 Every now and again, you stumble across an artefact, an ancient relic so astonishing with such an enigmatic history and indeed properties. Only the most reliable of sources will suffice in satisfying doubts regarding authenticity which will inevitably surround such objects. Impossible artefacts are extremely hard for some to digest, especially those with careers built around a paradigm, which said objects suggest were constructed upon a lie. Sir David Brewster must have experienced this personally, yet regardless, he still courageously brought the object before the dragons, or more specifically, the American Journal of Science. Quote, I have to bring before the section an object so incredible, only the strongest evidence could render the statement at all probable. It is an authentic ancient rock-crystal lens. End quote. Roughly translated, Sir David had put his neck on the line for the truth, a truth which speaks of ancient advanced technologies. Discovered amongst the ruins of the treasure house at Ninenova, it had lay, undoubtedly for many centuries, possibly even millennia within the ruins of this once magnificent city. Although many have attempted to discredit the lens as a mere ornament, Sir David Brewster has courageously fought on regardless, arguing against such claims by stating that the convex nature of the lens, along with mysterious ancient gases and liquids which were once encased within the lens, made it a once-efficient optical magnifier. It still has the remnants of 12 cavities upon it, which once contained some form of liquid or gas. Ten had been opened through damage over the eons, yet remarkably, two were seemingly still intact. The surface of the remaining cavities, Sir David claimed, were speckled with amazingly iridescent spots, far more vivid than a peacock spot, known now as the Nimrod lens. Italian scientist Giovanni Petinato of Rome proposed in Babylonian astronomy that the lens was used by the ancient Assyrians as part of their telescope, explaining their detailed knowledge of astronomy, in particular, Saturn. The ancient Assyrians were able to see Saturn, believing it to be a god surrounded by a ring of serpents. The British Museum's curator proposed that the lens could have been used as a piece of inlay, perhaps for furniture, or for magnification purposes, such as starting fires. Yet no mention of the mysterious gaseous fluids which were said to have once filled the original relic. Unfortunately, we may never know what happened to the authentic liquid-filled original artifact, and although it is claimed that the Nimrod lens is on public display at the British Museum, it is rarely spotted. We find the claims made by Sir David Brewster to have been highly compelling, though unfortunately they may never be taken further. How many different civilizations, and thus different builders, have actually been and gone, only to be ignored by an academia wishing for their remnants to simply erode away? These remnants, many of which still existing ancient ruins, are visited by billions of people every year. Each attributed to a convenient imposter, a lie which conveniently ties in with previously printed, condoned, and currently preserved paradigms by superior influences. Not only ill-informing the world's young population, but attempting to rob us all of our own personal histories. However, thankfully, some things do not lie, cannot be hidden, and will never go away. We share many ancient out-of-place artifacts on our channel, some more perplexing than others, yet our next artifacts might be the most puzzling yet. Found in Kosovo, upon the Shar Planina mountain range, an ancient advanced artifact that has been explained as having once been some kind of transformer. Found by photographer and researcher Ismit Smiley, he subsequently donated a sample for scientific examination. It was found that the artifact is no less than 20,000 years old. In addition to the stone, coil, and copper wires, the artifact amazingly contained some form of ancient insulator, whose composition differs from the surrounding material, although not tested, it appears to have mysterious convex bands fused into a stone. Parallel to these are four symmetrically located openings, which have been postulated to have been entry points for wires, these once collecting energy from the transformer. What is this mystifying object? What was it once used for? Who made it? And with dating results of over 20,000 years, just how much older could it possibly be? Could these objects have once been a common occurrence amongst this ancient civilization? Similar to the clearly advanced metal clamps previously covered and found upon numerous ancient block built buildings throughout antiquity. Due to the sheer number of clamps used, although they are clearly a remnant left by a lost civilization, far older than academia would ever attribute the buildings to. Many of the clamps have survived the eons to be tested, examined, and displayed in numerous different museums as more modern artifacts. Is this how this transformer survived? Was it due to the sheer number of them once in existence? Or is it possibly a very special rarity? Unfortunately, regardless of alternative advice, ISMET intends to donate it to academically funded scientists for, quote, further studies. We feel there is a high probability that the artifact may be lost or stolen. Regardless, it