 Fold your arms naturally, just fold your arms naturally, and now, now, purposefully fold them me. Other way. Are you ambidextrous? No. It's just, I'm a human, that's not an idiot. Hey, welcome back to our Stupid Reactions, you idiot. Starts to slip out. Oh, you. And you can follow us on Instagram and Twitter! It's horrifying. Don't drop it on Twitter right now. Thank you for watching. You can follow us on Patreon and official Twitter account. Is this a food video because I'm really freaking hungry right now? Uh, no. Why do you want to be a foodie? I'm really hungry. Oh yeah? You're welcome. I didn't bring food and eat on camera today. Oh good. So you're just going to be hungry the whole time? Yeah, I'm blaming all you diarrhea things. This is from a Bengali film. You want to read all this from me? I do. Right here? Megadakatara, cloud-capped star. Based on the life of prominent filmmaker Ritwik Ghatak, who, while undergoing treatment in the mental asylum, writes a play and stages it with other asylum patients. I'm in love with this already. Depicting the partition of Bengal and its devastating effect on its youth. Read the video's description after watching for more information. Here we go! Here we go! We know him. We've seen him many times. That was from... We've seen him many times. That was from... He's... He's... He's... He's Bob, the killer. Uh... What's the name of this film? I've seen three of your films. I didn't understand anything. But it looks like a painting. But it's from a book that I've never seen! You're the one who's portraying him. No, I'm not. The people's artists are my parts. I'm not going to potter my life for human's sake. We can't do that. You're the one who's portraying him. Separation is essential. It's not that. It's you who's a fool. You're a coward. You're a coward. You're a coward. You're a coward. You're a coward. You're a coward. You're a coward. I can't even breathe. What's going to happen? What's going to happen? What's going to happen? I can't even breathe. I can't breathe. I can't breathe. I can't even breathe. Freakin' god. I wanna go see that right now. If I saw that trailer like in the movie theaters, I'd be flipping out like we did with Lighthouse. Oh yeah. Yeah, that just looks glorious today. Is it older? Did they just make it look old? It's made to look older than it is. You think so? Yeah. I promise it's made to look older than it is. Uh, yeah, and I think that was the actor from Kahani. Guarantee that's Bob from Kahani. Legendary Bengali actor. Is he a legendary? Yeah, he's a legendary Bengali actor. Let's see here. Soundclap, cape to star. That's not it. You sure? There's no way. No freaking way that was made in 1960. Let's see, cloud cape to star, 213? That's probably it. Let's see which one they gave us here. So yeah, there's, well, look him up. If you look up cloud cap star, yeah, look at the guy who's starring at it. It's Bob from Kahani. Yeah, okay, so this is the one. But I don't want to, let me say his name from 213. That makes sense. Is that him? Yeah. Yeah, Saswada Chatterjee. Bengali by name. Lots of Bengalis, look at that. Chatterjee, Chatterjee, Chatterjee, Banerjee, Mookerjee. Wow, loaded with Bengalis, okay? Man, that looks great. To Ritwit Katak film was not merely a form of entertainment, but a weapon, a medium to portray, struggle of common men. Oh my stars. Yeah, there you go. He was successful neither in his career, nor could he become a good family man or husband. Still, he was an artist who never compromised for personal gain, fame, or profit. It starts in 69 and deals with his time spent in a mental asylum. I'm 154 minutes, so I really, really, really, really badly, badly want to see this. Directed by, say his name? Kamalaswarmukerjee. Obviously Bengali, right? That last name? So all Bengalis end up cheap? Yeah. Chatterjee, Banerjee, Mookerjee, anything with that. Part of it has to do with priestly lines in Hinduism. That's part of it. Gotcha. I didn't know. Yeah. Cool. Yeah, that looks really good. It looks intense at parts. I love the fact that he's going to be in an asylum. I do love that. Come on. It's a guy wanting to make film. So is it a remake of the one that was in 1960? Was it? Is it a remake of that film? Because he's playing a real guy, right? So he's playing. Is a true story about this guy? I think so. That could be wrong. I'm just I've got a, and granted, obviously I have a definitive draw toward this part of the world. Why, Rick? And part of it is I'm learning about the approach to film in Bengal and love it. Because it's everything I'm hearing and knowing and learning about it, both in the stuff I read, but also conversations I have about Andrani because she's an artist and has adored film her whole life, in addition to every other kind of art form. And it's extraordinarily articulate and observant that the Bengali film prides itself on elevating artistry above all else. That the primary purpose in cinema is to be an artist. And that if it gets commercial success, that's important. But that's not the end all be all. And you would not profane the artistry for the sake of box office. That it's first and foremost an artistic endeavor. Never should be, anyways. No, never should be. That's one of the things I don't understand about a lot of Indian cinema. It's how focused everybody is on if it got a bunch of money. It, why don't we do that here too? No, regular people don't do it. Oh, no. No, we don't care that Lighthouse didn't make any money. That's very true. As far as a film getting notoriety? Yeah. Like you know. No, all I care about is people seeing it. The only films that people focus on the money is Avengers and Star Wars. Right, the one they spent a quarter of a billion on because they gotta make it back. And the only reason you know that is because they say it so many times. Correct. And the only reason people are focused on it. No, and the only reason I would love to see a movie like Lighthouse or when Sky's Pink was released, the only reason I wanna see the box office go up is because I know people are seeing it. And I know that studios are only gonna make, studios could give a flying crap about artistry most of the time. They wanna know they gotta return on the investment. Why do you think there's so many Fast and Furious films? Correct, and if they get return on investment, they'll make more, which is what is so important about you going to a movie. Every movie you go to and you give them your money, what you're telling them is you not only support that film, you want them to make more of them. So when you're questioning whether or not to see a film, it's often good to do what we'll do sometimes. We're gonna hear word of mouth. And if we hear from people we trust, it's worth seeing. It isn't just because we're willing to invest our time in it. We know that when we spend our money on a movie, we're telling the studio, make more of that. And it's why when we spend money on a movie we don't like, we're pissed, because we don't want them making more films like that. So yeah, this is, I wanna see this so bad. Let us know more, let one let us know how this is. If this is, well, obviously the first Bengali films are gonna watch it, The Apoo Trilogy. Yeah, that's for sure. That's for sure. Sorry, that's, we get such a different eyes. But after that, where should we start? Should it be this? Should it be something else? Please recommend more Bengali films down below. Please let there be comments saying this is great, this is great, I wanna be so disappointed if they say the trailer's the best thing about it. It's happened before. It has, please let this not be the one.