 Jerry at feral. When we get there, I want you to stay in the car until everything is over. Of course, it's your anxious to see your friend Harold, but I can't allow you to endanger yourselves. Just in case we run into some fireworks. Fireworks? And I mean a little gunplay, Jerry. Oh. Is that other car right behind us, Linwell? Huh? Oh, yes, Mr. Wallace. It's about a hundred feet from us. All right. Now let me see. It's about 845. Yeah, the car will be just about arriving at the Hazlet Farmhouse. What are the cars that, Mr. Wallace? Well, the boys in Mr. McLeod told us that Corporal Dent figured out that the cabin we're heading for is really an old outbuilding on the back part of the Hazlet Farm. Oh, I see. Yeah, so you're sending another bunch of government men to sneak up on the cabin from the other direction. Is that it, Mr. Wallace? Yes, Lee, that's right. We'll cut them off from making any escape from any direction. I'll check up on them right now. Check up on them? How are you going to do that, Mr. Wallace? Well, our cars are equipped with two-way radio, Jerry. Oh, gee, that's well, isn't it, Lee? I'll say it is. Calling Knox in car 5. Knox in car 5. Come in. Okay, this is Knox. Where are you now, Knox? About 150 yards from the front gate of the Hazlet Farm. All right. When you get up into the yard by the farmhouse, stand by the car until I give you the word to go. Okay. Golly, isn't that keen? Yeah, better take it a little easy along here, Taylor. Okay. Ian, turn off your lights now. Yes, sir. That's the road right up there, Mr. Wallace. And we turn left, is that right? That's right. Okay, take it slower than you are, Taylor. We want to be sure the other men are at the cabin when we make the catch. All right. Here's where we stop, Mr. Wallace. Yes? All right, Taylor, pull up. Yes, sir. Linwell, I think it's best that you stay here in the car with the boys. Oh, but, Mr. Wallace... I realize fully, Linwell, that you too were anxious to see your boy. But with the game leg of yours right now, it'll be too difficult for you to move quickly. Well... I'm sure it's best. Well, all right. Well, be sure to let me get to him just as soon as you can, won't you? You bet we will. Come on, Bradley. Shall we? Yes, sir. Yes, sir. Where did you leave Corporal Dent, Max? Right there in the clump of bushes, about 50 feet up the road. Very well. I'll call Knox and tell him to start over toward the cabin. Knox in car five. Yes, sir. We're on the side road, about 150 yards from the cabin, I judge. Yes, sir. What time have you got? 52 and 32nd. Right. We'll make the catch at exactly 9.5. OK? OK, we'll be there. All right. We're starting up the road right this minute. See you later. Come on. All right. Now, keep it quiet from here on. Oh, that must be Dent. Here we are, Corporal. We'll be right with you. Hey, did you bring the government man? Oh, yeah. Yeah, yeah. I see him now. Mr. Wallace, this is Corporal Dent. He's been standing watch here for us. Glad to meet you. How do you do? What's been going on, Corporal? Oh, not a thing, no, sir. Ain't so much as moved a toe out in that door since that man went in about a half hour back. Good. All right. You want to join us, Corporal Dent? Join you? Say, you couldn't keep me out of this skirmish with six transports. That's fine. Come along, then. Easy now, then. Listen. Yes. An airplane. Look. Look, he's hidden this way. You can see red and green lights. That's funny. What do you mean, funny? Well, that there's the first plane I've ever seen over this part of the country this time of night. It is, huh? Wallace, down quick. Somebody coming out of that cabin. He's got a flashlight. Say, he's signaling to the plane up there. You mean that blinkin' on and off is signal to that fellow in the airplane? It looks very much like it. Yeah. Now the pilot's flashing his landing lights on and off, too. Say, that's Morse code. W-H-E-R-L-N-D. For your land. He wants to know where to land. And fellow don't spell so good, does he? He's just abbreviating. I-I-I-I-I... Look, they know that Monnery's runnin' over to that posture! You're right, Mac. That's where he's going to tell the pilot to land. Yeah, that's it. See, he's signaling. Four dots, it's H. One dot, E. Dot. Two dots are... here. How, how's the following of that airplane sitting right back? What's he's saying, Mr. Wallace? Oh... Well, gentlemen, I guess we're going to have another visit. Going to wait for him, Wallace? You bet we're going to wait for him. But what if he doesn't land before 9.5? The other boys be ready for the catch. We'll just have to take that chance. But it looks as though he is going to land. Yep, here he comes. He's got his landing lights on again. Yeah, he's leaving him on too. Say, he'll never make it in that stubble over in that field there. I don't think he will either. He's coming in