was thankfully photographed and is undoubtedly a very remarkable object. Although school curriculums, historical publishings, permitted TV documentaries, and even national museums all conform to a dreary, limited historical tale in which modern archaeology dictates all, we feel evidence to suggest that a lost civilization once lived, flourished, and built incredible as yet unexplained structures all over our planet is now overwhelming. We have endeavored to explore, unravel, and describe to the world this unimaginably enormous array of impressive, incredibly ancient feats of stone building. By doing so, we feel we have demonstrated that not only is academia severely lacking any explanation or even permitted study of these features, but that this lost civilization before their mysterious disappearance were clearly far in advance of our own current architectural, agricultural, and even technological knowledge. And while the world has begun to awaken to the reality of this group's past existence, we have been busy attempting to uncover just what they were building, who they could have been, and why they were clearly infatuated with the stars. It should be clear to anyone who has explored these unexplained ancient structures that a common reoccurrence, among all, is the inclusion of constellations, whether that be within the alignment of said builds, or indeed etched into the architecture itself. Why would a clearly highly advanced past civilization have been so obsessed with the stars? If one ponders this question without the clouded primitive belief-based explanations and motives academia puts forward, it is a question that becomes highly compelling. In Kiorikancha Kusko, the Golden Star Disc once rested, once part of a large star map, although funded scholars have seemingly been unable to describe its obvious depictions, many individual researchers have conveniently deciphered this disc with ease. The Golden Star Map, according to an Incan elder, is a map of the sky where their ancestors and Viracocha came from. It has been investigated by academics for over the last 70 years, although this research bared little fruit. Its detail was masterfully produced on one enormous hammered gold sheet, and is believed to have been a mere piece of a map once far larger. How did this ancient people know so much about the stars and the universe around us? Why were they so obsessed with stars? Were the Incas visited by beings from space? Perhaps one day we will find out. Hey guys, so although the idea of leprechauns and fairies is considered to be, well, a fairytale, there does exist a handful of very compelling artifacts unearthed over the years, which have suggested the existence of an elusive race of tiny people. And although they were presumably wingless, judging by the relics found, they would be so small they could indeed be considered to look just like modern representations of fairies. A worn in, tiny shoe, found by a remote sheep farmer on an ancient trail within the Bira Peninsula in Ireland, black in color, the craftsmanship that had gone into creating the tiny piece of footwear for our giant hands, would have been highly impressive. He was amazed to find that the shoe clearly shows signs of wear, particularly at the heel. In fact, although tiny, this shoe had indeed been well worn in by someone no bigger than a pencil. The farmer eventually gave the shoe to the local doctor and eventually it was passed to the Somerville family. The current wearabouts of the shoe was unknown, although it is rumored that it is in Munster in Ireland. At one point it was examined by scientists at Harvard University. They found it was indeed hand stitched by tiny hands using tiny stitches and well crafted tiny eyelets. It was also discovered to be made from mouse skin. The belief in fairies or tiny humans is known as fairy faith. It is still found throughout Europe and the UK. In some parts of the world such as Iceland, fairy faith is still very strong. Artifacts left or given by these tiny people have been documented on several occasions. The Fairy Woman's Cloth of Birste Fijal is but one example of a gift from these tiny beings. According to the legend attached to the tiny, unique relic, the wife of the district police superintendent and public prosecutor at the farm of Birste Fijal in Vopnaf, Jordan, in the east of Iceland, received this cloth as payment from a fairy woman whom she admired wife. The cloth is now in the National Museum in Reykjavik. Thor Magnuson, who is the president's custodian of antiquities, says certainly it's a unique cloth. There are some other gifts too up and down the Atlantic coast of Europe, including the flag of McLeod, kept today at Dunvegan Castle. The most famous object is known as the Luck of Eden Hall, a cup that was won fairly from fairies by a member of the Musgrove family. Today the cup stands in the Victoria and Albert Museum. The cup, which is astoundingly beautiful, is surprisingly of eastern origins. Although many of the things mentioned could and have been put down to elaborate, yet entertaining hoaxes, the fairy or leprechaun shoe found in the remotes of Ireland is one of those extremely rare artifacts that does indeed seem authentic. This may be why it is hidden away from certain individuals who would probably prefer it disappeared forever. Thanks for watching guys, and until next time, take care!