'm just like, if it's not class, like in editing, I guess I'm saying, how do I, how do I get that done? How do I get, like, I'm in prime position and I would hate to spend two views here and not ever have anything views. So it's, it's sort of, I don't know how to do that. Like, and I think that's something we get in our program. So it's just, I know it's me, which I'm really good at. But I don't, I'm always, I always feel like I'm imposing on people. I'll read other people's work. I'm like good at that, but I don't, like I'll end up a script doctor at this rate. Right, right. That's a good question, that's a good question. So Stacey, why don't you go and actually get yourself out there? So can you separate things? Someone asks you, you know, you can ask them. Yeah, I feel the same way. So everybody asks you, you know, and you know, you know, they go, now, you know what I mean, it's just math. It's not about your feelings. Right. It's not about your friendship with the rich shop family. Like in that kind of way, the rich shop family is not the way. I've been shocked that that's another show. Okay. You're talking about, you know, you have a bad experience with the world. Where I've asked one, I've had an experience where I've asked someone to read my work. Yeah. And I've never heard anything else. And I know, and I happen to know, like one thing I am okay with is, like I know when a piece of mine is strong and I know when it's not. Right. So I don't think it was because the piece was just so bad that they never, but they just never did. Right. And it's just like that, I think that experience kind of scarred me to ask people to read, to read, to write, to paint, to write my work and to take on it. Right. So one, you have to ask, if you see some people out there in the world who you think would be the responders of your work, and you want them to read your work, you have to ask them. Okay. The reality of the, you know, the reality of the world, if you're right, is that the one who will say, who can't say no, will say, sure, read your work, read it because they don't have time. Nobody has time. Right. Got you. No question. A person who takes care of someone, I don't know if that's what I'm going to say, but if he wants to say no to your faith, I'm going to be in trouble. I mean, it's not true. But if someone will say, can you remember what I was going to say? No. I can't. Nobody. Yeah. And so I have that with me. I don't know the person. It doesn't matter personally. Right. When the person asks and says, I'm sorry, I still don't know you. Right. But it's not about the person asking and saying no to your faith. It's about the animal. It's not that bad. Right. A lot of people have that goal. A lot of people will be going, I'm sure. That's right. I'm too happy with the person. Yeah. See, the place is amazing. You see that. A lot of people might listen to you, but they might not. They might not. They might not. They might not. They might not. They might not. They might not. They might not. They might not. They might not be able to see what's on my hand, but they can't read my thoughts. So it kind of has, you know, if you're probably under work. Right. And a lot of people are asking if it's a question of where you're at. So we just had a hand with people who are staying out. And hand with them anyway. You know, you care about what they're asking. So just in a quick way maybe you just have to start you know... Is it like isn't too much to do something like okay I'm gonna give you this play and if you don't feel like you can read it by this day, I can understand it and I'll ask you to help us, like is that your rationale? Can you actually be able to go by if you don't want people to say the same thing at the same time? Crap. You know, I mean, if you just live in an armband or have a meeting and you can't play with me, you can't do the right thing about the innovative role I'm doing so much. Yeah. You're helping me to say no. Right. Don't help me. Guess what? You know, I mean, you know, don't help me while I'm at it. You okay? No. Could you be my play? They say yes. I say you. That's it. You're helping me to go do that to myself. You know what I'm saying? If you're not an all-in-one player, that doesn't mean no or no. If you're not, in fact, you're just an all-in-one player. You're doing your job with me. Yeah. Your job is to write a play and write about the game with people. And I'm going to read it and then I'll actually go. Okay? That's okay. Your job is to be an all-in-one player. You need to take care of yourself. Okay? You see? You need to say that you're not an all-in-one player. Yeah. Care for them. Care for them. You can call them and say that you had a chance to get it. You got lots of that. Yeah. And if they don't want you to call them an all-in-one player, tell them this is not a good one. And I'm going to take a clue. I said, no, I'm sorry. I can't just show my potential. And that's the muscle that we all exercise, including you. We all have to learn. And think about that. You stay in rest. You need to stay in rest. I'll be sure to do that. Think about it. You know, bless you, bless you, bless you. Okay. If you think about it, maybe you want to say a second time. Okay? Okay. One. Sometimes I can't tell if I'm writing a character or if I'm writing a version of myself. Yeah. It's more like... Maybe now, because we need to be in a way that's what I think it needs to be, right? To have, like, me personality. I'm not sure. I'm not sure what you're going to sound like me, if I have to say that. Why don't you just follow the lead if you know it's too much? You just follow the lead again. Right? What about the question again? Do you feel right about writing it? That's another problem. See you next week. See you next week.