 First of all I want to talk about your new track Havana. Yeah, which is literally just it is everywhere at the moment Isn't it just blowing up? That's so cool. Yeah, how are you finding the reception? Oh my god? It's it's amazing. I honestly I didn't expect it Havana was kind of always say this but I feel like it's kind of like the Defiant song Because nobody thought that it would be a single, you know, they were like no it doesn't it's not gonna work I don't know for radio. It's not whatever so I didn't release it as a single initially But because of the reception, you know it turned into a single and you know It's become a real highlight like in my in my year as a solo artist. So, you know, it's funny I actually had a listening party here in the UK It was like that really early stages of my album a lot of the people there are here in the UK like Havana the best Which I thought was really cool and I was like huh because in the United States That wasn't really like the winner and I had it took like the longest put together of real tracks. Yeah Why do you think that is? I don't know I think it's because it was one of those songs that for me I write the best to like pop chord progressions the pop ones are a lot easier for me to come up with melodies to and a lot easier for me to write to and These kinds of chord progressions like Havana or another song that I've called inside out that are more kind of Latin and a little bit more It's harder for me to come up with melodies. It was definitely a Challenge Oh my god, it was crazy I posted a snapchat video of me crying and instantly regretted it I was like I was like tearing but I just I just it's a new feeling for me to have other artists that whose music I love liking my music. I'm still like, oh my god. That's so cool You know I guess cuz it's like it's like a love song to like your roots Heritage isn't it? I think people love that for sure. That was that's where you wanted to get across right with the show Yeah, definitely I mean I I wanted to have a song called Havana and I had that title in my notes for a really really long time I knew I wanted to make a song called Havana. That's where it stemmed from Yep, and my executive producer Frank his name is Frank Dukes. He played the beat and I was like, oh my god That's perfect. That's the song and so yeah, it's a combination of like a love letter to my Heritage and kind of combining the kind of music I listen to growing up in the kind of music I listen to now you worked with Pharrell in the end. Yeah, how did that come about then? I have no idea that I'm so thankful to God He just came along at the right time. Well, basically he I don't know how but he was like my manager I remember my manager was like, oh Pharrell like want some studio time What it was just crazy. I didn't even know that he knew me I didn't even think he knew who I was because I feel like a lot of the people a lot of people in the beginning were kind of surprised that I had Things that I wanted to write about and I think that people just thought that I would have people just like writing for me and And stuff and so I don't know I didn't expect him to want to work with me It was just soaking up that energy was really really pretty cool. Yeah And I heard you like tricked him into doing some ad-libs in the studio You know in the first course, I was like, yeah, you wanted me to do that because he thought it would be really cool And I was like, oh, yeah, I'll do it But you know, can you like sketch him out for me? Can you just do like a track? It's like I ended up keeping all of them He could just do anything you just be like, yeah, and it just exactly so sure and it just sounds so much cooler Doesn't it? Yeah, I've not heard your hate gone to it for me It's not the same It's not the same as Pharrell, but it's still worse because of young thugs part But he did them really cool is where he was like skirt. I can't put off a skirt I sound like a dying duck Dying duck, that's the new one. Yeah, so amazing