 So first and foremost, I'm sure everyone in here knows Bernay Brown. And if you don't, you should look up their TED Talk about vulnerability. It changed my life. It's a 10-minute clip on YouTube for free. And I really connected with this. Specifically, connection is why we're here. Because a lot of how I have been essentially living my life is through the internet. So Instagram, Facebook, just that community in itself has been really powerful for me. And thus, bringing me here. And maybe some of you follow me online, too. So quick thing about what I do. I do a lot of textual work. So initially, how I started my work publicly and posting on Instagram is actually through sheer fate, I guess. I started anti-depressants. And if anyone knows what that is like, it's going through hell for a little bit before it gets better. And so I just started drawing. I couldn't stop. I regulated my pill cycle with my drawing cycle. So this is kind of how it's progressed. I don't think I need a microphone, so whatever. Oh, I do need a microphone. OK, is this better? All right. So anyways, I've been doing a lot of work. I draw every day. My hand hurts. But it's kind of how I get through life. And I'm sure everyone copes with whatever they need to get through with their life. I just share it online. And so I post it on Instagram, asking for questions. And here I got some. Does something inspire the organic shapes first, or do they come as you go? And for me, when I work, I really think of myself internally. And that's a lot of movement. Even though I don't physically move a lot, I have a lot going on inside. I'm a scorpion moon, if that means anything to anyone. And everyone has feelings. So this is kind of how my work grows, I guess. It's a little chart of why I do the things that I do. And so as you can see, I have things that inspire me. And also, the way that I was brought up as queer and Korean American had really shaped the way that I perceive my work and how other people perceive me. And it's kind of weird because lately people have been meeting me in person. And they think I'm a white cis straight dude, which is really interesting because I don't hide my identity. But I definitely feel like I post photos of myself. And so it's really interesting to think about the way that the public perceives your work based on gender-specific or non-gender-specific. For my case, I like being fluid. And I don't like this idea of binary. Anyways, I hope that explains something. If you're looking at me and you're like, why is that person Asian and not white? So here's the next question from two different other people. Your style is distinctive. Has it always been this way? And if not, how do you think it has evolved? See evolving in the future? Like I said, it started with being really depressed. And so I just kind of drew. Our therapy is really a thing that I believe in. And I also believe in doing projects. And one of the projects I did was Yoko Ono. I illustrated her Twitter tweets for 365 days consecutively. And through that, I met Betty Ono Gallery and a bunch of other Instagrammers. And yeah. So how it's evolved. It's gotten a lot bigger. I think initially I was really, really timid. I wanted to hide in my sketchbook or I didn't think people would actually want to see my work. And the more I shared with people online, it built a little bit of insurance for me that I'm like, wow, I'm not alone. I'm not this random queer person that's just posting photos. I started getting commission work. So this is actually one of the commission murals that I did in Culver City in California. And so things are getting bigger. I work at a coffee shop. I started doing murals there. And then I started ended up getting gallery shows, things like that. And so this is how it's connected to the Lady Gaga Bowie costume gig. Is I got the opportunity to illustrate on her dancer's costumes for the Grammys. And that's where connection comes in, right? Cause, you know, you gotta stay connected with people to get things like that. So I just had a friend in college and he's been following my work and the way that a lot of people have been following my work is through Instagram. And it's a really, it was a really amazing experience. And I also really took a lesson from it and kind of realized that as long as you stay vulnerable and kind of show up for yourself and you can show up for yourself through like posting maybe even anonymously for a little bit that people will find value. And through, you know, that kind of practice you can find value in yourself and your own work. This is I think the last question. Who are some of your biggest artistic influences? Obviously a lot of women of color, Yoko Ono, Yaya Kusama, Ruth Sala and Agnes Martin who is a white, she was in the class of lesbian. And all these people have one thing in common is that they diligently worked on their craft and you can see through their like work and through their lifestyle and everything that they just obsessed over creating and they weren't afraid to show it. And these people are the pioneers of I think women of color and women artists who were kind of shunned in the past and now there's so many of us and queers and people of color that are actually speaking up about their work. So I feel grateful for that. And okay, nevermind, this is my last question. How do you challenge yourself as an artist to stave off getting stale art block? And I don't have a question, I don't have an answer for that. I just think you just kind of have to do what you gotta do and you take breaks. I take a lot of breaks and I think of art practice making life where you gotta take care of yourself and once in a while you don't have to make work and just go back at it and just obviously just be diligent. So that's the end, yeah. Bye.