 This is Sarah Walker and she's with the Curated House and this is a piece for a one-room design challenge, right? That's right. I've got six weeks to totally transform a space and I am so excited about this piece from Ashley Whitson Bailey. I feel like it's going to be the soul and the statement for the room. I'm super excited for how the resin is really just going to up the saturation and the life in it, so... Yeah, so am I. I'm also very nervous because big pieces like this, especially black, we want to get this perfect, so... So this is a print that's mounted on a wooden panel that your husband made. Yeah. And it's a rag paper. It's a paper, you know, rag paper. So we wanted to make sure that there was no chemical interaction. Exactly, yeah. So sometimes with expensive papers, a reaction can happen between the resin and either the ink or the paper and then tons of little tiny little bubbles can form. So to make sure that doesn't happen, we've varnished it first. But most of the time, you're okay, so you don't have to varnish because our resin is a sealant, but we just want the paper. Just in certain cases with special papers and... Yeah. Okay, so let's just go. Before we started, we already measured and we mixed all of the art resin that we need and we're not going to go over that math because it's so complicated. There's a calculator for that. Yeah, there's a calculator on the side and it hurt our heads. It's a sealant. Exactly. Yeah, especially with a coffee. Oh my gosh. And what we're going to try today is instead of letting the resin run down the edges, we're going to have a bit of patience and we're going to push all of the resin right to the edge and then stop so that it doesn't drip over the sides. To create a doming effect. Yeah, that's the plan anyways. We can do it, Dave. Yeah, this is going to be gorgeous, eh? Yeah, incredible. So because of the paper, we're going to use the smooth side, right? We found that these jagged spreaders, if you push too hard, you can actually scrape into your print. So just be careful of that. So we're not using the jagged part. So Dave, I'm going to let you show me how to get to the edge without going over it. Alright. That's the part that makes me nervous this time. Yeah, and you know what? Worst case scenario, a bit of the folds over the edge. Yeah, we can wipe the edge off. And we can wipe it off and if that still bugs you, it's just the edging tape. Yep. If you can wrap it present, you can edge a canvas. Alright, so here's all I'm going to do. Just be patient. Nudge it. Nudge it and then stop. Okay. We can do that. Anyways, we're going to do this. I think the center section is where it's already glassy. Yeah, that's so cool. And we've spread the resin over the whole piece. We were very careful to push it right to the edge and not let it fall over. Although in a couple places it did drip over. The good thing is we can just use another rare edging tape. Yeah, it's not the end of the world. So we're still going to have that doling effect, which is what we wanted. So next step is torching. Okay, how do you feel? I'm excited to do the torching because, you know, iron it out. It's like the scene from crocodile lending. That's not online. I can't do an Australian accent though. Rebecca had a hard time with Australian accents too. I could do a British accent, no problem. I think I just haven't spent enough time with Australian people. Which is truly a shame and I clearly need to rectify that. Now the last step is we're going to have a toothpicks and just looking for any hairs or specks of dust. Okay, so that's all done. So we'll wait 24 hours. Look at it tomorrow. And when can we see the final result and where do we see that? So this coming Wednesday is week five. So you can go to Curated House to see some of those updates. CuratedHouse.com. Certainly follow me on Instagram too at Curated House. Week six is the following week. So you can see the whole room revealed with the iron plates. Awesome, can't wait to see it. Yeah, me too. Good, well that was fun. Yeah, thanks Steve. And I hope there's not a hair in it, but I think we did pretty good. I think so. And we always have ways of fixing. Everything is figure-outable, right? That's right. Okay, so tuning next time for, we'll do something else. Yes. Something interesting. Always interesting. Yeah. Thanks Steve. That's a wrap. That's a wrap.