 The last live concert I was able to do in 2020 was in early March of this year in Los Alamos. And the next week, everything was shut down. Nobody was going anywhere. No more concerts. But I was stuck at home and I was thinking about ragtime and how sort of sentimental it is and lovely. And I started writing a little piece and I called it the isolation rag. And it includes both a kind of a quality of that little Bolcom rag and also little quotes from the Mendelssohn violin concerto and one quick quote from the Brahms violin concerto. So the result is a kind of a cheerfully sad piece about a violinist being stuck in his apartment missing his orchestra. Ragtime music? Well, let me play you some. All right, that's the thing everybody knows. That's classic Scott Joplin ragtime. Okay, so that's the sound of classic piano rag. The Bolcom is in minor and so that's a slightly different feeling. So what I wrote for Gil was I'm messing it up. But in any case, you'll hear him play. He gets the notes right. I think the first thing anybody hears when they hear Gil Shaham is it's the most amazing violin sound in the world. He has a Strativarius and he plays it like the greatest master. He's just one of the greatest violinists have ever lived. So you're going to hear a remarkably sweet and pure sound and a sense of melody and a sense of a flexibility of rhythm that comes from the way you breathe the phrase. So it isn't something you learn about. It's something that you just kind of respond to. And I've been really lucky that Gil responded to this piece and lots of people seem to have responded and listened to it.