 Maybe you should talk. What's up y'all? We're here. So right now today right now we're going to do just an experiment to see how the waterfall pour that we do works when using a quick setting resin. So today we're using stone coat counter tops quick set. It is a one-to-one ratio resin that you have about a 15-20 minute working time and then it sets up within two hours. That's kind of bananas and we don't know if this is going to work but we're going to experiment with it for y'all today right now right here today. Today Jeffrey is the lovely artist. I'm just the narrator but I'm going to be here in case he needs any backup. Do you see this is a very small canvas so I think it's a 4x4. So when working with resin no matter if it's a one-to-one or two-to-one or whatever to whatever it's very important that you measure out accurately because I used to say this all the time but getting into the lives I don't really remember to say it anymore but if you have too much hardener then your piece may set up faster than you would like and if you have too much resin it may never set up at all. Or vice versa like you never know like it could just be like eh we're supposed to have this and it might not set up. Some parts might be sticky some parts may not be like. Point is measure accurately and make sure that when you mix your two parts together that it is completely mixed in well with each other because you could still even if you measure accurately end up with weak spots if you don't script the sides of your cup or the base and corners of the inside of your cup and the stir stick. Very important with this quick setting resin it's easy to get caught up in the fact that you don't have a lot of working time and so you really want to pay attention to that when you're working with this kind of resin. Keep an eye on the clock once the two parts touch each other that's when the clock starts from your 15 to 20 minute working time. 20 minutes is probably absolute max if you keep the resin on your substrate instead of in the cup. Today's colors are not blue diamonds. Yeah. Oh it is. Blue diamond. I thought you had too close to that. It is blue diamonds. This color is very nice. It's metallic. It is by just resin. It is a paste. It is a metallic paste and it is a gorgeous gorgeous color. The other color Jeff is using is this one? Yeah. Stonecoats white. It is this white. It is by Stonecoats on the top. It is their white based on the website. This is the main side that they fell this in. This is the main side that they fell this in. And I need to go find a partner. We've done this before. If you remember our first waterfall and we did it using I think art and glow and that still was a little bit longer working time that I than I would like for something like this. We definitely want this to set up faster so you don't have to baby it as much. So I was just kind of testing it to see if I just left it for a minute or two not pour it right away. So it kind of sets up a little bit more. You know the work time. It's going to be kind of like a negative poor piece. A negative whites on the sides and up at the top and then I'm going to pour the teal right here. I think I'm just going to pour the teal all along here and just pick it up and let it tilt. Or I'm sorry the white is just going to go. I think I should just not do that yet right. Well you know you're going to want to work with the lines once they get down here right. That's what I'm hoping that I don't have to because it sets up so fast. Those look like bruises so bad. All right so what I want to do let's do this. Let's make sure all this is here. Just put a little tape up here to make sure that's all. We're just using a regular masking tape for the edges of this piece. Yeah I would prefer to use blue tape but we're seeing if this masking will work. But what I'm going to do is I'm just going to pour right at the top and just keep pouring till it just drips. We have the board that is the space covered in a white plastic and it is set up on a slight angle maybe three degrees. Probably I'll probably I'll probably tilt it a little more because this is yeah well it's it's going to have to. All right so what I'll do when working with a fast sitting resin like this it definitely it's always different whenever you're when you do it. I'm just going to tilt this a lot because I want these drips to be a little bit bigger. I like to tilt it back just so that it kind of goes back kind of underneath your canvas so that it sticks to it. And what you can do I don't think this is level because it's like going off to that side it's kind of funky. When we're going with resin when it does something you didn't expect it to the best advice we can give you is to just roll with it. Make it part of the choice. So right now what Jeff's going to do is pull out some of that resin into a longer drip and allow the resin to fill that in. Which I should have done in the first place. I should have done that with the white. I'm not a fan of this at all. I think you should put that resin on the top. Into it. I like how soft that top is. I'm not a fan of it going outside of it. Like something exploded or glass shattered and it's dripping down. I'm going to take one of these tiles. I have a tile underneath. I have two of them actually. See it's just not, I wonder if I can just push that up there. I think it's already wet and so it's not gonna, it'll fill back in your dripping but then made a neat design. It's just too much. I use too much resin. Do you have any more of that blue left? Yeah. See I should wait for it to, for it to sit. It's hot right now. You have another smell spare when you do another one. Let me try this. That's probably gonna, I don't, I don't really care. It's gonna get in on that. It doesn't matter. I don't like this. This is hideous. It's heating up. I don't know what it's gonna be. I'm just, I'm just doing it. Anything. That's already set up. See I wonder if you just wait. Stir it up, wait for a minute. Like something's smoking. It's that. Like look at that. Not even. No it's moving. This stuff smells and heats up like that. But that's not moving. This stuff is still moving because we had it out. It's, it's really. It's a good lesson on why you want to get it out of the cup. Look at it like, like boiling up. Is that, like it's not. It's because it was set, it was, it was setting. Yeah. And you've moved it in itself. Like the outside sets first. And so when you move it, the inside is bulbousing. Bulbousing? I don't know if that's a word. That is really pretty though. Yes. Yeah. That's, that's fun. Can you pick up something like this outside? It's still, it's so great that you can do that. I'm not really worried about it falling back into that area because it's starting to set up. Do you want it to do that thing? No. That's what that looks like. That doesn't. It looks like a cow udder. That's so crazy why this stuff is set up and this isn't yet. Obviously I just use way too much resin and this stuff is already set up. Look at that. That's crazy. It's almost like you just need to tape it all the way off or pour it, pour your colors in here, tilt it the opposite way so that it stays up here. And then until it fills up enough and then you tilt it so that it all just goes off at the same time. It's like five minutes from when you could pull these sides off. That's so crazy. It's like, I know but I want to see what looks like if it'll go down like real slowly like icing. Right. I think you're about five minutes from that point. Or go ahead. Look at that. It's so clean. Well I think it's going to go down. I think it's going to drip down like and I have a piece of silicone caulking underneath this so it holds in place or else if not it would have definitely moved. See if I would have had that dry coming down the sides a little. But it's still just on top. It's so difficult to make it clean because of the sides. Like we need to figure out if we need to just put a line of caulking right here just a straight line. Could do it. And I would definitely have a little border. Are you going to clean that up? A little canal. I know this is it's too much. It's staying. Which after all was the idea? Do what? Which was the idea? That's crazy. The top's still a little tacky. You saw I hear folks in 20 minutes pull that up. I just want to cut the cup away. Okay hear me out. Well if you do that put this on. It's it's still too tacky to do that. Hear me out. I think it'll it'll stick to this paper. Okay still. Silicone cup. Either like wrap it in cellophane or use that tie-back tape or just squeeze some silicone out and coat it so that you can just go. Getting crazy. Look at that. Yeah it's going back over there. It's putting the heat on it. Put a little heat on it. It'll activate it. It'll accelerate it a little bit. Did that come down a little bit? It kind of did. It's so fun. Are you going to do another one? I don't know. But look when you do that it kind of expands. See it? When you reheat it it'll do that. I think I think we just need to Let it set up a little bit. Let it set up. Pour pour your have a good tilt and just pour it and like heat it up. And then let that let it maybe let it drip. Would you throw your lines out? I don't know. You could just do another one right here and flip it that way. Is this live? No it's just recording. All right well there you go. With the quick set it doesn't it's so crazy that it puts out like that. If you keep it in that cup it'll definitely. Yeah and there's the frosting look I want. On both sides. Oh it looks great over here. All right y'all on the next video we will show you what this one turned out like. I said bye.