 okay checking out your latest version timing corrections there right of all this here is also great so I think this is gonna work right and I think let's see as you continue on you got to make sure that you know as you keep on refining like you know this is a very harsh ending I'm just putting out the obvious but you know as you spline this you want to give this just enough see what kind of roll over and his strength to kind of fade out this is not going to be a just a hard stop it's gonna be like and slow in and go down this guy and in this guy to go here I'll be careful because he's starting to push this way right so an arrow here there he goes he's pushing this way but I will make sure there's still enough of a feeling of I'm going up with my head so that there's potentially you know a straight line as he brings that that thing up like that and then after that you reach this type of thing where his arms start to bend and he gets into this so good that's getting better there let's watch this again I think you can go see be careful you have the beginning of him lifting it up but it's already going up here so I will go to this point here like he gets to this first to this line you know that his body is having that C curve and again stretching out his arms is a fantastically horrible drawing but he gets to this and once he reaches the maximum of pull here and this starts to straighten right that arm that's when the thing comes up it's just a little bit too linear there but right it kind of pops up and watch out it's going through his body and all that stuff so you know same thing here you got to get away from the linear keys right that's your linear moment where this goes up here it was up here and then immediately goes down so you know your arc feels like this as opposed to boom right and then I think this goes down and their reaction to this is him going up with his body but to me it would be the opposite right so you got all that weight coming down boom and then he would be a moment of potentially let's go back here like you know he would have maybe his body will be all the way down here and he's bent over with this thing down here and he might you know have a moment of whoa what the hell's going on and then after that he can push up into here right you want to have a moment of the weight of this hammer it's gonna come down and he's not quite prepared for this so the momentum of the weight of all this it's gonna continue just a little bit and then his legs gonna push against it and then he goes up and right now it's going up and hitting him on the shoulder and then it's he's immediately going up especially this here is your big linear key there so the weight of all this that you established here is kind of gone right there that's fine and this I think you go I think this comes a bit early this reversal so I like that he's going this way kind of in you know in a show you know I'm gonna go this way but then I will wait until maybe like this step to be that far back like he's pushing with his body always curve this way pushing pushing pushing and then it's at this point and I wouldn't actually stop here so if you see curve see curve get into reversed for this so you kind of mixing a couple things and this is gonna pop but the idea is all right you go from from this skip all this here and you will get to like yeah again this is gonna totally pop but the idea right you're you're staying in this and as he goes forward you're still staying in this and you're doing this move backwards right where his his spine goes from this to a reverse that happens as you get into into this right see curve at this point still here and slowly going back into into this so you have this nice I'm pushing forward I'm pushing forward because I'm going this way and then that big C reversal there and then you gotta make sure that right now he's pushing this thing up right and this is just physically not quite working because he's it feels like he is using that arm right to push this thing up here and at the same time the arms slides down but the thing is if that's your momentum I'm pushing this up here it's kind of come back down here so for him to go this way feels weird so to me it was like if you go with this right and you have that reversal that's my that seal and there and you break that to get into this pose after totally sneeze hold on so by imagine he is hunched over like that with the hammer like this right and has his arms like that and he's then pushing like he's using his reversal and it gives you that kind of an of an arc that way you can start pushing you imagine he's kind of halfway going there right and starting to however his arms are push that thing up right that makes no sense I'm still getting used to my drawing tool there as I push control it draws the moment I push control it draws if I don't like if I go up right it so does it I gotta let go of control anyway totally not relevant so to me it feels like if he is leaning forward with his with his body he's got the hammer up here and he does that kind of push off and then back that gives us just enough of an arc to motivate this because the trajectory of the hammer was that and boom and he was back right so again to go secret secret reverse and then boom and I will probably end this with when this lands he might actually be and it might be different than what I said before but not watching it now I will probably do something where he's like this where that thing is leading everything is leading and driving and it's going down so fast that it's pulling him down and it will be this comes this hits first and then this hits second and then right after that and then that at the end right so this would be one and then this would be two and this would be three and then this will be four pump up I'm in succession and it's all driven by the hammer at the end right so it's almost he's trying trying trying you didn't almost have it land or be like this right or his body is like this and he's trying to get in that makes no sense but you know oh there it is again so that's kind of the idea I think for the ends so it's not all landing at the same time but it's really he's trying the best he's best he can imagine you're putting your whole force into this right you're doing whatever you can and you got arms back and everything and this is just keeps going down right and follow that arc of that character and then that hammer just goes down and imagine just this is the thing that pulls you down right so see that drop that it does here you'd wait you'd wait until that thing is here so it's really pulling him completely down so you can go crazy with you know with that hammer he might still try like this and it might start with one for like that but you know that's kind of the idea so that is lands first and then it pulls everything this way right okay I hope this was not completely confusing but it's coming along I think you you're making great progress just gotta you know break down separate areas and and work on splining things and make sure your arcs work and think about the physics and the momentum if you bring something that heavy up here how long is the hang time then as it comes down how quickly can the drop be cushioned and stopped by the body and so on and so on okay thank you all right there's an email you can sign up you can start whenever you want you can submit whatever you want you get 16 submissions either way a like and subscribe would be awesome all right thank you