 Hey, my name is Adrian Chalfour. I am a Canadian singer-songwriter from Victoria, British Columbia. I'm 34 years old, so I've been writing and performing my own music for about 15 years. People tend to know me best from my band Towers and Trees, which has been going for about six years. And the thing I love about The Duplicator is that it allows us to take some of those subtle dynamics you chase in studio and bring them to the stage, which is my favorite place to be and somewhere that both as a solo artist and with Towers and Trees, I try and be as often as possible. So one of the things I appreciate about The Duplicator is that it gives you this wide range of options from a tight double to the loose double to the octave and these kind of this ability to slide to different degrees within them. So you can cover a lot of ground, but it's all, you know, they all kind of occupy a really tasteful territory. So there's little risk that you're going to crank the knob the wrong way and end up with like a really garish sound. So when you're performing on stage, it's great to feel confident that the pedal is going to give you exactly what you need and not too much and not too little. The three reverb options that The Duplicator comes with are a huge benefit as well. Because when you're playing in a variety of spaces, you never know what you're plugging into and you also don't know what the room's going to want. And it's great to be able to find, you know, a little bit of verb, something to kind of sweeten up and thicken up your vocals, regardless of which space you're rolling into. And of course, adaptive tone is a wonderful kind of tool to have in your toolbox as well. It's a great place to get that quick kind of EQ and compression and gait and all that stuff that's going to basically just make you feel confident in what you're putting out in the room. So yeah, I love The Duplicator pedal. I definitely think if you're out there and you're singing often, it's a wonderful tool to have in your kit.