too fast. No matter what he does, everybody keep quiet. He's not over. Oh, oh, gosh, that airship's on fire. Wait, quiet everybody. Let's see what they do. They're coming out. They're all running out of the cabin. I wonder if they'll be able to save the mountain. Yes, yes, they're pulling him out. Let me see what time it is. I don't know whether I can see my watch or not. Yes, the phosphorus shows up all right. It's just four minutes after nine. One minute more, I try. Bring like that. Bring coach down here, quickly. Here he is, here he is. Coach, are you full? You're full. Mr. Wallace. Yes, Mac. That was the man. The man who was in my store when the boys discovered he had a fountain bin. Yes, yes, I understand. In other words, that's your gun. That's the name, your gun. Well, it's a zero R, boys. Ready? Right. Okay, come on. What do you want? Oh, so you're Alexander York, are you? Stand up. All right. Prisk every one of those men there. Where's the lad? Where's Harold? Is Harold in here? Mac, Mac. Oh, Harold. Oh, man. Harold, your man, are we like that? You're a man, my lad. You and I, your father, see you with tears and urine. I don't know what you're talking about, Mac, but please, if I'm dead here. He's here, Harold. Come with me. I'll take you to him. Mr. Wallace. Just a minute, Mac. All right. Stand all those men up against that power wall. That's right. Well, Mac. Oh. Well, is this Harold? This is Harold Lindwell, Mr. Wallace. Harold, this is Mr. Wallace. The government, my new director, all the goons on which brought us here to rescue you. Hello, young man. Hello, Mr. Wallace. Mr. Wallace, will it be all right for you and your men if I take Harold Dune the road a piece to his favor? You bet it'll be all right. Just a minute, though. I want Harold to identify a couple of men here. All right, let's have it quiet. Quiet. Harold, uh, which one of these men here took you out of your father's cottage tonight? That one. That one there. All right, you. Step up. What's your name? Cajina. I don't mean cajina. All right. Now, Harold, which one of these men drove the car that brought you here? That's the man. There. Oh, Mr. Yorga himself, huh? Harold, you don't know how honored you were. You and your men are extremely clever, Mr. Wallace. You, uh, you know my name already, do you? Of course. It is my policy to know the name of everyone with whom I am doing business. May I congratulate you, Mr. Wallace? I do not know how you discovered us so quickly. A few moments more and we would have been out of your reach, momentarily at least. I don't think you would have been very far out of our reach, Yorga. And why not? Well, in the first place, your plane caught on fire as your stupid pilot landed in that field of stubble. And in the second place, one of Harold's friends, Lee Phillips, a cadet from Faroaks Military Academy, removed the distributor ahead from your automobile about half an hour ago. Hmm. You'd have had a pretty tough time trying to drive that car. And I'm afraid you wouldn't have gotten very far walking. I see. At least, Mr. Wallace, we did no harm to the boy. Did they, Harold? Did any of these men hurt you? No. No, they didn't hurt me. They just scared me. Well, that's quite fortunate for them. All right, Mac, take Harold down to his father. You'll be pretty glad to see him, won't you, sir? You bet I will. Okay, see you later, my boy. All right, Mac, Bradley, take them back into town. How men? Come with me, Harold. Oh, wait a minute. What's the matter? Where is Corporal Dent? Here I am, your crazy old coot. What's been keeping you? Harold, this is Corporal Dent. You're hitting him at him? No, no, I haven't. How do you do so? Oh, hello, Harold. Well... Well, what are we waiting for? Let's get this boy down to see his father. All right, come on. Your father's been muckled worried about you, my lad. Gee, heavy? The cloud of all that crazy nincompoop drive I've ever met are the worst. What are you talking about, Dent? I just... Help! Is that you? Dad, Harold. You're all right. You're all right. Son. Son. Come here, boy. Oh, Dad. Dad. Well... What do you say to getting us all back into town, Mr. Bradley? Sure. The car's waiting right here. Come on. Mac. Corporal Dent. Jerry and Lee. Yes, sir? You don't know how much I want to say. Well, that... Oh, you know what's in my heart. I don't really need to say it. No. No, no. There's not to say, Mr. Linwell, except... Well, uh... I... All MacLeod does say something to say. MacLeod? Your mouth looks better closed, Corporal Dent. What were you going to say, Mac? Before I would say a rudely interrupted, I was going to express the opinion that it would be a hearty thought to stop off at MacLeod's ice cream parlor for a double chocolate nut sundae. Oh, that's all right, but it's free. Oh, that's all right. Oh, that's all right, but it's free.