 I'm gonna have to come like Jay Brown on this one. They say, what you mean, boy? I say, turn to y'all then push the button. And I get on the good foot. Hey. Get on the good foot. Hey. Break it down on the scene. Hey. Like you a sex machine. Hmm. Man, man. Get on the good foot, wee. Get on the good foot. Break it down on the scene. Like you a sex machine. Wait a minute, baby. Man, get on the good foot. We on boss talk one on one, one on one. Yeah, we gonna talk. I know that like earlier you were talking about that everything that you write, you write about other people's situation, things that people talk about so far. Yeah, I wrote about things that naturally happen, yeah. But, okay, for rappers though, a lot of rappers always say, a lot of things that they rap about is always about them, what they've been through in their situation. They don't rap about, it's like they feel like if they rap about somebody else's situation, they're being fake. That's true. So, how do you like, the things that you rap into, yeah, no, I'm talking to bad news. Bad news. How do you like? Yeah, so the things that you rap within the Southern soul, Southern blues, you know, when you're mixing it, is everything that you're rapping about, about you, because if you're adding pieces to what he is in his part, it's not really about you. No, like me, my rap is different. See, my rap ain't the gangster rap. See, like the gangster rap, you tell me you got a hundred bricks, a hundred million, all that, my rap about making a woman feel good. I'm trying to talk their panties off. And I can do that very well. So, I'm rapping about me and a hundred other dudes out here. Anybody got a woman, anybody got a side piece, or anybody that got a little fling, you know. And don't get it confused now. He is fortunate enough to be with a person that, I told him, don't isolate yourself. You're not in no, see, they like to put you in a box. And they put you in this box and they categorize you and say that you're this type of person. Well, my nephew came to me with that. I was like, no, if that's what you wanna do, we gonna do it. I don't call it his version of music. I don't call it blues. I call it music. It's different. And we're balancing it in between those two different situations, R&B, Southern Soul, and Blues. Because if you listen to all the other artists that's out right now, listen to it. Categorize it all you want to. They sound the same way, but they can't do it like what we're doing. We're doing something different. We're keeping that Southern Soul blend. And then my nephew coming with that rap that sounded just like any other rapper that do all the, nah, boo, boo, boo, nah. Nah, we don't do that. Yeah, we don't do that. We talk about love. Yeah, all right. We talk about problems. We talk about families. We talking about real life. We talking about all that. We talking about real stuff. So we don't like to categorize our stuff. When you talk about bad news, I don't want you to look at bad news as trying to come into blues and check. No, no. He's come into blues showing his style because the other market ain't open. You understand me? Yeah, that's how it works. So we gotta have an opening and guess who gave him the open big poke and bow? Well, well. And my nephew keep breathing. He gonna always have an outlet with me. Me in that word that you heard that. Me. Me. Me. Sorry. You gonna learn that. Poke it, bro. How'd you come up with good foot? Good foot, baby. Good foot. Turn it round. What? Turn it round, baby. I'm gonna get on the good foot. You better do this. You better do this. You better do this. You better do this. You better do this. You should call that a little more. No, you gotta solve. I'm gonna have to come like Jay Brown. I'm gonna have to come like Jay Brown on this one. They say, what you mean poke? I say, turn to y'all, then push the button. And I get on the good foot. Hey. Get on the good foot. Hey. Break it down on the scene. Hey. Like you a sex machine. Baby, get on the good foot. We get on the good foot. Break it down on the scene. Like you a sex machine. Wait a minute, baby. Man. Get on the good foot. Big poke bag. Big poke bag. You gonna learn today. Listen, man, I entertain all of them. I got more cuckoos in a little bit. Boy, you ready to dance, boy? Say, man, I'm telling you, my Ken folks say, man, you have to talk to poke bag. I say, yeah, I talk to poke bag. Hell. She say, for real? I'm like, man, I don't damn well is who I'm a crazy old poke bag. You have a lot of females. I'm a crazy old. I'm a damn male. You're a female? Yes. Yes. And 30% of my fans are kids. That's crazy. I'm a kid. They love it. They love it. But how does a southern, OK, because most southern soul artists cater to females. And I've seen on certain Instagram posts and stuff like that when some of them be on stage. And you actually see some males jumping up, singing your songs and how you feel when you have the males doing all of that. I love it, I love it, I actually love it. I don't, when a male jump up and show me respect, said, man, I love you, bro. Man, my wife, you're number one fan. And he shake my hand, man. Man, it's nothing like that feeling, man. Let me tell you something. When it comes to Poker Bad show, these people come out here to see me cause they know I'm a real, I'm a real brother, bro. I don't, I ain't with all that faith. You know what I'm saying? It's all about love with me, you know what I'm saying? I throw the L's up everywhere I go. Everywhere I go, I throw L's up. And that L don't stand for no gang, I ain't in no gang. The L stands for love. Man. And Louisiana. Hey. You understand me? So everywhere I go, male, female, I don't care. What y'all? You come to see me, I'ma show you love. That's why you ain't never heard no confrontation with me with no fans. Because the fans come here to see who that. Poker Bad. Poker Bad. Hey. You gonna go with that man? Damn. You sound like a marching band. You sound like a marching band. It gon' poke you. And I, and I, when I do my show, I tell all my fans, I say, I don't do this for me. I do this for you. Mm-hmm. Cause it wasn't for you. Wouldn't be no me. Man. They gon' learn the day, bro. Man. Say it. All right. So, listen man, you see a lot of people doing the trail rides and stuff. Like, that's a lot of the people that follow the Southern Soul Market. Like, do y'all think it's gon' be as strong this summer, and this. Oh my goodness. It's gonna be as strong as it's been been. What did you just say? Is it gon' be as strong as it's been been? Man, we's on that. If I don't be on the BETO board. Woo-hoo-hoo-hoo, you're telling the truth too. Bye. I'm gon' burn that old damn thing down. I swear. Give it back. I'm playing with me. Cause ain't nobody selling out. Look at my numbers, boy. Look at all my numbers. Ain't no one can stand with me. All you rappers, everybody that's doing your thing. Look at my numbers. I got five number one albums. Five. Never been nominated. Man, that's cool. Feel me. And I'm still coming with his. Play with me. No one has done what I've done. And I've not done it. And I've not got my credit. But guess what? I don't complain. I just keep working. Learn the day. Do you get to fulfill me like from the people? That's how the promoters eat. That's how the promoters eat. Yeah. How you think the promoters eat? Cause if people love them, they gon' keep booking them. Yeah. And he ain't trying. From me on the ticket, baby. Sold out, baby. All sold out shows. I ain't never done no unsold out show. Learn the day. Poke it, pal. Poke it, baby. You gon' learn the day. Never. Mama, that's all there, man. Everywhere I go. I booked a show the other day. I had four days to do it. Cause they cancel my show for the weekend. Guess what? Sold it out. Sold it out. Learn the day. The fire department came out. I told the fire department, you want some to eat? No. Yeah, we on boss talk one on one. Yeah, we gon' talk.