 If you look inside the cermes foyer you'll see four bodies of paintings and their objects. Each of these are a response to the drawings and plates that were done by the artist Jean Pyrron who was a member of the Dantracasto voyage that visited Australia, the Western Pacific and Indonesia in the late 18th century. What I have done is I have looked at the drawings and engravings and I have reinterpreted them. I've done this by examining the drawings, thinking long and hard about what they reveal and what they represent and then quoting parts of them. But I'm quoting them in a way that tries to talk about the motivations of the artists themselves, the things that happened during the encounters that he was part of and the impact that these images have had once they went back to Europe.