 So Papa, we've talked a lot about consistency today and I can imagine it's even more important in terms of films or TV series which are made based on books and on those literary adaptations. I can do a little coming out that I myself an author of subtitles for a series called Bridgerton for one of the seasons and this is a TV series based on books. And so I know that it can be very important to ensure consistency when translating such content which is based on some previous content that already has been translated into multiple languages. And I know you did a study on this sort of thing on translating on subtitling films and series which are adaptations of literary works. Yes, it was an interesting study and the sample was huge because I think there were 16 literally pieces 16 movies and 16 pieces of literature not only novels but there were plays as well. That I translated with my team, and I asked the team to read a book that the material is based on before translating then translate the movie, and then fill in a questionnaire about you know the usefulness of that book that the reasoning was was this if you are a translator and you receive an adaptation to translate. And sometimes the deadline is really tight, like you didn't really have a lot of time to finish the translation and hand it over. Should you try to find time to squeeze in I don't know a 300 page book to be able to prepare a better translation or maybe you are you are a project manager and maybe you should you know, setting some deadlines you should give your translator extra time and maybe some extra pay because well it's it's some labor, you might not be interested in that book on your own. Maybe add some extra time and some extra pay for you know so that your translator does read the book and the person better translation and the results in a nutshell were very different and surprising because it's some cases. The book did I thought let me start from the beginning I thought the book always helps or at worse it doesn't. It doesn't hamper your, your translation okay it doesn't do any any damage to read the book, but it turns out it does. In some cases. First thing, it does help a lot. You understand the story better. Maybe there are some pieces of terminology. I don't know, in Lord of the Rings you have the creatures and, and the places in in Harry Potter you have the potions and so on. If your audience knows these, these pieces of terminology in translation they will be happy if you use it and unhappy if you come up with with different translations. There's Dune in cinemas, which I read and I was happy to discover that the translator use this canonical translation that I read. And it seems that I'm a member of a toxic fan base because I would be dissatisfied if if the translator used some other equivalents to these to these to these terminology to this terminology. Viewers can have some expectations about the translation and we should factor this in in the translation process. So that's one thing it, you can sometimes copy entire dialogue lines even the question of authorship and legal rights is an issue here, but sometimes you have some recurring lines, like we did. We did Dickens, the Christmas Carol, and where Scrooge says humbug that's he's like a recurring phrase, and you can you can borrow in in a way this this translation from the book into your subs. So this is also how it's helpful recurring dialogue lines for instance. But it turned out to be a waste of time in some cases, if the book is descriptive for instance there were a few books like that. The book was completely descriptive there are no dialogues. So we know that the plot is there from the book, but all the dialogues are invented so you know reading it doesn't help you much. Another thing was where the movie is completely reworked for, you know, for various reasons. For instance, we did the hunchback of Notre Dame, which is, it was an old version that was shot during the haste code. And the main villain of the book is an is a bishop is an archbishop. So they didn't want the villain to be a bishop you know who falls in love with a woman and so on. It's basically controversial from the religious point of view. So they switched the characters altogether completely so that a different person is the villain. And the translator who read the book and then were to translate the movie report that it was completely confusing. Who does what and it didn't help her. In fact, it was a hindrance because the movie was so different from the book. That not only was it a waste of time reading that I mean a waste of time from the point of view of the commission and she read a beautiful piece of classical literature, but from the point of view of the assignment it wasn't necessary. You might have, you know, characters that are deleted characters that are merged. An interesting problem, for instance, is with the third language, like in a book, you can have something in a different language and you just add a footnote and you write the translation. So you have say Spanish and Polish at the same time. And the book is in English originally, but in the subtitles or whatever the form of audiovisual translation you need to choose. And now with that the book doesn't help you because they have both. It has both both texts and you need to choose. Do I go for Spanish? Do I go for Polish? Do I mix? Maybe just to retain the flavor. So there are a lot of interesting findings in the study.